44 pages • 1 hour read
Jennifer L. HolmA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The next time Johnny Cakes offers a job to Beans, Beans says no, even though Johnny offers to pay double. The dogcatcher picks up Termite, and Beans worries about him all afternoon at school; When Beans and the gang go to the New Dealers’ volunteer offices, one recognizes Beans from his good deed and allows him to take Termite home. Beans realizes some New Dealers are good people. Beans goes to a movie and sits with the haint in the balcony; this time, he asks his name and learns it is Murray. After the movie, Beans and Murray walk toward home. Murray points out the good changes in the streets and to the properties. Beans notices how much better the air smells. He gets the idea to join the efforts to help the town since he cannot help the damage he caused and cannot bring himself to tell the truth.
Beans returns to the volunteer offices and takes volunteer work cleaning outhouses, sweeping trash, collecting dead bugs from water collection containers. His mother tells him again he is a good boy, and with less guilt on his conscience now, Beans has some hope. One night he returns a shovel to the volunteer offices and encounters a forlorn Mr. Stone, who tells Beans that plans are not progressing quickly enough: “If I can’t get children to play on a playground, how am I possibly going to turn this city around?” (154). He says the government will soon move in and relocate the citizens if Key West does not rapidly prove its ability to sustain itself economically on tourism.
Beans gets the idea to prompt all the kids of Key West to join in the volunteer efforts, but though he gets Ira, Pork Chop, and Too bad to go along with him, they cannot convince anyone else. Later, sitting and keeping Kermit company, Beans watches him fuss over which piece of Mrs. Albury’s abundant divinity to select. This gives him another idea: Bribe the kids of Key West with divinity. Dozens of boys gather to volunteer at the office, and Dot arrives with a group of girls. Soon the children are sweeping, shoveling, planting, painting, and ridding the beach of seaweed. They also make souvenirs; Johnny Cakes provides cigar boxes, and the kids glue seashells to them. Once the children begin to work on the town, “there was a new energy” (161) in other people to volunteer. Even Murray and a group of lepers come out at night to plant flowers. Soon, the town is waiting anxiously for the tourists to arrive: “Before we knew it, it was opening night for our town” (162).
Tourists arrive in a contented invasion in Key West. They fill the Casa Marina hotel and eat at Mrs. Soldano’s newly constructed lunch counter, built on federal dollars as part of paid repairs to her house, which Beans convinced Mr. Stone to make happen. Avery paints more pictures for the restaurants and businesses and tells Beans to join his new art classes. Poet Robert Frost visits, and Beans lets him know that their resident writer, Ernest Hemingway, lives there; “he’s not very good, though” (166). Poppy comes home to share the news that he found a job working highway construction north of key West; no move to New Jersey will follow. The Keepsies regain their standing as champs in marbles. Beans gets a great idea to start a babysitting service for mothers on vacation called “The Diaper Gang.”
Six months later, Beans pulls three babies in the wagon. He recounts the success of Key West in the months since it opened for tourism. The town plans to build more restaurants and hotels; the economy is improving, and people are more optimistic and happier. The Diaper Gang business, with Beans at the helm and Pork Chop and Ira as helpers, is booming, so Beans satisfyingly refuses Winky’s offer to collect cans for him. Mr. Stone promotes positivity and a welcoming spirit among all Key West residents. Too Bad still wants in the gang, so Beans allows him to try changing a diaper on one of the babies, but the baby startles Too Bad, and he loses his balance; the soiled diaper hits Beans in the chest. Kermit must agree to nap daily, and Termite is still Beans’s dog. Dot begins an all-girls marbles team and offers to play the Keepsies, but Beans refuses. In the last frame of the story, a man arrives in an old Model-A Ford pedaling a hair regrowth tonic. Beans scoffs at the offer and reflects on the various kinds of lies people tell, recalling the importance of “never, ever get[ing] Winkied” (179).
Brief historical notes follow the narrative. The author explains that Key West’s “real-life” recovery during the Depression did result from Julius Stone, Jr.’s idea to turn Key West into “the Bermuda of Florida” (182), that volunteer efforts transformed the setting and the spirit of the local community, and that artists came to town to provide images for posters and brochures. The author also comments on the historical details of the danger of fire in the town, the child actors popular in the day, and the lepers that called a few lanes of Key West home in the period. The author follows up the historical notes with a list of “Beans’s Favorite Kid Actors,” “Pork Chop’s Best Sayings,” Official Rules of the Diaper Gang,” and “Resources to Keep the Conversation Going.”
Beans reaches his emotional low point at the end of the previous section: He sits in the theater, allowing Dot to hold his hand, as he cries silently from oppressive guilt. Whether resulting from Nana Philly’s influential two-blink advice not to tell, or his inability to face the consequences of coming clean, he elects to keep his misbehavior to himself. His character arc turns dramatically, though, on its upswing in this last section of chapters as Beans determines another way to make up for his role in Johnny Cake’s illegal activity and the resulting fire at Pork Chop’s house: He throws his full efforts into saving Key West through volunteerism.
From the first moment that Mr. Julius Stone, Jr. rolled into town in his fancy car, Beans (and many other Conchs) scoffs at the idea of promoting tourism to save the local economy. Later, he yearns for the chance to alleviate his guilt, but it takes a series of quick events for him to see the opportunity all around him: First, he gets a hint of his own positive influence when a New Dealer’s recognition of his good deed (running to the firehouse the night of the fire) saves Termite’s life; this prompts Beans to acknowledge that the New Dealers are not an enemy force and “not so bad after all” (150). Then, he seeks out the “haint” in the theater and makes a more personal connection by asking his name and strolling the lanes afterward. Murray sees the improvements only at night since he keeps himself hidden during the day; it is through Murray’s perspective that Beans realizes the extent of the positive changes to lots, yards, porches, and streets: “I started to see everything with new eyes” (152). In that moment, the epiphany is complete: Beans sees that his salvation and recovery of the town are inherently connected.
His devotion of time and energy to the volunteer effort is a secret penance for his crime, one that works gradually over grueling and dirty hours: “I went home filthy and tired every day, but with a lighter heart” (153). He brings his peers on board, then sees how their vibrant spirit infects other holdouts until it seems everyone in Key West is now helping—even the lepers who sneak out as nighttime do-gooders, planting flowers. As Beans’s efforts contribute to his lightened conscience, his entrepreneurial senses resurface; soon, he has kids crafting seashell-bedecked cigar boxes to sell as souvenirs. He is poised, then, and mentally and emotionally ready for a profitable business venture (he is often paid in candy) and crime-free when the opportunity hits. His Diaper Gang business suits his natural finesse with babies, helps local mothers and those vacationing there, and gives Beans the chance to be his “own boss” (173).
The story closes in a way that suits the extended metaphor of Key West’s transformation as a movie released to audiences: Beans provides a panoramic view of the characters and situations as if he is a cameraman revealing a “six months later” shot to viewers. All subplots, from Kermit’s illness to Beans’s new friendship with Murray to Mr. Stone’s continuing role resolved with a clear cap. Beans ends his narrative with lines that serve as both acknowledgment and commentary on the lies people tell; he accepts that everyone sometimes lies, that some lies are particularly “bad” ones to avoid, and that it is possible to sidestep the ones that take advantage of you or innocent others.
The last scene of Full of Beans featuring newcomers with hair regrowth serum alludes to the opening scene of Holm’s Turtle in Paradise, her 2011 Newbery Honor middle grade novel in which Beans’s cousin Turtle arrives in Key West.
By Jennifer L. Holm
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