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104 pages 3 hours read

Alan Gratz

Grenade

Fiction | Novel | Middle Grade | Published in 2018

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Character Analysis

Hideki Kaneshiro

Thirteen-year-old Hideki graduates from school to join the Blood and Iron Student Corps of Okinawan child soldiers just before the Battle of Okinawa in 1945. The children are given two grenades, one to kill Americans, and the other to kill themselves. Inspired by the example of the kamikaze pilots, who sacrifice their lives for their country, Hideki hopes to bring pride and honor to his family, Okinawa, Japan, and Emperor Hirohito. However, he is fearful that he will not have the courage to do so, since he believes himself to be cursed by the mabui, or spirit, of his cowardly ancestor Shigemoto, an Okinawan farmer who capitulated to Japanese samurai when Japan took control of Okinawa.

Hideki’s experience of the battle is full of horror: He sees a friend blow himself up with his own grenade, a classroom full of massacred children, and countless bodies of soldiers and civilians blown up by bombs and shot to death. Once Hideki rejects the idea of being soldiers, he adopts a new mission: His dying father begs him to find his sister, Kimiko, the only remaining member of their family. As Hideki travels south through Okinawa, he kills an American soldier with his first grenade. He feels so guilty and remorseful that he imagines the man’s mabui following him from then on. His experiences show him new sides of the conflict. He sees the humanity of the enemy when he is treated in a US field hospital by attentive doctors. He also sees the brutality and ethnic bias of Japanese soldiers, who use Okinawan civilians—including children—as human shields. He is particularly disturbed to see an IJA officer strap dynamite to an Okinawan mother carrying a baby. Through his traumatic experiences, Hideki realizes that Okinawans are pawns in the crossfire of a war which is not theirs.

Seeing that all people have the potential to behave monstrously when they are afraid, Hideki also understands their shared humanity. This newfound knowledge is reflected in his refusal to use his last grenade. Instead, Hideki restores dignity to the soldiers he has encountered by collecting and later displaying a collection of prewar photographs of American and Japanese soldiers in the ruins of Shuri Castle to memorialize them as people: “[T]here aren’t any soldiers here. There are brothers and fathers and sons, surrounded by the people they love and the people who love them back. I’m honoring the men they were before they came to Okinawa. Before they became monsters” (249).

Ray/Rei Majors

Ray Majors, whose name is misheard as the more Japanese-sounding “Rei” by Hideki, is an 18-year-old US Marine. Ray grew up on a farm in Nebraska, the son of an emotionally volatile and sometimes violent father suffering from PTSD. Ray’s traumatic experiences of warfare on Okinawa allow him to empathize with what his father lived through in the trenches of WWI.

Ray is compassionate, thoughtful, and sensitive; he feels conflicted about the realities of war. After he kills a Japanese soldier, Ray can’t help humanizing the man by looking through his belongings; when he finds photos of the man’s wife and young family, Ray weeps and keeps the photographs as a kind of remorseful memorial. Ray also urges Sergeant Meredith and then Big John, his respective squad leaders, to treat Okinawan civilians with respect and mercy: “[T]hat tomb, it was full of Okinawans. Women and children. We gotta stop using grenades on them” (75). This is complicated by the Japanese soldiers’ tendency to disguise themselves as Okinawan civilians. The novel uses Ray’s compassion to link him to Hideki, who also cannot help seeing enemy fighters as people. Their eye for poignant and tragic details, such as the photo of the school children in their ruined classroom or the beautiful blue kimono of the Okinawan woman with dynamite strapped to her, make Ray and Hideki echoes of one another.

When Hideki and Ray run into each other in the Okinawan forest, each fumbles for their respective weapon, though Hideki reaches and detonates his grenade first. When Ray dies, his presence in the novel doesn’t end; instead, Hideki comes to believe that he has Ray’s mabui on him—guiding him, offering silent commentary on Ray’s actions, and reminding Hideki of his newfound understanding. Hideki hopes to eventually help Ray’s mabui to find peace. The novel suggests that by collecting photos like Ray and then hanging them in Shuri Castle, Hideki has done just that.

Kimiko Kaneshiro

Kimiko is Hideki’s older sister. She is marked as a yuta—a woman with the ability to identify and communicate with spirits—by the distinctive white stripe in her hair. She is an outspoken and assertive person; she is unafraid in telling the Japanese soldier on the Okinawan dock that he is wrong to try to recruit Hideki, because Hideki is a coward. She condemns her brother as an idiot with a roll of her eyes and a smack to his head when he decides to remain on the island.

Kimiko is recruited as a military nurse in a Japanese army hospital—this post allows her to escape the horrific fate of her classmates, who die in a bomb attack on their school.

When Kimiki and Hideki are reunited, they successfully plot to save a group of Okinawan children whom the Japanese army is planning on using as human shields; together, they lead the children to safety in a US military camp. Kimiko and Hideki end the novel near their family home in the north of the island with dual visions of what the battle has meant for Okinawa; while Kimiko believes that the destruction is an ending, Hideki assures her that Okinawa could still have a future.

Corporal John “Big John” Barboza

Corporal John Barboza, known as Big John throughout the novel, is Ray’s foxhole buddy and a seasoned soldier who teaches Ray how to keep safe in the midst of battle. Despite his bear-like appearance, Big John has a kind and sympathetic side—a side that military service seems to be slowly eroding. When Ray is filled with horror at killing the Japanese soldier, Big John comforts him: “He knelt beside Ray and put a hand on his shoulder. ‘I know what it feels like to kill a man for the first time,’ Big John told him. ‘We all do’” (65). However, much to Ray’s discomfort, Big John also makes disturbing half-jokes about killing all the Okinawan civilians they come across just in case some of them are IJA soldiers in disguise.

When Sergeant Meredith is injured in the explosion of a faulty grenade, Big John becomes squad leader. He leads Ray’s squad to attempt to take Kakazu Ridge, a mission for which the squad is undermanned and underpowered. When the US survivors hurriedly retreat, Ray is killed as he runs into Hideki in the forest.

Big John reappears in the novel as the leader of the US camp where Hideki, Masako, and Kimiko bring Okinawan children would have become human shields. Ray’s influence is clear in Big John’s newfound compassion: He insists that the children be treated with kindness and not be harmed. Big John also seems to recognize Ray’s mabui on Hideki. He addresses the boy as “Rei” and Hideki recognizes that Big John is aware of “somebody else there whom neither of them could see” (245).

Lieutenant Colonel Sano

Lieutenant Colonel Sano, a Japanese army commander, epitomizes the Japanese belief in honorable self-sacrifice for one’s country. As he addresses Hideki and other children outside their destroyed school at the beginning of the novel, Sano urges them to “die a glorious death in the name of the Emperor” (7). He hands out the grenades to the boys and instructs them in their use, glorifying the violence of war: “[O]ne plane for one battleship, one man for ten of the enemy!” (7). Sano also alludes to the resentment many Japanese soldiers feel toward the Okinawan population, who they believe should be sacrificing their own lives to defend the island: “It is you who should be fighting for it, not the Imperial Japanese Army!” (7).

Echoing IJA propaganda, Sano tells the children that the Americans are “devils, whose only purpose is to kill you and your family in the most brutal, merciless ways possible” (6). He depicts Americans as blood-thirsty monsters who want to harm Okinawans:

They will torture your mothers. Butcher your brothers and sisters. They will try to trick you too. Offer you food and kindness. But the food they carry is poisoned, and the hand that beckons you with friendship hides the one behind their back, holding a grenade. (6)

This at first convinces Hideki, who avoids eating food from Ray’s pack as a result. However, the novel traces Hideki’s gradual unlearning of this message, as he sees Ray’s compassion for the school children, experiences kindness at the hands of American doctors, and sees the brutality of Japanese soldiers toward Okinawan civilians. Rejecting Sano’s indoctrination, Hideki realizes that the people on Okinawa share a common humanity.

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