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Chula fears for Petrona and feels responsible for her safety. She and Cassandra hatch a plan to skip school and track down Petrona. As the girls walk to the school bus stop, Chula remembers the anecdotes describing the grisly things Escobar’s men have done. When the bus arrives, Chula and Cassandra sneak away instead of boarding. They decide to wait in a bakery until Petrona’s usual arrival time. In the bakery, they encounter Petrona and Gorrión. Chula tells Petrona there was a bombing, which is why they are not in school, and Petrona introduces Gorrión. He says he will call “the driver” (213), and the girls are confused.
Chula sees Petrona’s eyes well up. The bakery proprietress asks Gorrión who he is, and when he answers suspiciously, she calls the police. Gorrión snatches Cassandra and runs away. Chula runs after her, but loses them, and a car with an unknown male driver and Petrona in the passenger seat approaches her. Chula runs, but the driver catches her, drags her by her leg back to the car, and locks her in the trunk. Chula locates a cable that opens the trunk from the inside, and when the car stops, she escapes. She runs in semi-conscious panic and ends up with Petrona, who desperately begs for forgiveness.
Chula awakes in the back room of a liquor store with Petrona. Chula fears and mistrusts Petrona, who “had not been hiding from any danger, but was the danger itself” (220). Chula is dragged into a taxi with Petrona, and she believes the kidnapper has returned to move her, but instead, she is taken home. Mamá is enraged with the girls and Petrona, abusing all three verbally and physically.
Petrona begs Mamá for protection, saying she saved Chula. Mamá gives Petrona all the rings off her fingers and tells her to flee. Petrona reflects, “I had risked everything for another woman’s daughter, and nobody would do the same for me” (223). She tells Gorrión she cannot go through with assisting in the kidnapping of Chula and Cassandra. She boards a bus and begins to plan a new life and identity as a young boy and a man sit down near her. The boy blows a handful of white dust into her face. Just before she loses consciousness, she realizes the man sitting in front of her is Gorrión.
Mamá and the girls wait for Papá to return from work. Chula resolves never to tell Mamá about being locked in the trunk of the car, because she wants Petrona to be forgiven. They hear news that Pablo Escobar has escaped. Papá does not return home all night. Mamá grows ever more anxious. Chula watches news coverage showing Escobar’s abandoned hideouts. The next night, Chula finds Mamá in a fit. The guerrillas have called her to say that they have kidnapped Papá; they are demanding the family’s assets as ransom. Chula overhears Mamá crafting a plan for them to escape to the United States. Mamá orders the girls to help her clean out Petrona’s old room. Under Petrona’s old mattress, they find a rifle.
Mamá unexpectedly wakes the girls early one morning and they drive to the Hills: Mamá wants to track down Petrona and Gorrión. They climb the hill, which is slick with mud. The rain has obliterated most of the shacks. They reach the remains of the Sanchez’s hut, and Chula crawls inside to look around. They encounter Doña Lucía, who instantly flies into a rage, blaming Mamá for Petrona’s disappearance. When she calms down, she asks Mamá for help finding Petrona. She says the police don’t listen to her, but they will listen to Mamá, since she is from the city. As they descend the hill, Chula feels they are abandoning Petrona.
At the bottom of the hill, they meet Julián, who says he knows what happened to Petrona. After Mamá pays him, he tells them a group of men brought Petrona back with Gorrión, and she appeared drugged with burundanga. They put her in a car with five other drugged women, and Julián expects they killed her. He tells Mamá that Gorrión’s real name is Cipriano. When Mamá and the girls return home, Mamá announces that they are selling the house and moving away. Chula fears Papá will never find them.
Chula recalls the drama of her ordeal in vivid detail and imagery, relating her thoughts and feelings as the action unfolds. Though Chula and Cassandra’s kidnapping results from their deliberate disobedience, Chula instinctively reacts angrily against Petrona, who has clearly betrayed them. When Petrona abandons the kidnapping attempt and helps Chula to safety, however, Chula readily forgives her. These swift pivots of moral judgment illustrate the delicacy and ambiguity of morality in a war that touches so many civilian lives and confronts innocent individuals with impossible choices.
In contrast, Mamá’s judgment of Petrona is instantaneous and absolute. She becomes livid and she acts out violently, demonstrating the harshness of Mamá’s character and the depth of her disappointment in Petrona. Though Mamá could be expected to empathize with Petrona more than anyone because of her similar background, her self-preservation instincts prevail over her pity. She casts Petrona off without hesitation, shoving jewelry and cash into Petrona’s hands in a hollow gesture of consolation.
In the same way that the heat demarcated the period of the Santiagos’ stay in El Salado, the extreme weather phenomena of drought and flooding play dramatic structural roles in these sections of the novel. Whereas the drought was the backdrop for the previous section of the novel as the Santiagos welcomed Petrona more intimately into their family, flooding becomes the prevalent meteorological feature of this section as the family casts Petrona away and abandons her.