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47 pages 1 hour read

Jonathan Escoffery

If I Survive You

Fiction | Short Story Collection | Adult | Published in 2022

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“If He Suspected He’d Get Someone Killed This Morning, Delano Would Never Leave His Couch”Chapter Summaries & Analyses

“If He Suspected He’d Get Someone Killed This Morning, Delano Would Never Leave His Couch” Summary

Delano and his wife, Shelly-Ann, are no longer together. She has moved, along with their sons, Brandon and Hayden, to Los Angeles. Trelawny, who is teaching English, now lives with Delano. Nordic, one of Delano’s neighbors, has come to pressure Delano into asking Tina, the property manager in their area, if she will give the two men a contract to remove some vulnerable trees in advance of the oncoming hurricane. Because Tina had unsuccessfully tried to seduce Delano, he is dubious that she will hire them. Shelly-Ann calls, upset that Delano had gotten their four-year-old son guitar lessons for Christmas because he is too young to play guitar and the lessons are at the home of a teacher who lives far from her house. Delano finds the dissolution of their marriage deeply frustrating, and he misses his children. Nordic continues wheedling, and although their bucket truck is still in the shop (they’ve yet to pay the mechanic for its last round of repairs), Delano caves. He sends Nordic to see Tina, and he goes to the mechanic’s shop on his own.

At the mechanic’s, Delano tries to convince Rusty, the shop owner, to return the truck before the overdue bill is paid. He explains that they need the truck to do a job and that they’ll pay him back as soon as they have been paid. Rusty is nonplussed and tells Delano to leave. Delano distracts Rusty, gets into his bucket truck, and drives it through Rusty’s fence. Nordic has enlisted the help of a former crew member, a drug user named Mikey. Though Delano is not fond of Mikey, he agrees to let him back on the crew. Nordic explains that Tina stipulated Delano come in to discuss the contract, and Delano is chagrined.

Tina, of course, feels slighted, and she tells Delano that there is no way that she is going to give him a contract after what happened. Wanting to appear contrite, Delano explains that he had wanted to earn the contract, to work for his money in the same way that Tina herself had worked for all that she had. When Tina made the contract about “something else,” she took that ability away from him. He also clarifies that he had not been “having fun” with her, and that when she groped him, it had been assault. Somewhat mortified at her behavior, Tina agrees to give Delano and Nordic the contract.

At first, the job goes well. The men are able to begin clearing trees that are in danger of breaking once Hurricane Irene makes landfall the next day. However, the arm of the bucket truck malfunctions, and both Mikey and his chainsaw are catapulted down onto the street, killing him. As Delano destroyed the paperwork proving that Rusty had worked on the vehicle, he has no way to prove that he is not somehow responsible for the malfunction that caused Mikey’s death. Delano is no longer able to work as an arborist.

Not long after, he runs into one of his former bandmates, who tells him that she and another former member have started a new band. Delano feels hopeless. There is no escaping the crushing weight of his fractured family, his shattered career, and his inability to pay his bills.

“If He Suspected He’d Get Someone Killed This Morning, Delano Would Never Leave His Couch” Analysis

This story, which focuses on Delano, continues to examine how the experience of immigration influences familial relationships. Simultaneously, as in previous stories, this story takes into account how socioeconomic status and racial identity are key players in shaping the experience of immigration. Delano’s wife has recently relocated to California with their two sons. Central in her decision, at least from Delano’s perspective, is that Delano was unable to maintain their standard of living after the 2008 crash. Given the intersectionality of race, culture, and socioeconomic status, this discontent over financial hardship is far from superficial. Hurricanes also continue to feature prominently, and in this story, their neighborhood is battered by Hurricane Irene, compounding Delano’s issues.

In examining the interplay of the challenges immigrants of color face, Escoffery strives to make clear how any disadvantages related to socioeconomic status, racial and cultural identity, and family dynamics feed and fuel one another. Although their marriage had initially been happy, Delano and his wife, Shelly-Ann, grew apart after the 2008 crash. Delano’s business had struggled in the newly difficult economic climate, and without a safety net—a common circumstance for immigrants of color—Delano saw his quality of life suffer. This new challenge, building on the theme of Immigration and Fraught Family Dynamics, introduced a source of strain in his marriage. Although Shelly-Ann’s income was not affected, she began to miss their old standard of living and grew frustrated with Delano’s lack of ability to provide for their family. The growing tension was also exacerbated by their gap in cultural identity, tying into the theme of Immigration and Cultural Identity: Shelly-Ann had little patience for Delano’s passion for reggae. Ultimately, she chose to leave him and relocate to her mother’s home in California.

The theme of Intersectionality, Socioeconomic Status, and Race is thus of special importance in this story. Delano’s disintegrating relationship with his wife, which is undermining his relationship with his sons, is connected to his socioeconomic struggles. His socioeconomic struggles, in turn, relate to his racial and cultural identity. In this way, Escoffery shows how immigration continues to affect life in multiple ways, even long after a family has made its move to the United States. The kind of opportunities (and safety nets) that are available to the privileged classes are unattainable not only to Trelawny but also to his brother, even though Delano works in a much more desirable field than Trelawny.

Hurricane Irene, although not nearly as damaging as Hurricane Andrew, is an important symbol of this story. As in previous stories, hurricanes continue to represent complex family problems, which in Escoffery’s writing are inextricable from socioeconomic, racial, and cultural factors in the United States. Hurricane Irene in particular also represents a source of financial difficulty for communities in Miami that are already disempowered by socioeconomics and racial identifications. Delano and his work partner hope to make some money off the storm; however, they struggle to do so before of pre-existing socioeconomic difficulties and problems related to racism. Namely, their truck is in still the shop, unavailable due to non-payment, and Delano’s potential employer, much like Cukie’s father, Ox, has exoticized and sexualized Delano, culminating in unwanted advances. In short, Delano has few options. Escoffery places his readers in situations that prompt them to consider the characters’ desperation and frustration, even as those characters make questionable decisions. This representation, in many ways, is accurate for many small, independent businessmen of color in the region.

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