67 pages • 2 hours read
Riley SagerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The armoire is nailed shut when Maggie sees it as an adult. She pries the boards off with a crowbar and sees that it’s filled with her small dresses. Her father wrote that Jessica put them there, hoping Maggie would wear them one day. Then she opens the closet and finds clothes that she had worn. She remembers her parents telling the interviewer on 60 Minutes that they had fled with only the clothes they were wearing. Ewan also said they’d never been back. Maggie never believed that they could have actually left all their possessions behind. She finds her old toys in her old bedroom and wonders if they left them there to make their story seem truer. Maybe they planned on making the loss of her things up to her with the success of the book, like when Ewan gave her a car on her 16th and 17th birthdays. She attributed these gifts then to her parents’ guilt over their divorce, but she now wonders if they had more to do with guilt over the Book.
Her parents’ room looks like it has been untouched for 25 years. She finds a dress of her mother’s that Jessica is wearing in a photo Maggie saw in Ewan’s apartment. She wonders why he took only the photo when he came back secretly. Now she has the invasive, irrational thought that “all of it” (101) might be true—but immediately denies the thought. What she sees instead is that her father was willing to deprive them of everything for the possibility of the Book.
She puts on an old T shirt, gets into her old bed, and listens to noises for an hour. Hearing a twig break, she notices from the window someone standing by the tree line. She remembers Alcott mentioning the ghouls that sometimes liked to sneak into the house. Maggie runs outside, but the figure is gone when she reaches the trees. She decides to install a security system and admits that she’s not alone.
Ewan works on unpacking the study. He thinks the room will help him feel like a real writer. However, it’s where Curtis Carver killed himself. He wonders Carver’s mental health experiences leaked into the space. He finds a Ouija board and two large boxes, which he opens.
One holds a record player and the other holds the records. Most are soundtracks to musicals like The King and I. He puts on the record The Sound of Music and waves at Maggie and Jessica in the backyard. Maggie had promised him that morning that she hadn’t opened the armoire. He finds a camera that has enough film left for two pictures and takes a shot of Jessica and Maggie.
He looks at the other snapshots as he waits for his picture to develop. On top is a self-taken picture of Curtis Carver. Dated July 2, it shows two thirds of his face and the study behind him. In the several pictures of him that follow, Carver’s face gets thinner, and his beard gets longer, as if it were time-lapse photography.
When Ewan looks at the photo he took, there is a shadowy figure behind his wife and daughter, just out of the tree line. He hears Jessica scream. As he runs downstairs, he hears Maggie cry in pain. Jessica says their daughter fell and hit her face on a rock. Ewan finds a bloodstained gravestone nearby, which is what Maggie hit her head on. It says, “WILLIAM GARSON: Beloved father, 1843-1912” (110).
After taking a valium, Maggie gets in bed two hours. She has a nightmare about a figure from the forest. After she wakes, she reads a text from her mother that says she’s disappointed and asks her not to stay there. Maggie dares her to try to stop her. She then looks for the letter opener, which she assumes she misplaced. Dane arrives at eight o’ clock, and she tells him she saw someone the night before. He says it was probably a ghoul and he noticed the gate was open.
They examine the study and realize they have similar intuitions about houses and design. Maggie remembers emptying Ewan’s apartment with Allie the week after he died. She found five fiction manuscripts that he wrote after House of Horrors. She also found a rejection letter from his agent, saying that publishers only wanted ghost stories from him.
The next drawer has a copy of the Book. It’s a hardcover first edition, the one she read when she was a nine-year-old. As she looks at the house on the cover, she remembers being treated differently as a child. A friend had told her that her dad said Ewan had written an “evil book” and that they couldn’t be friends anymore. When she read it, Maggie didn’t like how Ewan depicted her. She was furious and confronted her parents weeks later during a custody argument.
She tells Dane she hates the Book and that its success annoys her, although the critics were harsh. They find the record player and records in their cases. In the closet, she finds a teddy bear that is missing an eye and wears a bowtie. She wonders if it belonged to Katie Carver. She then finds the shoebox filled with pictures of Curtis Carver. In addition, Maggie finds a photo of herself in front of the house, but in the picture, she has no scar. The next photo shows her in front of the armoire with Hannah and Petra. Maggie remembers the sleepover that went wrong. She convinced herself it hadn’t happened, but the photo is proof.
In the next photo, Petra and Jessica are staring at a hole in the kitchen ceiling. Walt and Ewan are also in the photo. Maggie worries again that she was wrong, and that, a few nights earlier, it was Mister Shadow in the room before Elsa scared her. The last photo is of Maggie and her mother going into the woods. She sees the humanlike figure, but it’s hazy. It’s standing where the figure from last night was standing, and she wonders if it could be Mister Shadow. She goes into the woods and reaches the cemetery. Dane follows her. She laughs when she sees a tombstone for a dog. Once again, she believes her father lied.
As she and Dane discuss the possibility of ghosts, he tells her that he saw something unusual when he was 10 years old. On the night his grandmother died, she came in and checked on him. However, she had died hours earlier and he didn’t know it. She wishes she had a sweet story about Ewan’s last hours. Maggie then tells Dane everything and says she’s there to investigate why her family left.
Ewan goes into the woods with Hibbs, who has heard rumors about the headstones. Ewan has found three at this point, and assumes the others belong to William Jr. and William the Third. Hibbs finds Indigo’s stone. He says that the artist who painted Indigo fell in love with her and they were going to run away together. When William forbade her, Indigo killed herself by eating baneberries. The rumor is that William then commissioned the artist to paint his portrait so that he and Indigo could be together.
Ewan thinks Janie June didn’t tell them enough about the house’s history, but Hibbs says he might not want to know more: Many things have happened in the house, and not just the Carver’s story. He says that the house “remembers” and tries to repeat itself and the events that happen inside it. He advises Ewan to love his family so that the house can learn a different lesson.
Ewan tells Jessica they’ve found at least 12 headstones. She’s furious with Junie Jane about neglecting to mention the cemetery. Ewan decides not to tell her about Indigo’s suicide. That night, he wakes to the sound of a man singing. The song is “Sixteen Going on Seventeen” from The Sound of Music. The record player is playing in the study when he enters. He feels cold and stops the record. By the time he’s back in bed, he has convinced himself that nothing unusual is happening.
Ewan’s conversation with Hibbs evokes the novel’s richest thematic questions. Hibbs tells him, “Sometimes it’s best not knowing” (130). He’s referring to all the questions—and their potentially sinister answers—in Baneberry Hall’s past. Hibbs is a person who would prefer not to know the truth if it’s damaging or painful. His comment reinforces the theme of The Corrosive Effects of Secrets and Guilt—of how secrets can undermine a family’s stability and distract people from what should be their priorities.
Later, the narrative reveals that Elsa Ditmer has been mourning the unexplained loss of her daughter, Petra, for 25 years. It wasn’t better for her to remain unaware of the truth. Maggie has lived her life questioning her father’s story and can’t even pretend that she wouldn’t prefer the truth. An insight into her need for veracity is her recollection of Ewan’s extravagant birthday presents to her: “At the time, I chalked up the gifts to post-divorce guilt. Now I think it was a form of atonement for making me live with the Book. Call me ungrateful, but I would have preferred the truth” (99). She believes that, among other things, Ewan needed to atone for the identity he foisted on her with the Book, in which he describes her as “[s]hy and awkward” and a “weirdo loner” (116). The Book robs Maggie of her ability to make her own first impressions, as evident in the remark of her childhood friend, whose father says that Ewan’s book is “evil.”
Despite finding the dog’s tombstone, and experiencing a renewed confidence that her father lied, Maggie’s return to Baneberry Hall is already gnawing at her certainty. She immediately sees and hears things that align with her father’s view of the story. The thought that he could have been telling the truth introduces a new crack in her identity. If nothing else, she has remained the daughter who doubted her father. If he were telling the truth, she knows that she’s not finished with unpleasant discoveries. Dane doesn’t present himself as the hardened empiricist that Maggie does, as he admits during their conversations about ghosts: “I do believe that things happen. Things we can’t explain away, no matter how much we try. The uncanny” (124).
By returning to Baneberry Hall, Maggie has placed herself in a position where uncanny, inexplicable events will continue to test her sanity—and make her question her view of herself and of her father’s story, further supporting the themes of The Value and Burden of Family and House of Horrors and Maggie’s Search for an Identity.
By Riley Sager
Appearance Versus Reality
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Family
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Fantasy
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Fear
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Forgiveness
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Good & Evil
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Guilt
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Horror, Thrillers, & Suspense
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Memory
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Mystery & Crime
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New York Times Best Sellers
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Religion & Spirituality
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Revenge
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Safety & Danger
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Science Fiction & Dystopian Fiction
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The Best of "Best Book" Lists
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Trust & Doubt
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Truth & Lies
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YA Horror, Thrillers, & Suspense
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YA Mystery & Crime
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