54 pages • 1 hour read
Tim O'BrienA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The book begins in the midst of a battle during the Vietnam War. The time and exact place are not specified at the outset. The narrator, Tim O'Brien, and another soldier, Barney, lie down side by side while a "volley of fire" roars overhead (2). They discuss how to view the war: as an extraordinary event, or as part of an ordinary string of days. Barney is amazed at the firefight: "You ever see anything like this? Ever?"he asks O'Brien (1). "Yesterday," O'Brien replies, apparently unfazed (1). The discussion continues in this vein: "Ever been shot at ten times in one day?" asks Barney (1). "Yesterday," says O'Brien,"[a]nd the day before that, and the day before that (1).
The efforts of O'Brien and his fellow soldiers seem somewhat haphazard, blasé, or ineffectual. O'Brien and Barney don't fire their rifles in the battle that begins the book. Their commander, Captain Johannsen, orders his men to blow up some Viet Cong tunnels, declining to make them search the tunnels first. Then they march along a trail of “empty villes. No people, no dogs, or chickens" (4). The soldiers' spirits are buoyed by the lack of casualties: "We were charmed" (9).
Charmed or not, O'Brien is aware of the threat of death that hangs over them all. He compares waking up in Vietnam to "waking up in a cancer ward" (9). They are in the Batangang Peninsula in Vietnam. When Barney asks O'Brien where they are, O'Brien replies, "Tell them St. Vith" (5). He says the name is "right here on the map" (5). St. Vith is a town in Belgium, famous as a site of combat during the Battle of the Bulge, in World War II, in which the victorious Allies incurred heavy losses.
The narrator looks back to his upbringing in small-town Minnesota. He remarks on his family's tradition of military service, saying, "I grew out of one war and into another" (11). Both his parents served in World War II, his father in the Pacific and his mother as a WAVE, in the women's Naval Reserve. O'Brien also "grew out of" World War II in that he was a member of "the Baby Boom," the many children born to returning service personnel in the years just after World War II.
O'Brien describes a stable, conventional childhood in the small towns of southern Minnesota. He followed baseball, he rode rides at the fair, he picnicked and watched firecrackers on the Fourth of July. In the midst of all this Americana, he also mentions the land he grew up on was once "Indian land" (12).
He was slightly set apart from other boys in his hometown. He "couldn't hit a baseball" and he was "too small for football" (12). Instead, he took up books, and he read widely and deeply: Plato and Aristotle, the psychoanalyst and sociologist Erich Fromm, and the theologian Paul Tillich, along with lighter fare like the Hardy Boys. O’Brien also shows his skeptical side in this chapter. He gently mocks Tillich's cumbersome vocabulary of "Being-itself," and he looks askance at party politics (15). After graduating high school, he leaves for college.
The narrative shifts again in time. It is now the summer of 1968, and recent college grad O'Brien has received his induction notice, meaning he will be drafted into the military. However, he doesn't have to go right away, and spends the summer in his hometown, abstractly debating the war. He and his friends "drive a car around and around the lake, talking about the war, very seriously" (17). Their conversations are "spiked with references to the philosophers and academicians of war" (17).
O'Brien declares to his readers his utter opposition to the war: "I was persuaded then, and I remain persuaded now, that the war was wrong" (18). But his reasoning seems to have had no effect on his will in the summer of 1968. He feels other pressures: self-doubt, "the town, my family, my teachers, a whole history of the prairie" (18).His parents leave the decision to him. He tells his college friends he will "let time decide"(17).
Even while he reasons the war is wrong, duty or inertia pulls him toward it. His progress toward becoming a soldier is fitful and unsteady. He gets his draft date wrong, and he readies himself to report for duty a day early. He realizes the mistake, and in the uselessness of his one-day reprieve, he relives the struggle of his decision all over again. In the basement of his parents' house, he paints anti-war slogans on cardboard, as if for a demonstration, then tears up the signs.
O’Brien reports for duty and takes the oath to serve. He holds himself somewhat apart from the other men, from "all this noise and hearty fare welling" (21). Instead he goes "out alone for a beer," and then "[buys] a book and read[s] it alone in [his]room" (21). His debate about the war has come to a kind of standstill, his arguments "voided by abstention […] by a sort of sleepwalking default" (22).
O'Brien returns to the present day, to the time of his writing the book. He says he has no lessons or themes to deliver; instead, he can only "tell war stories"(23).
The epigraph to the book is from Dante Alighieri's Divine Comedy: "lo maggior don che Dio per sua larghezza/ fesse creando…/…fu de la volontà la libertate," which can be translated as "The greatest gift God in his bounty gave while creating was free will."Although the book is thus dedicated to free will, O'Brien doesn't exercise his free will very much these chapters.
O'Brien takes the decision to serve in the military very seriously. He spends the summer thinking about it. He reads; he debates. But in the end, he does not make a decision so much as passively drift into one. In the privacy of his basement, O'Brien writes bold slogans on cardboard signs he will never wave. This seems to be O'Brien in a nutshell: bold yet timid, articulate but silenced, defiant but isolated. Outside the basement, O'Brien is far more cautious about his anti-war sentiments. He is afraid to go against his town and his family.
The standstill in his arguments for and against the war affects the overall shape of his book. His book does not take sides, either for or against war. Although he is squarely against the Vietnam War, he has no overall position on war as such. His book is neither "a plea for everlasting peace" nor proof that "war makes a man out of you" (23). He has only basic, superficial bits of truth. Rather than themes or lessons, he has "war stories."
The loose, non-sequential structure of the book is echoed in the very first conversation O'Brien records. His fellow soldier, Barney, wants to describe the war in terms of a singular event: "You ever see anything like this? Ever?" he asks (1). But O'Brien prefers to view the war as a string of similar events, horrifying but frequently repeated: "Yesterday […][a]nd the day before that, and the day before that" (1). In the end O'Brien's view prevails, and the book is a series of war stories and truthful fragments, instead of the tale of one remarkable event.
By Tim O'Brien