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50 pages 1 hour read

Bella Mackie

How to Kill Your Family

Fiction | Novel | Adult | Published in 2021

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Prologue-Chapter 5Chapter Summaries & Analyses

Prologue Summary

The narrator, Grace Bernard, addresses the reader directly while writing from Limehouse prison. She’s been in prison for 14 months, and her cellmate, Kelly, is thrilled to be rooming with the “Morton murderer,” though Grace professes to be innocent of this crime. To ameliorate her boredom, Grace decides to write her story, certain it will become a bestseller. While she is innocent of the “grubby” crime of which she’s accused, she proclaims instead that she killed six members of her own family, without regret, by age 28.

Chapter 1 Summary

Four years earlier, Grace steps off the plane near Puerto Banús in Marbella, Spain. Trying to avoid attention, she’s dressed plainly but catches the eye of a man named Amir. He works in nightclubs and offers her the use of one of his cars for her trip. She decides to take him up on the offer and gets his number before leaving the airport. Two hours later, Grace arrives at her rental and feels “woefully unprepared” to murder her grandparents, part of her plan to avenge her mother. Kathleen and Jeremy Artemis are the racist, bigoted, “disposable” parents of Simon Artemis, Grace’s father. After Grace’s mother Marie died, Grace lived with Marie’s friend, Helene, for a short while. Recently, Helene visited Grace in London and confessed that, just before she moved back to France, she visited Jeremy and Kathleen. They described Grace’s mother as “ghastly,” proudly telling Helene how they talked Simon out of giving Marie money when she was pregnant with Grace. When Helene told them that Marie had died, Kathleen became violently distraught, and Jeremy’s posh accent disappeared, becoming rough and hard. They blamed everyone but Simon. So, Grace decided they should die first.

Grace goes to the restaurant where she knows the Artemises will eat and opens her copy of The Count of Monte Cristo. When they arrive with another couple, Grace notes Kathleen’s obvious plastic surgeries, dissatisfied face, structured hair, and red nails. Grace notes Jeremy’s Regency Club tie, proof of membership to the exclusive men’s club. She sees the accessory as Jeremy’s attempt to hide his working-class roots, and she resents their happiness. When she overhears them saying they will be out on Thursday night, her plan begins to take shape. Grace follows them home and sees that they live on a curvy and somewhat dangerous road.

Grace texts Amir, asking for the car, and they plan to meet at his club. She dresses plainly again, though she’s aware of her beauty and the privilege it gives her. Amir is late, but after Grace gives him a fake name and chats him up, he finally gives her the keys. Grace waits in her car at the casino, watching the Artemises go inside, and when they reemerge, she drives toward their home. She pulls off the road and, when she sees their car coming, turns on her lights and drives straight toward them. Jeremy swerves off the road, flipping the car off a small cliff. Grace knows she should leave, but vanity urges her to climb down. Kathleen is dead, but Jeremy is suspended by his seatbelt, unconscious. He awakens when Grace strokes his face, and she tells him who she is and that she’s going to kill his entire family. Then she takes his necktie and sets the car on fire.

Chapter 2 Summary

Back in the present, Kelly asks Grace if she wants to talk, but Grace brushes Kelly off. When Kelly leaves, Grace retrieves her notepad and writes about her childhood. Her mother was Marie Bernard, a young Frenchwoman who came to England to be a model. In Marie’s youth, she enjoyed the London nightclub scene, and she fell in love, though her career never took off as she hoped. After she had Grace, they lived in a tiny apartment above a chicken shop.

Chapter 3 Summary

Now, when Grace thinks about this man, she tenses. She claims to be a “master of self-control” and breathes deeply to regain focus (39), then returns to the story of her mother. In 1991, Marie met Simon Artemis, who was 22 years her senior. He saw her at a nightclub and sent her champagne, but she refused it. She met him at another club two weeks later after he told the bouncer to let her in. His “powerful combination of arrogance and charm” intoxicated her (42), and they began an affair. Simon was already married with a baby, though Marie didn’t know this. As Grace grew up, Marie told her a fairy-tale version of her father. Once, however, she showed Grace his mansion and claimed Grace would have a room there someday. Even then Grace knew it wasn’t true.

There was never enough money for food or electricity, and Marie’s mother refused to help them because she disapproved of Marie’s choices. Helene was Marie’s only friend, though Marie often wrote long letters late at night. One day, Grace plucked a discarded draft from the trash and read it, learning her father’s name and that he wanted nothing to do with her. It was then that she realized he was one of the richest men in the world.

Chapter 4 Summary

Grace says her childhood wasn’t all bad. She was loved, and Marie hid much of their hardship from Grace. Marie worked as a barista and cleaned houses. Grace met her best friend, Jimmy, in elementary school. Marie got cancer when Grace was 13, and Helene Latimer took Grace in when Marie died. One day, Grace found a box marked “Grace/Simon” under Helene’s bed, and inside, there were photos of Marie and Simon. Grace was revolted by his obvious vanity and “pathetic” need for attention, and it made her hate him and Marie, too, for being taken in by him. Newspaper clippings identified his wife, Janine, and daughter, Bryony, who is 13 months older than Grace. They also acquainted Grace with Simon’s work, his ownership of Sassy Girl, a few hotels, a budget airline, a vineyard, and more. She found a letter from Simon, in which he rejects Marie’s request that he meet Grace, and Marie’s letter to him, which he sent back. Grace condemns her mother as “weak” and vows to use her rage and strength to avenge Marie.

Chapter 5 Summary

It was harder for Grace to kill Andrew Artemis, though. Andrew was the son of Simon’s brother, Lee, and he took pains to distance himself from his family. Telling herself that Andrew was still one of them, Grace volunteered at the same marsh project where he worked to get closer to him. Though she didn’t meet Andrew right away, Grace saw his picture and was surprised by his bohemian appearance. When they meet, she notes his “carefree, simple, and hardworking” attitude (70). Within a few weeks, Grace got him to open up, and he told her about his work with Kambo, a frog secretion that some researchers believed could cure depression. He kept exotic frogs at home and was working on finding the correct dose. Grace lied about having depression and asked if she could try it, knowing that this is how she’ll kill him. Andrew initially refused, citing his concerns about the dose, but when she talked about having panic attacks, he agreed. They went for a drink after work the following Saturday, then returned to the center. Though Andrew was already drunk, she plied him with more vodka-laced wine. After they took the Kambo, she grew comfortable and warm and didn’t want to move. However, when Andrew grasped her hand, she rolled him into the water and held him under. Then she reached in to remove Andrew’s necklace, cleaned up, and went outside to catch her Uber. Grace had an “eerie feeling that someone is behind [her]” (84), but she blamed it on the drug’s effects. Getting out of the Uber 10 minutes from her flat, she allowed herself the walk home to feel sad, letting the tears fall and feeling some regret.

Prologue-Chapter 5 Analysis

Grace Bernard’s narrative style and circumstances are similar to those of other murderous protagonist-narrators. Currently imprisoned—though, ironically, for a crime she did not commit—Grace recounts her actual crimes with no small degree of vanity. In this, she is like Montresor, the narrator of Edgar Allan Poe’s “The Cask of Amontillado.” Grace’s pride in her intelligence also recalls Montresor, who tells his story years after murdering his nemesis, Fortunato. Montresor kills to avenge his family’s honor, which he feels was damaged by Fortunato’s unspecified disrespect and insults. Like Montresor, Grace kills to avenge her family, who Simon Artemis used and then abandoned at the behest of his own family. When, at 13, she reads Simon’s letter to her mother, she uses it to “reinforce the rage in [her] stomach, fortify it with steel and keep it there” (57). She never forgets the insult of his dismissal (or his parents’), and she uses it to fuel her rage, though she cannot act on it for more than a decade. Like Montresor’s, Grace’s quest for vengeance is inextricable from her pride, bordering on arrogance, as she believes that she is “better than these people” she plans to kill (17).

Grace tends to belittle others for their lack of intelligence and cunning, calling Amir “stupid” and her cellmate Kelly “an undeniable moron” (36). This certainty that she is far more intelligent than everyone around her gives Grace The Illusion of Control. She is serenely confident that her plans will succeed and that no one will ever be smart enough to catch on. To increase her sense of control, Grace plans her murders carefully, spying on her victims, conducting research, wearing disguises, and using fake names. Despite the difficulty posed by Andrew’s rejection of his family, she doesn’t “like to deviate when [she has] a plan” (67), and he is next on her list. Grace thinks of herself as “a master of self-control” with supreme confidence in her abilities (39), and she credits herself with an almost godlike level of control. There is a close relationship between Pride and Miscalculation: Grace’s arrogance often leads her to underestimate others and to commit errors—a pattern that will become more pronounced as the story continues. Even when Grace commits the first murder, which she admits isn’t as carefully planned as later ones, or when she is under the influence of a frog toxin, she maintains a confidence that borders on arrogance, allowing her to discredit any concerns that arise. For example, when she has the “eerie feeling” of being watched outside the center, she disregards it. Ironically, she seems every bit as arrogant and dismissive of others as her father, the man she so abhors.

Despite her insistence that she is a “master” of control, plot details reveal that she is already much less in control than she thinks she is, highlighting the illusory nature of control. The fact that she is in prison—and, moreover, for a crime she didn’t commit—is the first clue that Grace is not as in control as she believes. She is, quite literally, forced to stop writing when she hears a bell, saying, “I have to go and do laundry. Endless greying sheets to wash and fold” (48). Her time is not her own, and she cannot choose what to do or when to do it. Even when she dresses “plainly” to avoid attention, her attempt fails. In addition, in the last line of the Prologue, Grace claims that she has “calmly” killed six family members and then “happily carried on with the rest of her life, never to regret a thing” (5). As she recounts her murder of Andrew, however, this assertion of blithe indifference breaks down. She feels calm in the moment only because she is under the influence of Kambo, an untested antidepressant derived from a frog toxin. She says that the “constant chatter” in her head goes quiet when the Kambo kicks in and even admits that it’s “sloppy” and inadvisable “to commit murder whilst under the influence of an untested amphibian drug” (83). It is only her sense of how “nice” it feels when Andrew takes her hand that shocks her into resisting her desire to lay still and enjoy “the connection [she feels] to everything around [her]” (82). Grace’s sense of control depends on isolation: She can’t allow herself to care about anyone, because they would then have the power to hurt her. Despite her claim that she feels no regret, she admits that, on her walk home after Andrew’s murder, she let herself cry and “endure the regret which flood[ed] [her] thoughts” (84). The feeling, however transitory, points to The Unsatisfying Nature of Revenge, as killing Andrew does nothing to assuage her wounded pride or the grief she feels at the death of her mother.

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