48 pages • 1 hour read
Sharon CreechA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Granny Torrelli gives each of the children a bit of dough, and they roll it into snakes. At Grandma’s urging, Rosie puts her hands over Bailey’s to show him how to form the dough. Rosie’s anger abates. She thinks both good and terrible things, and she enjoys watching Bailey and never wants him to leave. She also wants the snakes to slither over to Janine’s house. Granny Torrelli then encourages Rosie to show Bailey how to make cavatelli. She puts her hands over his and shows him how to make the pieces into little canoes. The kitchen and Rosie feel calm.
It is time to make the sauce, and Granny Torrelli gathers all of the ingredients. Rosie asks her grandmother to continue telling them the story about Violetta. Granny Torrelli says that a good thing happened. The good thing is Marco. He was a cute boy who moved next door to Granny Torrelli. Marco found Granny Torrelli ”enchanting.” Pardo did not like Marco. Bailey observes that Pardo now knows how Granny Torrelli felt. Granny Torrelli stops the story and has the children begin to make meatballs. Rosie wonders why no one finds her enchanting.
Rosie finds it hard to believe that what happens next is real. She sees a moving truck come down the street. Granny Torrelli sees it too and smiles. It stops at the street across from Bailey’s house. A man, woman, little girl, and two boys come out of the cars. The two boys are about Rosie’s age. Bailey asks Rosie to tell him what she sees, so she casually tells him about the boys, who she thinks may be twins. He is upset and wonders if she is telling him the truth. Rosie smiles at her grandmother and thinks “Double Marco” (124).
Bailey is rough as he makes the meatballs. Rosie asks him if he wants to go meet the new family in the neighborhood, but he says he is too busy making meatballs. Granny Torrelli goes again to the bathroom. Rosie hears “an ice king” (125) in Bailey’s voice when he mentions her going to meet the neighbors. She now has a fox instead of a tiger inside of her, and while she wants to stay with Bailey, she does not say anything. She knows that this response is mean. When Bailey goes to grab a meatball, he puts his hand on Rosie’s briefly, but he pushes it to the side. Rosie tells him that one of the boys is playing basketball, and then she says that perhaps they will teach her. She adds this comment because her fox is mean.
Bailey gets ready to leave as the pasta making comes to an end. Rosie’s fox leaves because Rosie wants Bailey to stay. Granny Torrelli decides to tell the rest of the story about her childhood. Rosie and Bailey clean up while Granny Torrelli tells the story. Granny Torrelli says that Pardo started paying more attention to her after she started hanging around with Marco. In her head, Rosie is already “translating Pardo into Bailey” (129). Granny Torrelli explains that Violetta began flirting with Marco, and Rosie is shocked to think that Janine might do the same with the boys. As Rosie is thinking this, outside, Janine walks up to the new boys. Rosie is torn because part of her wants to go talk to the boys before Janine does, but part of her wants to stay and hear the rest of the story with Bailey. Bailey says to Granny Torrelli, “the web is getting very tangled” (131). Granny Torrelli then tells them about the Gattozzi baby while Janine is talking to a little girl across the street. Granny explains that the Gattozzi baby was very sick, so she went to the Gattozzi house to bring them some zuppa, and while there, the baby gripped her finger. Granny Torrelli stayed with the baby all day. She did not think about Pardo or any of the others. Bailey puts his hand on Granny Torrelli’s wrist, and Rosie holds her grandmother’s other hand.
Granny Torrelli describes staying with the baby. She sang songs her mother and grandmother sang to her to the child. Mrs. Gattozzi assured her that the baby looked a bit better. Rosie feels like she is actually back in time with Granny Torrelli, watching over the baby. The next morning, Granny Torrelli returned to the Gattozzi house, but no one was there. She sank to the porch steps and cried, certain the baby died. Finally, though, the family returned home—the baby was healthy and happy, fully recovered. This event made Granny Torrelli feel like her world had expanded. She felt older afterward.
Granny Torrelli tells the children that what comes next is either the ending “or the beginning, depending on how you look at it” (136). Violetta and Marco both went back to their regular homes, and Granny Torrelli was left with Pardo again. She thinks that perhaps the story was not so exciting, but Rosie disagrees. When Rosie walks Bailey to the door, she mentions perhaps inviting Janine to the pasta party that they will have tomorrow, and Bailey mentions her inviting the new boys. Rosie tells Bailey that she does not care who comes as long as he is there. Rosie realizes “I cannot control who is going to come and who is going to go, and who will stay my buddy, my pal, and who will find me enchanting, and oddly I feel relieved” (136-37).
Granny Torrelli and Rosie use the good china as they set the table. The house both smells and looks wonderful. Rosie thinks that if they had a larger house, things would be more awkward. She likes being crowded in with the others. When everyone is gathered, Granny Torrelli says grace. Rosie thinks about Granny Torrelli’s family having their own party in Heaven, and her world again feels bigger.
Touch plays an important role in mending relationships. In “Snakes…” this becomes evident as Rosie begins to feel her angry feelings dissipate as she places her hands over Bailey’s. The effect of this gentle touch works in tandem with the motif of Blindness to indicate friendship and companionship, or the practice of empathy, in contrast to failing to understand the feelings of others. Rosie’s negative emotions in this moment do not just vanish; instead, she wishes the snakes would go over to Janine’s house. However, the touch does help to redirect her anger away from Bailey as she is reminded of how much she cares for her friend.
While Bailey does recognize Rosie’s feelings enough to ask if she is jealous of Janine, he doesn’t fully understand how big Rosie’s feelings are. When Rosie asks Bailey if he could ever like Janine better than he likes her, he does not take the time to give a thoughtful or reassuring answer. Much as Rosie did in the first part of the novel, Bailey needs to listen to Granny Torrelli tell the two about Marco. Once Marco enters Granny Torrelli’s storytelling, Bailey starts to grasp the depth of Rosie’s feelings, as he begins to imagine how he would feel in her place.
The Moving Van that pulls into the neighborhood at this point is a symbol that punctuates Bailey’s realization. A change has arrived to the relationship between Rosie and Bailey. Up until recently, the two have been the most important friends in each other’s lives. Now Janine is here, already causing a disturbance to Rosie. As it dawns on Bailey how Rosie is feeling, the moving van comes and introduces more complications into their lives. However, while Janine separates the two a bit because Rosie is jealous and because Bailey is not able to fully understand or respond to her jealousy, the moving van actually brings the two closer together. This is because with the addition of even more people into their neighborhood and into their social circles, they both now understand the ramifications of letting other people get in between them. Because they both understand the consequences of their actions, they move toward each other rather than away from each other. In this sense, the moving van represents change, but it is a change that ultimately brings them closer together.
Rosie describes her emotional state in numerous different ways throughout the novel. At times she describes herself as having both a tiger and a fox inside of her. When she has the tiger inside of her, she is angry, and Granny Torrelli can see this. When the moving van pulls in, however, the tiger is gone, and she feels a fox instead. This change denotes a change in both her emotions and in her approach. A fox is sly and tricky. In the same way, she is sly when she describes the boys across the street. She knows Bailey will be jealous of them, and she is fine with this and actually hopes he is jealous. He cannot see the people moving in, and she does not lie to him. She does feel pleasure, however, in explaining the details that will rouse his jealousy. The most prominent of these details is the fact that the boys may be able to teach her to play basketball. She knows this will upset him, and at this point, she understands that her fox is sly, but it is also mean.
While the squabbles between Rosie and Bailey are important and the fights between Granny Torrelli and Pardo were important, there are more important things in the world. Granny Torrelli helps the children realize this truth by telling the story of her neighbor’s baby, who almost died. Granny Torrelli says that she did not think about Pardo or the others while she spent time with the sick child. This shows that she was able to see what was truly important at the time and that that was love and life. Rosie and Bailey are also concerned about the fate of the baby while hearing this story, and the story brought the three together as evidenced by the fact that they all touch hands while Granny Torrelli relays the details. Granny Torrelli, Rosie, and Bailey all are or were caught up in their relational entanglements, and it is and was hard for them to see the true value of everything. The near death of an innocent baby, however, is enough to broaden all of their perspectives and allow them to see that there are other things in life than just their friendship dramas and mishaps.
Much of the novel is about the expanding of mindsets, especially The Value of Empathy, and as the novel closes, Rosie feels her mind has been broadened just as she appreciates the cramped physical quarters of her family. Gaining new perspectives is important for all of the characters. Granny Torrelli had to learn that there were bigger problems in the world than her relationship with Pardo, and Rosie and Bailey had to learn the same while they also had to learn to understand each other and each other’s perspectives. The more insight each character gets, the larger their mindset becomes, and the more they can accept in others. Physically, however, Rosie likes her whole family close together within tight confines. They do not have a big house, and she thinks a big house would make things more awkward. This shows that broad mindsets are important to relationships, but physical distance can prove a hindrance.
By Sharon Creech