53 pages • 1 hour read
Patrick DewittA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide describes and analyzes the source text’s treatment of death by suicide.
Frances Price and her son, Malcolm, leave a dinner party on New York’s Upper East Side early. When the hostess, who both admires and is intimidated by Frances, tries to stop them, Frances invents a veterinary emergency for their cat as an excuse. Instead of getting into their car, which is waiting at the curb for them, they sit on a nearby bench. Frances lights a cigarette with her favorite lighter, and they examine the jade picture frame that Malcolm has stolen from the house. He throws away the photo it contains of the hostess and puts the frame in his pocket.
A man asks Frances for money, admitting, when she prods him, that he will use it to buy alcohol. She asks him to describe what he will spend it on, and where and how he will drink it, then gives him $20. A police officer approaches and scares the man off. Although the officer is solicitous of Frances, she rebuffs him, defending the man. She lights another cigarette with a click of her gold lighter, and the officer leaves.
Their driver leaves them at their massive apartment, which is quiet and dark. They eat the dinner the cook has left for them. Malcolm thinks about Susan, his fiancée, whom he hasn’t spoken to in several days. Frances lights a cigarette and blows the smoke in the face of Small Frank, the cat. She tells Malcolm about her planned meeting the following day with Mr. Baker, their financial advisor, then takes a bath and calls her friend, Joan.
The author details how Frances and Joan met at summer camp when they were young. Joan was an outsider, belonging to the nouveau riche, while Frances was from older money and more popular. She befriended Joan, and although Joan collected many more friends over the years, she is still Frances’s only friend.
While on the phone, Frances debates telling her friend about her current financial problem when a lizard appears and runs across her feet and into her bedroom. She hangs up and calls Malcolm in his bedroom. He comes to her bedroom, but when the lizard darts out from under the bed, Frances tells him to pack their bags and meet her in the lobby. They rent suites at the Four Seasons, and that night, Frances dreams of a plum, just out of her reach. When she wakes up, she orders one from room service but finds it disappointing.
Frances cancels her meeting with Mr. Baker the next morning, and she and Malcolm return to their apartment. The doorman has killed the lizard for them and gives her a letter from Mr. Baker, who wants to meet the following day, telling Frances she needs to face things.
Malcolm is late meeting his fiancée, Susan, for lunch. She asks if he has told Frances about their engagement or made plans to move out of his mother’s apartment. He confesses that he hasn’t, and she realizes that he will never move on. She tells him to leave and, as he goes, wonders why she is in love with him.
Mr. Baker was an admirer of Frances’s late husband, Franklin Price, while he was alive. Franklin was an intimidating lawyer who defended the most indefensible clients. He focused on making money to the exclusion of any ethical boundaries, and defended the tobacco and pharmaceutical industries, among others.
Franklin died of a heart attack in his prime, and Frances scandalized society by discovering his body, then leaving for a ski weekend without calling the police. Later, there were rumors that Frances spoke to her cat as if it were the incarnation of her husband, and this strange twist has made her story a legend.
Mr. Baker doesn’t feel guilty about the state of Frances’s finances—he warned her repeatedly over the years, but it only seemed to make her spend more. Now, he tells her that her money is gone, and her property will be repossessed by the banks. She tells him she had planned to die before the money ran out, and he advises her to sell whatever she can before the bank takes it. That night, she tells Malcolm the news.
Frances negotiates with the man they’ve hired to sell their belongings. When he resists her offer, she threatens to burn down the house with her possessions inside, in which case he would get nothing. He agrees to her terms, and after he leaves, she and Malcolm have a drink to celebrate.
While everything in their apartment is being sold, Frances and Malcolm move back into the Four Seasons, where they retreat to their respective suites, and Frances develops an interest in reality television. Joan offers Frances a loan, which she refuses, and then suggests that Frances and Malcolm move into her Paris apartment.
At first, the idea depresses Frances, but they continue to drink wine with their lunch, and the plan steadily looks better. By the time lunch is over, it is decided, and they leave the restaurant holding hands. At home, Frances collects the money from selling their possessions.
Malcolm and Susan go swimming, and he talks to her about when he was younger, at boarding school. He says that before his father died, neither of his parents paid any attention to him, failing to even celebrate his birthday. He hadn’t known his parents at all, and upon the news of his father’s death and his mother’s consequent behavior, he felt only embarrassment.
However, shortly after his father died, when Malcolm was 12, Frances came to the boarding school and took him away. Frances hired a tutor, Ms. Mackey who taught him French and took him out for lunch every day for two years, at Frances’s suggestion. When Malcolm was 14, Ms. Mackey missed several days of work, and he went to her address. When she answered the door, he was shocked to realize that she was poor. He returned home, and Frances discovered Malcolm was in love with Ms. Mackey. She fired the tutor, and he never saw her again. Instead, Frances decided that Malcolm’s education would consist of him going to museums, alone, five hours a day, five days a week.
Listening to this story, Susan thinks about the first time she met Malcolm. She’d just broken her engagement to Tom at college graduation. She was hiding upstairs during a party at her parents’ house when Malcolm came out of her dead father’s closet, wearing his watch. He asked her for a date, and afterward, she let him keep the watch. Their relationship developed slowly and, at first, platonically. She hadn’t expected to fall in love with him. When she told him, he didn’t say it back, but he held her hand.
When Susan discovered that Malcolm still lived with his mother, she was uneasy. Finally, she convinced Malcolm to invite her for dinner, and Frances spent the night subtly insulting her. After Susan left, she tried to convince herself it was normal but knew that Frances would try to keep them apart. Now, in the swimming pool, Susan realizes she was right. Malcolm announces that he is moving to Paris with Frances for an undefined length of time, and Susan realizes she will have to give up on him.
When Frances tries to check out of the Four Seasons, her credit cards are declined. To save their cash for Paris, they sneak out of the hotel. They return to their apartment, but the doorman can’t let them in. Small Frank, the cat, is on the sidewalk, and they take him to Mr. Baker’s office, where Frances picks up their remaining cash, putting 170,000 euros into her purse.
They arrive at the ship terminal to board the cruise they will take to Paris. The ticket agent won’t let them bring Small Frank aboard. Frances decides to leave him, and while the agent is berating her for her heartlessness, Small Frank sneaks aboard the ship. Upon boarding, Malcolm is immediately seasick and takes to his bed. Frances keeps him company, drinking and talking about her past lovers. She tells him about her first day with Franklin, when he ate a cupcake at Tavern on the Green with a knife and fork.
Frances goes to her own cabin, and Malcolm calls her several hours later. His seasickness has subsided, and he has explored the ship and found a psychic medium. He wants Frances to come see the medium with him, but the idea of the future makes her nervous. Approaching the medium’s tent on the deck, Malcolm hears an older woman crying and a younger woman consoling her. He goes into the tent and startles the medium, who shrieks and scares him away.
At dinner, Frances tells Malcolm that a man told her they are five miles above the ocean floor, and she wishes she didn’t know it. A waiter takes Small Frank away, and Frances follows. Malcolm watches people on the dance floor and sees the woman who was crying in the medium’s tent earlier that day. She is wearing a pink gown and a tiara, and throwing confetti. He sees the medium walking by, stops her, and introduces himself. Frances returns with Small Frank, and they invite Madeleine, the medium, to have a drink with them. Madeleine gives Small Frank a funny look, but she stays.
Later, Malcolm and Madeleine drink and talk. He tells her about the tension between Frances and Susan. She tells him that the woman in her tent was crying because Madeleine told her she is dying. They go to Madeleine’s cabin and have sex. When Malcolm goes to leave later, he hears knocking on the door. He doesn’t want to answer and doesn’t want a confrontation, so he stands in the middle of the floor with his eyes closed until the knocking stops.
Frances talks to Small Frank while she gets ready for bed, wondering how she will sneak him into France.
On the last night of the trip, Frances and Malcolm eat at the captain’s table. He is a handsome man, and flirts with Frances, but she appears not to notice. When she asks, he tells her they are actually closer to three miles from the ocean floor, which makes her feel better.
Malcolm talks with the ship’s doctor, who is also at the captain’s table. The doctor tells him that the woman Madeleine predicted would die actually has died. They believe she had a heart attack as the result of being upset after she was told she would die, and Madeleine is fired.
The doctor takes Malcolm down to the ship’s morgue and shows him the woman’s body, still with confetti in her hair. He tells Malcolm that, on average, one person dies for each day they are at sea. Disturbed, Malcolm leaves but is unable to find his room and falls asleep in the corridor. When he wakes, the sun is rising.
Frances and the captain go to his quarters. She expects to have sex with him, but he can’t sustain an erection. He isn’t particularly bothered by this, which she admires. Instead, they lie naked together, and she tells him about her governess, Olivia.
Frances recounts that at a certain point in her youth, around the age of 11, she became beautiful, and people treated her differently. Simultaneously, she became aware that her family was wealthier than most. She began to act cruelly, making cutting comments like those she heard coming from the adults in her sphere. One night, she lashed out at Olivia, who slapped her hard and left without speaking. The next morning, Olivia acted as if nothing happened, and Frances never told anyone. She understood Olivia’s act to be one of pure communication, strictly between them.
After the captain falls asleep, Frances returns to her own cabin. Small Frank meets her at the door with an irritated expression, but Frances refuses to feel guilty.
The next morning before they disembark, Frances drugs Small Frank with Valium and puts him into her purse. After a moment’s thought, she takes the Valium as well. Malcolm sees Madeleine, and they follow her through customs. Frances is acting strangely, and the customs agent warns Malcolm that she can’t die in France.
On the train from the port to Paris, Malcolm sits with Madeleine. She tells him that she can see a green aura around a person when they are dying. Madeleine doesn’t have a ticket, nor the money to purchase one. The conductor decides not to kick her off the train, and after he leaves, she mentions that Malcolm could’ve bought her a ticket, but it hadn’t occurred to him. She leaves, annoyed, and Frances wakes as they arrive in the train station in Paris.
The novel begins in medias res, introducing Frances and Malcolm as they escape a dull dinner party. They are attempting to make a “French exit,” or French leave, echoing the book’s title, which means to leave abruptly and without explanation. In addition, it quickly becomes clear that they are in a circumstance they have been in many times before. They are leaving a party that they’ve found dreadfully boring, and the hostess doesn’t want them to go. Patrick deWitt introduces Frances and Malcolm in their status quo—on New York City’s Upper East Side, the esteemed guests at a glamorous soirée that many others would be impressed by. This ennui and disconnection from their peers is emphasized by Malcolm’s casual theft of the picture frame, and their offhand assessment of the frame makes clear that this isn’t the first time Malcolm has stolen from a host. DeWitt immediately establishes them as somewhat unsympathetic characters: wealthy, ungrateful, and dissatisfied.
Frances’s subsequent interaction with the unhoused man who asks for money establishes the transactional nature of most of her relationships. She doesn’t seem to know how to connect with people in any other way. In return for the money, she asks the man for his honest story and listens patiently without judgment. Further, she protects him from the police officer. She uses the power of her appearance and class to manipulate people, as when she uses her lighter, first clicking it at the hostess and then the police officer. The gold lighter, a symbol of Frances’s wealth and status, appears at several points throughout the novel, and she wields it both to express emotion and assert her authority.
Frances and Malcolm return home briefly only to be driven out of their apartment and into luxury hotel suites by the appearance of a lizard. Such an extreme reaction to a minor pest reflects the pair’s rash behavior and inability to cope with reality. This absurdist scene also serves to establish their aversion to anything unfamiliar or out of their comfort zones, setting up how they will react to living in a foreign country later. Their complete confidence that they will be able to secure two suites shows both their wealth and entitlement. That the doorman deals with the lizard underlines that Malcolm and Frances are unused to having to resolve difficulties on their own. That they are extravagant with money despite no longer having any prepares the reader for the shock Frances and Malcolm will experience when they are faced with the realities of living without wealth.
The language and style of the novel are minimal: Descriptions are short, as are the chapters. This minimalist prose gives the thoughts and acts that are represented a greater impact. In addition, although the third-person omniscient point of view affords insight into the characters’ minds and ranges across a variety of characters throughout the novel, most of the character development comes from indirect characterization. The narrator doesn’t describe the characters in detail or offer judgment or commentary on them, instead relying on the representation of their words and actions to characterize them.
The extended nature of traveling by ship, rather than flying, offers Frances and Malcolm a transitory space in which to continue their current lifestyle, where they are guests with staff to take care of their needs. They still enjoy the spoils of their class—being invited to dine at the captain’s table, for instance—and are able to postpone confronting their new circumstances. In addition, deWitt takes advantage of the liminal space created by the cruise to explore the temporary relationships on board and the strange intimacy the journey creates, which begins to bring Malcolm and Frances in contact with a range of interesting characters. Their journey takes on a surreal tone as Frances tells childhood stories to the ship’s captain in bed and Malcolm explores the morgue with the ship’s doctor. The doctor’s comment that “[a] cruise ship is a death ship” raises the specter of death again (71), as Madeleine’s fortunetelling did earlier. From the opening sentences, when Frances declares, “All good things must come to an end” (3), deWitt continually brings death into the narrative. While not outwardly foreshadowing, this subtle thread through the story keeps the topic at the forefront.
By the end of Part 1, Frances and Malcolm have arrived in Paris. Although Frances knows from Joan that people are talking about her circumstances, the reader isn’t privy to how society is receiving Frances’s latest scandal. DeWitt only offers remnants of their previous status quo, like the party they leave in Chapter 1. On the ship, they are accorded all the privileges of their position without the accompanying bankruptcy scandal.
By Patrick Dewitt