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92 pages 3 hours read

Katherine Applegate

Home of the Brave

Fiction | Novel/Book in Verse | Middle Grade | Published in 2007

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Part 4-EpilogueChapter Summaries & Analyses

Poem 65 Summary: “Herding”

That Saturday, Kek, Ganwar, and Hannah head to the farm. Lou is waiting for them and she has misgivings about letting them travel; her trailer hitch is too rusted out to use. Ganwar assures her things will be fine, and Lou gives Gol a kiss and bids her goodbye. Then, Kek takes Gol by the halter and leads her away and down the road. The cow is nervous around the fast, noisy traffic, and at one point, she refuses to move further. Kek gently talks to her until Gol begins to move again.

Poem 66 Summary: “Traffic Jam”

The group’s first major challenge is crossing a six-lane highway, a process that becomes more complicated when Gol decides that the grass and flowers in the median need to be eaten. They finally get Gol moving across the next three lanes, but the light has changed and traffic is coming. Frightened, Gol stops moving and brings traffic to a grinding halt.

Poem 67 Summary: “Cops”

As traffic continues to back up, the group is subjected to the yells of the drivers stuck around them. The police show up, but even they cannot get their car through to the cow. The police officers walk over to the group to find out what’s going on. Hannah tells them that they’re taking the cow to the zoo. The police officers are skeptical, calling Gol “a bag of bones” (234). Kek insists that Gol is going to be part of the petting zoo and tells the officers how she likes to have her ears scratched.

With help from the officers, Gol is forced across the rest of the road. The police are worried that the situation could turn dangerous, so they offer to be an escort for the remaining miles to the zoo. Kek feels like the president, with the police car’s red, white, and blue lights whirring behind the group as they walk. He even tells Ganwar that Lual, his older brother, would have loved to be there.

Poem 68 Summary: “Zoo”

The zoo employees are initially surprised to see the group show up at their gates with an old cow and even more shocked to find out that Kek wants to donate Gol to the petting zoo. He encourages the zoo boss to scratch Gol’s ear, to prove that Gol loves to be petted. When he does so, the boss is charmed by the cow. Hannah points out that the petting zoo doesn’t have a cow, and Ganwar chimes in that Gol is free.

The zoo boss is reluctant to take on a cow who is so “geriatric” (240), but Gol bats her eyes at him and he relents. Ganwar tells Kek that he is amazed by his efforts. Everyone says goodbye to Gol, and Kek leans against her and whispers in her ear. Then, like Kek and Ganwar, Gol is off “to her new land to begin again” (241). On the ride home, Hannah asks Kek what he said to Gol. Kek tells Hannah that he told Gol a variation on his mother’s old advice, that “if she can moo, she can sing” (242).

Epilogue Summary: “Homecoming”

Fifteen months later, Kek waits at the airport with his family and friends. Hannah stands by his side and he can see in her pocket the letters that her mother has written back to her. He smiles and thinks about the state of hope, how it fluctuates, and how much hard work it is to hold onto.

Kek thinks of how he hoped for silly things when he was a child, and now he hopes for bigger wishes, to “make my new life work, to root to this good, hard land forever” (246). He waits as people disembark from their planes and move through the airport. Finally, he sees the person he is waiting for: his mother. He hears her voice “like laughing water on my thirsty heart” (247) and she embraces him hard. Kek notices the blue-and-yellow scarf around her neck. Kek is speechless, at a loss for words in either of his languages. He walks out of the airport hand in hand with his mother. As they approach the escalator, Kek’s mother is too scared to step on, much like Kek was once. He reaches out to take his mother’s hand and says, “Welcome home” (248).

Part 4-Epilogue Analysis

These final poems display Kek’s determination as he, along with Ganwar and Hannah, move Gol to the zoo by walking her there. That Gol is described as a “bag of bones” is symbolic of the weight of the past that Kek continues to carry with him. Despite the difficulties with traffic, the police, and even the zoo bosses’ initial reluctance to accept Gol, Kek succeeds and secures the cow a safe home for the rest of her life. Gol’s journey parallels Kek’s journey: Both leave home (Kek’s Sudan; Gol’s home on the farm) for a new place; Kek came to America, and Gol is going to the zoo. For Kek and Gol, these new places represent hope for a better life. However, there is a conflict, a “pull” between the old and new worlds. Just as Kek struggled with coming to America, Gol struggles on her journey to the zoo: She stops and appears as if she doesn’t want to keep going. She is a cow in the middle of a traffic jam, a symbol of someone who doesn’t fit in with her surroundings—Kek can relate to this feeling. Like Kek, Gol is in need of someone to guide her toward safety, to a “new land” where she can “begin again.”

Fifteen months later, as Kek is about to reunite with his mother, he reflects on the natural environment. He recalls the earlier image of the “not-dead” trees, who patiently make their way through the seasons knowing that they will once again be imbued with new life in the spring. Kek greets his mother at the airport and takes her hand to lead her into the new world, a world in which he has found a sense of belonging. The scarf his mother wears is the same color as the piece of fabric Kek has kept with him; the hope it once symbolized now transforms into joy through Kek and his mother’s reunion. 

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