54 pages • 1 hour read
Hans Peter RichterA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Polycarp first appears in Chapter 1, then very briefly in Chapter 8, and then not again until the last chapter. The name is derived from Greek (πολύκαρπος) and means “he that brings much fruit.” This name coincides well since Polycarp is a multifunctioning symbol, paralleling both Herr Resch and Friedrich, their characteristics and fates. Garden gnomes are used as symbols for good luck, because they watch over the earth, and thus, maintain its fertility. In this sense, the symbolism is both apropos and ironic. For the narrator’s family, their luck and prosperity does indeed increase, but the Schneiders’ luck most certainly decreases. In reference to the name’s meaning, Polycarp does bring about much “fruit” in the sense that the building, in front of which he stands, represents a microcosm of the larger events surrounding Jewish persecution at the hands of the Nazis.
Polycarp symbolizes Herr Resch in several ways. Like every character in the novel, Herr Resch’s physical description is never fully given, other than that he is fat and out-of-shape. Polycarp is given more description than any other character in the novel, and because of his affiliation as Herr Resch’s garden gnome, one imagines Herr Resch’s appearance as something gnomelike. Furthermore, the characteristics of a garden gnome and Herr Resch are quite similar. Herr Resch acts as the sentinel of his apartment building, never leaving, and observing the yard and street from his window, except for those few occasions when he joins Polycarp out in the yard. The idea of idly standing around and observing symbolizes and condemns those Germans who stood around, did and said nothing, and watched as the Jews were steadily persecuted, arrested, deported, and murdered. Herr Resch’s feelings and actions toward others are devoid of humanity. One could describe them as hardened and intransigent, much like the material from which Polycarp is made. However, many of Polycarp’s characteristics that show the negative aspects of Herr Resch are also used to show Friedrich’s strength and magnanimity.
Rain or shine, tall grass or snow, Polycarp stoically remains in the yard with a smile on his face and his pipe in his hand. Despite the terrible situation surrounding Friedrich and his parents, Friedrich never becomes negative or cynical. He fears, but he faces his persecutors and persecution much as Polycarp faces adverse weather. He allows it to wash over him without it altering his character. At the end of the novel, Polycarp is used to foreshadow what happens to Friedrich. During the bombing, a piece of shrapnel cuts off the tip of Polycarp’s Phrygian cap. Friedrich is mortally wounded in the side of the head with only what one can imagine as another piece of shrapnel. It is in this scene that Polycarp illustrates Herr Resch’s inhumanity in that Herr Resch cares for the garden gnome more than he cares for a dead boy, simply because that boy was a Jew.
Beginning in 1941, the Nazis decreed that all Jews within Germany and its occupied territories had to wear yellow patches to identify them as Jews. An example of these stars is the infamous yellow Star of David with Jude written in Hebraic style inside. The stars were not only used to identify Jews openly but to make it easier to persecute and demoralize them. However, the stars were not Nazi creations. At various times throughout the centuries, Jews had been forced to wear types of identification that marked them as Jews and therefore different from the other members of society. Some of the first recorded Jewish markings were used by Islamic Caliphates. European kingdoms also forced Jews to wear markings at different points in time, usually through forcing them to wear a yellow badge. In medieval Germany, it was common that Jews wore a special hat to mark them. The Nazis simply resurrected these ideas.
In the novel, the sewing on of the stars is granted its own chapter heading: Chapter 26: “Stars.” Beyond the historical significance of being forced to identify themselves, the rabbi uses the opportunity to tell the narrator an allegorical story that foreshadows the increasing violence and murder of the Jews, and the way in which Friedrich’s parents prepared a way to keep Friedrich safe should the worst happen to them (For more about the allegory see Literary Devices: Allegory).
The fountain pen first appears in Chapter 18: “The Festival” and then again in Chapter 30: “The Picture.” The pen is a gift from Teacher Neudorf. At first, the reader is unaware of the pen’s significance; it appears to simply be an apropos gift from a teacher to a former student. However, its significance, specifically the pen’s cap, is made clear in Chapter 30 when it is revealed that the cap is all that Friedrich has left of his personal possessions. There are three key aspects that come together at that moment that reveal the cap’s significance as a symbol for protection. First, the very nature of a pen’s cap, especially that of a fountain pen, is to protect the tip and keep the ink from drying out. Teacher Neudorf gives Friedrich the pen at his Bar Mitzvah, which means that he was invited, and which further points out that he remained close to Friedrich ever since Friedrich was forcibly removed from his class. This, coupled with hints from Chapter 26 that Friedrich is staying with friends, and the rabbi’s allegory, leads one to believe that Teacher Neudorf is the friend protecting and hiding Friedrich while his father and the rabbi are arrested, while Friedrich has nowhere else to go.
In Chapter 30 Friedrich is no longer with friends; he is lonely, dirty, and hungry. However, he “tenderly […] stroked the cap” (131), signifying the importance he holds for it. It is possible that either Teacher Neudorf could no longer safely hide Friedrich, or something happened so that he could no longer care for him (e.g., death or injury), or that Friedrich left his teacher’s protection to protect him from reprisal, as Friedrich had done with Hilda, the girl in Chapter 24. Nevertheless, despite Teacher Neudorf’s absence, Friedrich carries around the cap as a symbol of hope and affection. It protects his morale during the darkest hours of his life.