60 pages • 2 hours read
Edward Eager, N. M. Bodecker, Alice HoffmanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As the centerpiece of Half Magic, the charm symbolizes possibilities. Once Jane recognizes what the fake coin is and how it works, she determines that “they must […] decide just how they were going to use this wonderful gift” (28). Given that their summer is off to a slow start, Jane’s belief that the charm is a gift indicates that the children now have endless possibilities ahead of them. Instead of sitting around their house with Miss Bick, they can experience a whole host of magical things. This symbolism is emphasized later, after the children return from the Sahara. Jane notes, “We’ll spend the night thinking up wishes. […] It’ll be better from now on because now we all know” (57). The real fun she refers to is the prospect of more adventures in which they all participate. Also, her emphasis on the word “know” indicates that since they understand what the charm does, they have more agency in choosing their adventures.
Even after the charm no longer works for the children, they see that it holds possibilities for others. When deciding what to do with the talisman, Martha asks, “It’s used up for us, but how do we know it wouldn’t still be perfectly good for other people?” (186) Her question implies that there is still more the charm can offer, even if not for them. The text leaves the reader to decide whether the charm was real, or whether the children created an elaborate game that cast an ordinary nickel as a magic charm. Either way, the charm gave the children—and, later, the adults—a clear way to express and act upon their desires.
Despite the thrill of their adventures, the kids often seek refuge at home, which symbolizes comfort and security. This is evident in the simple detail that they return from most of their exploits to their porch steps or inside the house. After Camelot, “the four children were all so glad to be home that they stayed around the house all the rest of that day” (95). After enduring the trauma of the knights’ dismemberment and guilt over the disaster they caused, the children seek refuge in a safe, familiar place.
The longing for home is also felt by their mother. In the bookstore, Alison admits that she “feel[s] very peculiar” (120); the unexplained events over the past few days and her appearance in Mr. Smith’s shop make her feel unsettled. Despite her unease, she still wants to accept Mr. Smith’s offer of dinner and a movie, but suggests that instead of a movie, they go back to the family’s house. Going home balances her anxiety with her desire to spend time with Mr. Smith, for it provides a comfortable and safe place for them to gather.
In Half Magic, Mr. Smith’s car symbolizes both problem solving and excitement. As Alison walks down the dark road after accidentally, Mr. Smith’s headlights shine behind her. His appearance as a light in the darkness suggests that he can help Alison. Alison is literally and figuratively in the dark when the car’s lights shine upon her, and the car offers a solution to her problem with a ride home. The automobile’s role in problem-solving is amplified when the children need to rescue Jane from her new family. Chasing after Jane, Mr. Smith “started the motor and the car shot down Maplewood and turned into Virginia Street” (136). The car brings them to their destination quickly, so the children can save her before it is too late.
The car also symbolizes excitement and adventure. After their first dinner together “came the ride home, and that was exciting, for everyone did not own a motor car in those days” (124). The novelty of the automobile rivals that of the talisman for the thrill it provides. The children’s excitement on the car ride underscores the incredible nature of everyday life. The children can find wonder in their world, even without magic.
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