49 pages • 1 hour read
Chris BohjalianA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Hour of the Witch analyzes domestic and social violence against women in colonial America and the patriarchal Puritan beliefs that justify and obscure it. In a stern religious world filled with stories of hellfire and eternal damnation, Mary Deerfield’s petition for divorce is regarded as a scandalous upending of a “natural order” which demands a woman’s subservience to her husband and other men. Mary’s subsequent trials reveal the rampant misogyny within her society, exploring how such misogyny shapes both gender roles and the violence she experiences.
During Mary’s trial, she is often blamed for not fulfilling her role as a good and dutiful wife. Even one of her defenders, Reverend John Norton, frames his defense of her in terms that reinforce the gender hierarchy instead of questioning it: “We expect a man’s government of his wife to be easy and gentle and, when it is not, something is amiss. Something needs to be remedied. A husband should rule in such a fashion that his wife submits joyfully” (183, emphasis added). Words like “government,” “rule,” and “submit” reveal that the Puritans’ strict ideas about gender roles subjugate women to a role of servitude and submission. Mary defies this “natural order” to escape Thomas’s violence, and while Reverend Norton does allude to Thomas’s guilt, the Court of Assistants rejects her petition because they believe that Mary should bend to her husband’s will no matter what—and if he does beat her, it is likely Mary’s fault for failing or displeasing Thomas in some way.
Thomas openly uses the “natural order” of gender roles in Puritan society to justify his violence, telling Mary his methods are to both discipline her and save her soul. Before Thomas stabs Mary with the Devil’s tine, he says to her, “Thou dost not appreciate or abide by the places the Lord God has allotted to us. To a man and his wife” (76, emphasis added). After wounding her hand, he adds, “I hope this lesson is a seed that takes root. Because it is discipline applied as a lesson. It is pain applied with reason” (77, emphasis added). Such passages reflect Thomas’s consistent use of religious gender ideals to excuse his violence and justify his brutality against Mary. Since Thomas knows that his wider community subscribes to the same ideals, he abuses Mary with impunity, believing that his own reputation and status as a man will protect him from any punishment—which is exactly what happens during the divorce trial. Hour of the Witch thus exposes the dangers of misogynistic beliefs, drawing clear links between individual cases of abuse and a wider social system that seeks to justify and perpetuate female subservience.
Mass hysteria refers to a widespread fear grounded in fantastical or exaggerated claims. Hour of the Witch examines the ways harsh religious and social ideals contribute to injustice and communal fracturing in Puritan society. The religious doctrine and mass hysteria of the time period promote violence, hypocrisy, and cruelty, thereby undermining the Christian values the Puritans claim to live by.
Mary observes that in her society, the potential for hysteria is always bubbling right beneath the surface due to the constant presence of superstitions. For example, to explain the death of children, many people in Boston look to witches to justify the tragedy: “Some people had suggested that the babies’ deaths were the work of witches, not the Devil, but Mary saw only hysteria in that sort of speculation. Babies died all the time” (17, emphasis added). Mary acknowledges the fear—and the facts—that undergird these deaths, shifting the focus away from “the work of witches” and toward an unfortunate naturally-occurring reality: “Babies died all the time” (17). This becomes a common trend throughout the novel: Mary asks questions no one else does, including why no one thinks Thomas himself could be a witch, or why barrenness is a sign of punishment. Her questioning of the received superstitions allows her to rebel against the oppressive norms that seek to judge and police the behavior of others.
In Mary’s society, anyone who does not conform to the strict status quo is in danger of becoming the victim of mass hysteria. The Hawkes family represents this imposed status: Because they once defended a woman accused of witchcraft, they are now ostracized by the community and forced to live in isolation. Constance is another example: She is a single, independent woman, and that is considered sufficient reason by the community to scorn her and gossip that she might be a witch. Likewise, when Mary dares to stand up for herself in petitioning for divorce, she immediately realizes that she could be killed for doing so if anyone accuses her of witchcraft. In all three of these examples, none of the people involved have done anything wrong, and yet all three are impacted by ostracization rooted in superstitious hysteria.
By the novel’s end, Mary earns her freedom by defying such hysteria and taking charge of her own life. At her second trial, she speaks up for herself, condemning the society that has turned on her by pointing out their own violence and moral failings. Although the community does not listen to her, Mary’s rebellion has made one thing clear: The only way to stop mass hysteria is to refuse to perpetuate it through one’s own actions.
Hour of the Witch asks whether the characters are subject only to a predetermined destiny or if they are agents of their own free will. As the novel unfolds, Mary’s character arc centers her growth from someone unsure of her own agency, to a strong woman who decides to take control of her life to escape abuse and misery.
Puritan ideology in Mary’s community is heavily rooted in the idea that God has already chosen his “elect” who are destined for heaven or hell, and that it is divine providence that determines what is right or wrong, and what can or cannot happen. Mary, however, begins to believe that she is not simply subject to prescribed religious ideals, and decides she can instead act upon her own agency. When Mary and Henry are discussing her divorce petition, Henry says, “[T]hou wilt be an agent of thine own destiny by divorcing Thomas Deerfield,” to which Mary replies, “Just as I was my own agent when I married him. We are flawed; we make mistakes. We try our best to correct them” (127, emphasis added). Mary embraces the idea of being “[her] own agent” and accepts responsibility for her actions: “[W]e make mistakes” (127). In doing so, she favors an ideal of free will in place of destiny. This notion of self-determination also reflects Henry and Mary’s positions as outsiders of Puritan society: Much of what they believe does not fit what their peers believe, which is why they find such solace in each other. Mary and Henry, therefore, believe there is a possibility to direct one’s future beyond the absolutes of good and evil or the dictates of destiny.
Furthermore, while privileging one’s needs over the good of the community or in defiance of religious rules is viewed by many characters in the novel as sinful, it is Mary’s decision to honor herself that leads to her salvation. When Mary contemplates death by suicide after the Court of Assistants refuses her petition for divorce, a voice tells her to “get up,” and she determines that “it was her soul reminding her that her hap in the end was in God’s hands [...] but her moment on this earth was hers. It. Was. Hers” (253, emphasis added). This moment marks the beginning of Mary’s continued journey toward freedom from Thomas and from the Americas—one that ends in her beginning a family with Henry in England. Her will, in conjunction with the will of both Peregrine and Henry, thus results in a far safer and more satisfying life of her own making.
By Chris Bohjalian
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