83 pages • 2 hours read
Erika L. SanchezA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
After a turbulent plane ride, Julia finally arrives in Mexico. Her water bottle spilled in her backpack, smudging the note with Olga’s computer password. Tio Chucho picks Julia up and drives her the four hours back to Los Ojos. He is proud to hear that she wants to go to college, because he does not want her to “work like a donkey” (242) like the rest of her family does. He apologizes for not attending Olga’s funeral, because the family could not get visas or afford it.
When Julia wakes up from a nap, they have arrived at Mama Jacinta’s, where a swarm of family members greet her. Julia notices how much has changed in the few years she has been gone. She is fed well, and relatives ask her many questions about her family and her life in America. She feels welcomed and loved and thinks to herself: “Maybe Amá was right for once. Maybe this is what I needed” (245).
Mama Jacinta teaches her how to make menudo, a soup made with tripe. She encourages Julia to share what has been going on in her life and assures her she will keep it confidential. She tells Julia that Amá was the “rebellious” one as a girl, and she and Julia are “more alike” than Julia thinks (247). Mama Jacinta reminds Julia that Amá and Apa were robbed at the border, and Julia should be kinder to them, given what they have experienced.
Julia realizes she looks more like Olga and Amá than she used to think. She goes through her mother’s childhood bedroom and finds an old drawing of Amá. Mama Jacinta tells her Apa drew it, back when he was the town artist. It upsets Julia that she never knew this about her father, and that he stopped doing something he loved. Mama Jacinta tells her: “He probably got too busy with all the responsibilities of being a husband and father [...] You know how hard he works” (251).
At night, when Julia thinks about Olga’s relationship, she deduces that her secret boyfriend must have been a doctor if he could afford a weekly hotel room. She decides on the steps she needs to take once she returns home to uncover more about Olga’s relationship and to ensure she can go to college in the fall.
Julia’s cousin Belen is the “town hot girl” (252), who takes Julia around town to introduce her to the locals and fill her in on the town gossip. Passing by Apa’s dilapidated childhood home makes Julia feel sad. She thinks about her paternal grandparents she never met, asking herself: “Can I miss people I’ve never met? Because I think I do” (255). Belen points out scenes of past crimes and violence, led by the “narcos,” and warns Julia not to stay out late by herself.
Julia, Mama Jacinta, and Belen go to the venue where the family is celebrating her cousin Paulina’s third birthday. They pass a group of indigenous women selling cactus, and when a young girl approaches Julia begging for money, Belen criticizes them and makes a racist remark. Julia finds this hypocritical of Belen, thinking: “I don’t understand why she thinks she’s so much better than they are. She’s just as dark and wears the same frayed red dress every other day” (257).
The women watch as Tio Chucho and Andres kill a pig for the meal. Julia eats her tacos with difficulty after watching the pig slaughter. After they eat, Andres takes her to ride some horses, and they visit the drying, dirty river and the abandoned train station. Julia reflects on the changes and the beauty of Los Ojos, and she fondly remembers how much she loved to ride horses with Olga when she was younger. When they return to the party, Tio Chucho invites Julia to dance. After a few songs, several men wearing masks and holding guns interrupt the party. Tio Chucho hands one of the men an envelope, and they leave, but no one tells Julia what the interaction was about.
Belen takes Julia to a soccer game, where a friend named Esteban introduces himself. After the game he walks Julia home, and though she briefly thinks about Connor, Esteban makes Julia “feel all goopy inside” (266). That night in Tia Fermina’s backyard, Julia is mesmerized by the night sky. She enjoys fresh figs from the tree with her relatives, and Tia Estela braids her hair. Julia notices the roses Tia Fermina has been tending to, despite the drought, and “their persistence makes [Julia] feel hopeful” (269).
On a shopping trip with Tia Fermina, Julia wonders what it must have been like for her aunts to grow up with Amá as their sister. Tia Fermina asks Julia about her relationship with Amá, and she insists Julia must try harder to get along with her, now that she is the only child left. Tia Fermina reminds Julia that Amá has had an unimaginably hard life, and as they start talking about Amá’s journey of crossing the border, Julia learns that Amá was also raped when she and Apa were robbed. Olga’s birth was a result of Amá’s assault. Tia Fermina insists that Amá does not mean to hurt Julia, and she was traumatized and only wants to protect Julia.
Julia’s days in Mexico blend into one another, as she establishes a relaxed daily routine. She spends some more time with Esteban, whom she has started to genuinely like. One night, as Julia and the other women are watching TV, they overhear a commotion outside, which leads to gunshots. Julia sees two bodies on the ground as she and her family hide.
Tia Fermina wants to perform a ritual on Julia so that she does not take that violent experience home with her. After crossing Julia’s body many times using an egg, to trap her soul’s impurities, Tia Fermina cracks the egg into a glass of water to “read it,” and understand “what’s been stewing inside of [Julia]” (277). In the center of the yolk, they see some blood, which really concerns Tia Fermina.
Julia’s family decides it is no longer safe for her to stay in Los Ojos. The cartel has been trying to recruit Andres, which is why Tio Chucho had to bribe the men at the party. When she says goodbye to Esteban, he shares that he is considering crossing the border. Julia reacts strongly, worried about his safety. She says goodbye to her family and promises Mama Jacinta she will take care of Amá.
Even though Julia was reluctant to believe a trip to Mexico would fix anything, her time in Los Ojos offers a reprieve from her frantic search for Olga’s secrets and her overwhelming, hectic life at home. Here, Julia has the chance to live in the present moment instead of constantly pining for the future. For the first time, she realizes that a beautiful life is not exclusively possible from a lavish apartment in Manhattan, but even in the arid, rural community of her parents’ tiny hometown. Julia is slowly learning that not all people—or places—are always what they seem.
Her family meets her with love and empathy, and she is treated like a celebrity, which is a stark contrast to her usual designated status as the family pariah (245). Food is abundant, and for the first time in the novel, Julia is no longer thinking about how hungry she is. She is nourished physically, but the copious amounts of delicious food are also symbolic of the love and support which she was starving for in Chicago.
While cooking with Mama Jacinta—something Julia would have never done at home with Amá—Mama Jacinta suggests that Amá has experienced more hardship than Julia knows, foreshadowing the big secret Julia later learns from Tia Fermina. Even though Julia has temporarily escaped the burden of her life in Chicago, the theme of her family’s secrets has followed her to rural Mexico. Her time in Los Ojos allows her to learn more about her parents and who they were before they became working-class immigrants. Julia is shocked to learn that Apa was an artist and that his youthful dreams were so parallel to her own, and she realizes just how much he has sacrificed for his family.
As stunningly beautiful and serene as Julia finds Los Ojos, she soon learns that it is not without its own poverty, violence, and desperation. Between the drought, the women begging on the street, and the narcos, Julia realizes why her immigrant family would leave a place they constantly idolize, and why that decision must have been so painful. The revelation Julia has about Amá and Apa’s horrific border crossing brings both pain and clarity: she is struggling enough as it is with Olga’s secret. It also explains why Amá is so protective, why Apa remains so emotionally distant, and it undoubtedly affected the way they felt about Olga.
Esteban’s character serves as Connor’s foil: even if they do not share common interests the way Julia and Connor do, he understands who Julia is and where she comes from (literally and figuratively) on a much deeper level than Connor ever will. His own restlessness and desire to escape his hometown mirrors Julia’s, and knowing how perilous the journey across borders has been for her family, Julia finds herself nearly wishing he would just stay put.
After Julia and her family witness the worsening violence that has made its way to their literal doorsteps, Julia allows her aunt to perform a cleansing ritual on her, just to appease everyone. Her aunt interprets the bloody yolk as a disturbing sign, and even if Julia does not believe in the power of the ritual, she cannot deny that she still has some unresolved anguish and healing to do. As Julia leaves Los Ojos, she is stunned by the beautiful landscape, but notices crosses along the road and a dead donkey in a field. The donkey’s “smile” eerily parallels the smirk Julia noticed on Olga’s corpse, and these clashing images demonstrate that tragedy and death can exist simultaneously with beauty, joy and life. Life is nuanced and complicated, even though Julia thinks she so often has it all figured out.