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Although the protagonist has only been on the farm for two weeks, as the chapter opens, it is beginning to feel like an eternity and like “any concept of an outside world [is] lost” (46). The day starts like any other: getting into trouble. Harris and the protagonist play Cowboys and Indians, and the protagonist reveals that he hides a six-shooter under his bed. Harris surprisingly shows no interest in using it for play, and he instead leads the protagonist towards where he is hiding a butcher knife. The protagonist warns him against it, and Harris complains about the existence of rules. Harris uses the knife to chop wood off some willow trees, which the boys use to fashion some arrows.
Soon, the protagonist realizes that Harris does not intend to shoot inanimate objects, but rather aims for the pigs, cows, and horses. He hesitates at first, but upon remembering the attacks he suffered from Vivian the cow and Ernie the rooster, he agrees. They begin shooting the arrows at the pigs and chickens, either missing or barely hurting them. With one arrow remaining, Harris shoots and accidentally hits Buzzer the lynx. Buzzer and Harris end up in a tussle which is only stopped by the sound of Clair calling Harris in to get ready to go to town. She announces that there will be a party and dance for a family called the Halversons, whose house recently burned down.
Harris and the protagonist speculate about what might occur at the party. They imagine there will be a picture show (movie) starring Gene Autry, and soda pop. The mention of Gene Autry is the first solid clue that the novel takes place between 1930-1960. The protagonist finds out that Harris does not realize that movies are fantasy, although he admits that he does not fully understand how they work, either. Once the chores are done, the family changes, cleans up, and hops into the old truck to head to town. Upon arriving, the protagonist finds that “Town” is just four small buildings and a grain elevator, but to Harris it is exciting. They stop in front of a place called Lumberjack Lownje.
The room is filled with people young and old, instruments, and a bar. Louie and Knute immediately begin drinking while Harris wrestles a boy for his stolen marble and wins. Music plays, and the boys drink orange pop, observing the social events unfolding around them. Next, they sit down to watch a Gene Autry “what would be wrong to call a movie” projected onto the wall (54). The film is damaged, and parts are missing, and there’s no sound. Despite these flaws, the crowd watches the film over and over. The protagonist finally leaves to watch people interact. Louie is still at the bar drinking, and the protagonist notices that Louie peed his pants, exactly as Harris predicted. The protagonist sits down at a table to watch the couples dance. He falls asleep and wakes up to find Knute and Harris carrying him to the truck. The protagonist drifts off to sleep again, and the family drives back home to the farm.
The opening scene of Chapter 8 sees Harris and the protagonist discussing whether they should pretend to be the characters from the movie in town the previous night. It also happens to be the first time the boys are alone on the farm together while the rest of the family goes to help the Halversons. Harris immediately begins scheming and leads the protagonist off to the horses. He tells the protagonist to go grab his pistol, and they will play cowboys together. He explains that they’re going to climb to the roof and swing down on a rope to jump on Bill the horse, like in the movie.
At the last moment before they jump, the protagonist second-guesses himself and stops, but Harris continues and lands right on Bill’s rump. Being that Bill is such a massive horse, Harris ends up landing with his legs straight open, right on his groin. Bill bucks Harris twice, who shoots backwards onto the floor. When the protagonist finds Harris on the floor, Harris simply asks, “Did we save the rustlers?” (60) and then says not to move him.
A week later, the protagonist and Harris make another attempt at imitating a scene from the Gene Autry movie, once again alone at the farm. Bill no longer trusts them, but Bob, another horse, allows them to harness him and follows them out to the pasture. Harris’s new idea is to ride Bob while he runs and shoot guns. The protagonist goes to get his silver pistol, which is actually just a cap gun. When he returns with it, Harris is holding a real gun. The protagonist stops dead in his tracks, but goes along with Harris’s plan, nonetheless. The boys manage to successfully get Bob galloping and ride around shooting at rocks and trees. Suddenly, Harris shoots a live round, and both Bob and the protagonist are shocked. Bob bucks them off and gallops back to the barn, trampling and breaking the gun.
Harris panics at the thought of his sister, Glennis, beating him when she finds out he has broken the gun, and he asks the protagonist to take the blame. He then threatens to blackmail the protagonist, announcing that he knows about the pornographic pictures under his bed. The protagonist manages to lie to the family with success, but Glennis ironically punches Harris anyway, “for not stopping him” (64). Knute stares at the protagonist without speaking, which brings up feelings of guilt for lying, and the chapter ends.
Chapter 9 begins as the protagonist and Harris are putting in their day’s work on the farm separating and packing down hay. The protagonist reflects on how this is fun on the first day, but it progressively becomes more like work and less like play. By the end of the week, the task is complete, and the protagonist is exhausted. Harris and the protagonist race to the river and dive in. As the protagonist is taking off his clothes, Knute comes running up behind them. He jumps in and tussles the boys around for a couple minutes before getting out and going inside without a word. Harris is happy to have had a chance to play with his dad, even for a minute. He explains to the protagonist that he thinks if his dad played more, it might “settle him” (66). Knute is a stoic man, who drinks coffee, smokes, and rarely speaks. Harris describes a past Knute, who was playful and lively.
As the boys are laying on the bank drying off, Harris spots a fever tick in the grass. He worries about the cows getting sick, and he and the protagonist get up to alert Knute about the tick. The three of them begin the process of forcing the cattle through a chute, submerging them in a solution called creosote, and hopefully removing any possible ticks. The creosote solution splashes into the air onto everybody as the cows jump into the tank. The last one to come through is the bull, who decides he does not want to comply and turns out and runs the other way. He rams right into Harris, and Knute grabs Harris and throws him to safety to prevent further damage. Knute manages to wrangle and take down the bull.
Clair and Glennis are the first to approach Harris, who is still on the ground. Nobody knows if he is alive or dead. Glennis begins to cry and begs him to come back, and suddenly, Harris’s legs move. and he opens his eyes. It is in this moment that the protagonist realizes Glennis really does care for her brother, despite whooping him all the time. Confused, Harris asks “What the hell happened?” (70). The protagonist suspects that Harris can’t be killed. Clair takes charge of the situation, asking Louie to mind the farm while she drives Knute to the hospital; his hand is broken from punching the bull.
The protagonist is to take over Harris’s work on the farm until he recovers. Not fully aware of the amount of work he signs up for, he agrees. After two days, he is utterly spent, and when he and Harris are lying in bed at the end of the second day, Harris suggests he may be out for an entire week. “If you don’t help tomorrow, I’m going to kill you” (72) is the protagonist’s reply. The chapter closes as Harris concedes that his break from farm work has ended.
Chapters 7-9 see the boys involved in mounting danger as they continue bonding and finding various ways to get into mischief. What began as innocent play, however, slowly becomes more dangerous. Harris makes it clear he does not obey rules and pushes his adventures with the protagonist to the limit. Harris brings out a butcher knife one week, and a real gun the next. The protagonist hesitates both times but follows Harris’s lead. The protagonist does resist Harris’s influence once, when Harris suggests they jump from the roof, and the protagonist refuses at the last minute. He is right back to being under Harris’s thumb by the end of Chapter 8, when Harris asks him to lie about who took the gun and then allowed it to get broken. Tension continues to build until the bull tramples Harris. After this incident, Harris is unable to work for two days, and the protagonist learns the true meaning of hard labor. When Harris is trampled, the Larson family bond is fully revealed. His father punches the bull to get him away from the family, and his sister cries over him and begs him to live. The protagonist takes over Harris’s workload. The family comes together to overcome the hardship, and their love for each other is clear. It is through this series of surmounting dangerous events that Harris’s flaw comes into full view: his seeming inability to control his impulses.
In Chapter 7, the family visits Lumberjack Lownje in town. The protagonist comes from the city and is eager to go to town and be back in his element, but he soon finds that this town is extremely small and old fashioned. Still, he is curious to observe and learn how the people in the area have fun and spends the evening watching part of a damaged film on repeat with Harris and observing people drinking and talking. Halfway through the novel, the author provides the first confirmation of the period the novel is set in: between 1930-1960, as Gene Autry is popular. Harris exclaims that there are “there ain’t but about three picture shows in the world and one of them is Gene Artery” (49); this allusion explains where he gets much of his inspiration for games and adventures. The carefree and joyous attitudes of the people in the bar are reflective of the general attitudes of the years after the second World War, as people were happy to be alive and in peace time. Children and adults alike mingle and have fun together. This chapter also provides a different view of Knute that would not usually surface on the farm. He becomes more social, conversing with others at the bar. Harris shows his excitement for movies and the depth of his imagination when he reveals that he believes movies are real. In Chapter 8, the boys do their best to imitate the scene that repeated on the movie the night before, using the protagonist’s cap gun and Knute’s rifle that Harris swiped. Play is serious business for Harris, and the protagonist is swept up in his world.
By Gary Paulsen