54 pages • 1 hour read
Mike LupicaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
After Uncle Timo calms Mr. Gibbs, Michael knows that “he [isn’t] going to play any more baseball this season […] [but] it [is] all right” (149). What matters, he recognizes, is that he and Carlos can stay together: “The biggest win […] [is] Uncle Timo […] [and] [e]verything after this was going to be the cherry on top of the ice cream sundae” (149). Michael realizes that the days of treating each day as if it will “be the best day of his whole life” (150) are gone.
That day, as the Clippers prepare for their game, they decide to play “for Mike” (151), their star. Mr. Minaya asks Michael to coach third base through the game, since he can’t yet play. Michael is aware that Corey Allen, the Robins’ ace, is pitching, and he begs Mr. Minaya: “please don’t make me” (152). Mr. Minaya believes that putting Michael close to the game will help the Clippers earn a victory.
In the fifth inning, Michael makes a misstep, sending Kel to home plate, where the umpire calls him out. Michael criticizes himself when the Clippers end the inning without scoring, but then he checks himself: “Stop it, you jerk” (153). He remembers that Mr. Minaya always tells him: “Never assume how things could have played out in baseball, or how and inning could have played itself out” (153).
When Michael continues with his self-criticism, calling himself “such a loser” (155) in front of Manny, his best friend stops him. “In a mean voice Michael almost [doesn’t] recognize,” Manny tells him to stop “feeling sorry for [himself] […] [and] figure out something that will help [them] win the game” (155).
When Anthony hits 60 pitches, the limit Mr. Minaya holds to protect young pitchers’ arms, he decides to put Kel in to get the last out. He faces Corey Allen, the opponent’s best player. Manny lightens the mood enough to loosen up Kel, who gets the out. When Michael congratulates Mr. Minaya on the great pitching move, Mr. Minaya tells him: “They’re all good moves in baseball when they work” (157).
The Clippers put on their rally caps in the sixth inning, hoping to avoid extra innings. Maria walks; two boys move her to third, yet they both rack up outs doing so. Their “weakest hitter” (158), Bobby, takes the plate. At third base, Michael encourages Maria. He can see the worry on Bobby’s face, so he calls for a time-out and begins to walk toward home plate.
Although Michael tells Bobby that “Corey’s getting tired,” Bobby has no hope, thinking that “he’d have to be asleep for [Bobby] to get a hit off him” (160). Michael comes up with a plan, tells both Bobby and Maria about it, and then returns to coach third base. As Bobby goes to bunt, he “[misses] it by about two feet” (161). Mr. Minaya mouths his confusion, and both Maria and Bobby seem to doubt him, but Michael insists: “Trust me” (161).
After two outs, Bobby sets up for the bunt, but after Corey pitches, he returns to his regular stance. He hits a good hit toward third base. Maria crosses home plate before the third baseman while “the Robins’ shortstop, racing for the ball, [picks] it up barehanded and [throws] so wildly” (162) that he cannot get Bobby out. The Clippers win.
Michael notices the Robins’ coach, who yells at his players, “[pouts] like a kid who just lost his video game privileges” (164). As the team celebrates, Mr. Minaya tells Michael that the Robins' coach is one of the men who signed the letter requesting Michael’s birth certificate. They agree that “he belongs in the loser’s bracket” (165).
Despite the win and putting his adult adversary in his place, Michael doesn’t feel better. Still, he congratulates his team before he sets off for Yankee Stadium. It is “one of those nights when he [wants] to be inside even more than he usually [does]” (166), and he continues to walk home. On the way, he spots the NYPD pulling “Ramon the purse stealer” (166) into a police car. He notices that Carlos is with him.
Michael has many questions about what to do for Carlos and why he is in this predicament. He watches the police escort him to the van. “Carlos who had never done anything wrong in his life,” who works constantly for Michael, “[doesn’t] seem to be saying anything” (167). He wants “to do something to help” (168), but he realizes that he does not know what to do without Manny or Mrs. Cora.
Michael remembers his and Carlos’ promise to each other to “stay one step ahead of the law” (169). That plan, he realizes, has failed, when he reads the words on the NYPD van: “Prisoner Transport Trailer” (169).
Just as he considers knocking on the door of the trailer, Carlos comes out with the policeman and spots him. Carlos shakes his head, then nods as the policemen speaks gravely at him. When he notices the policeman releasing Carlos, he decides to continue walking home, wanting to cheer as he hears the fans inside the stadium cheer.
The boys meet up in Mrs. Cora’s apartment, where Carlos does “all the talking” (170). He explains that he “felt like one of those juggles with the painted faces” (172) trying to balance all the bills piling up. Because he saw himself as “the man of the house” (172), Carlos didn’t say anything. Michael comforts him, and Carlos admires “the old soul Papi always said [he] had” (172).
Carlos explains that two undercover policemen tricked Carlos into scalping them tickets. Because Ramon had “been caught once before, and given a warning” (173), he has to go to court. When the officers separated the boys, though, Carlos told the truth about his situation. The policeman, Officer McRae, decided to release him.
Crying, Carlos apologizes to Michael: “Michael had never seen his big brother cry,” but thought “he might now” (174). Mrs. Cora recognizes the love in Carlos’ dangerous actions. She comforts him yet maintains: “Scalping is against the law. Loving your brother is not” (174).
When Mr. Minaya points out to Michael that “they’re all good moves in baseball when they work” (157), he seems to speak to Michael’s life as a whole. Where Michael feels relief when Manny’s plan with Uncle Timo works, he can recognize that the chance he took was productive. But when Carlos is caught scalping tickets, a risky behavior that he hopes will pay off, that “play” does not seem as “good.”
Increasingly, Michael begins to realize that staying safe is more important to him than playing baseball. Even though he is still disappointed that he cannot play, “it [is] all right” (149) with him as long as he and Carlos are safe. As he takes on a coaching position for his team, taking another risk that pays off with a big win, Michael realizes that there are multiple ways to help his team. While pitching is his true love and talent, he begins to unearth other talents: calming down his teammates, predicting another pitcher’s actions, and staying cool in difficult situations.
Michael’s maturity begins to stand out. He notices the irony that maybe his “old soul” causes other coaches to think he is “too old for Little League” (172), yet Michael’s family and friends come to admire this perspective that he can offer. When he notices a coach who “[pouts] like a kid who just lost his video game privileges” (164) and yells at his players, Michael knows that “he belongs in the loser’s bracket” (165). This is another instance in which grown men act like children, again showing that maturity and age are not necessarily connected. Unfortunately, Carlos pays the price for trying to prematurely act as “the man of the house” (172), and his risk does not pay off.
By Mike Lupica