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54 pages 1 hour read

Robin Kelley

Freedom Dreams: The Black Radical Imagination

Nonfiction | Book | Adult | Published in 2002

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Chapter 5Chapter Summaries & Analyses

Chapter 5 Summary: “This Battlefield Called Life: Black Feminist Dreams”

In the fifth essay, Kelley focuses on the vision and contributions of Black women to Black radical movements for liberation. He opens the essay with a discussion of how Black women have often been ignored by the American Left in general and the Black radical movement specifically. The American Left often treats the Black community as a monolith, a vision Kelley describes as “ostensibly gender-neutral” (137). While early Black feminists did push back against this conception, it wasn’t contested more systematically until the late 1960s and early 1970. Kelley clarifies that he views Black feminists as distinct from the broader feminist movement not because they didn’t engage with the movement as a whole, but rather because they have racial, class, and gender critiques specific to their experience.

In the section entitled “Smashers of Myth […] Destroyers of Illusion,” Kelley details the contributions and struggles of Black women during what is known as “second wave” feminism, a period spanning from the 1960s to the mid-1980s, which was focused on equality and gender discrimination. He notes that despite figures like Florynce “Flo” Kennedy being founding members of the National Organization for Women (NOW), a key second-wave feminist organization, mainstream and radical feminist groups at this time, such as the New York Radical Women group, did not specifically address the concerns of Black women. Later splinter groups, such as the Redstockings, which launched in 1969, did specifically incorporate antiracist principles. Nonetheless, these groups did not attract large numbers of Black women, many of whom found it ridiculous and offensive when white feminists claimed that the discrimination they faced was comparable to that faced by Black people.

Instead of joining feminist organizations, many Black women fought sexism within the Black radical movement itself. Some male leaders in the Black Power movement at the time argued that Black women oppressed and “emasculated” Black men by demanding gender equality (142). This view was popularized by Daniel Patrick Moynihan’s report The Negro Family: The Case for National Action, published in 1965. This was not unique to the Black radical movement; Kelley notes that male white New Left leaders were also sexist and women in that movement faced similar struggles for recognition.

In response, Black women created their own organizations, such as the National Black Feminist Organization (NBFO), and started publishing their own writings analyzing the intersections of gender, race, and class, such as the 1970 anthology of essays The Black Woman, edited by Toni Cade Bambara. These groups differed from white feminists in numerous ways, including around conceptions of motherhood and birth control. For white women, birth control was seen as a path for liberation from the demands of motherhood, whereas Black women were conscious of how birth control and sterilization had been forced on them due to pro-eugenics policies such as those advocated by the white feminist Margaret Sanger. Black women wanted to ensure that there were legal protections against involuntary sterilization while also providing access to birth control for those who wanted it. At the same time, they were fighting against those within the Black radical movement who took firm stances against all forms of birth control, such as the Nation of Islam.

Some felt that the Black feminist community was not sufficiently addressing the rights of lesbians, and so a group broke with the NBFO and formed the Combahee River Collective. The Combahee River Collective was anticapitalist but did not believe that socialism would solve issues of race, gender, and sexual oppression. They also connected their work to the struggles faced by women in the Third World. In the section entitled “New Knowledge, New Dreams,” Kelley describes in detail how the work of the Combahee River Collective and other Black radical groups creates new modes of understanding, drawing from the text Other Kinds of Dreams: Black Women’s Organisations and the Politics of Transformation by Julia Chinyere Oparah/Sudbury (1998). Kelley also describes the contributions of Angela Davis to the Black radical movement, specifically her work on behalf of imprisoned people. He notes that the work of these activists changed the definition of who is a source of authority on the Black experience to include women, artists, teachers, preachers, and others. He admires radical Black feminism because its definition of freedom “recognizes the deep interconnectedness of struggles around race, gender, sexuality, culture, class, and spirituality” (154), and the essay ends with a call for greater Black female leadership in radical organizations.

Chapter 5 Analysis

The key theme of the fifth essay is Intersectionality in Resistance Movements. Kelley describes himself as a feminist, and in keeping with his feminist principles he highlights the important and often-overlooked contributions of women to the Black radical movement. Intersectionality is a complex mode of analysis, in that it considers the many different aspects of a person’s identity: class, race, gender, sexual orientation, and others. In this essay, Kelley focuses largely on the experience of Black women as a whole, but he also briefly addresses minority groups within this community, notably the experience of Black lesbians, through his discussion of the Combahee River Collective. The epigraph to the essay, a quote from the poem “For Sweet Honey in the Rock” by Sonia Sanchez, highlights the multifaceted, intersectional nature of radical activism:

I say come, wrap your hands with deeds and prayer
You brown ones
You yellow ones
You black ones
You gay ones
You white ones
You lesbian ones (135).

In this excerpt, Sanchez is addressing the many different groups and identities found within the movement and encouraging them to work together.

In his revised introduction to the text excerpted in the Boston Review in 2022, Kelley notes that “were [he] to write this book today,” he would explore even more intersectional aspects of Black radical imagination generated by “queer and trans liberation” movements, disability advocates, and Indigenous thought (Kelley, Robin D. G. “Twenty Years of Freedom Dreams.” Boston Review, 1 Aug. 2022). In this essay and the revised introduction, Kelley emphasizes how these diverse strands of social justice activism generate new dreams and goals for the future. In other words, taking into account the experiences of those typically left out of mainstream discourse helps spur Imagination in Activism.

Kelley exemplifies this intersectional approach in “The Battlefield Called Life” with his discussion of how understanding the experiences of Rastafari women can inform feminist sexual politics. Rastafarianism is a religious belief that encourages head coverings and modest dress for women. Nevertheless, Rastafari women were some of the most active Black radical feminists in the United Kingdom, arguing that their practice of dressing modestly was a method of resisting sexualization and exploitation. Rather than seeing this as a contradiction, Kelley points out how their advocacy changed the horizon and imagination of Black feminist radical politics. It should be noted that Kelley is not advocating for or against this position, but rather identifying the way that the inclusion of minority identities can change radical imaginaries.

More generally, Black radical feminists changed the landscape of political and social theory to incorporate different ideas of who should be seen as a voice of authority. In this way, they impacted the very notion of what activism is and how radical causes can be advanced. In “Roaring from the East,” Kelley critiques (white) male radicals whose main mode of engagement is through traditional political organizing, pamphleteering, meeting, protesting, and so forth. In contrast, Black radical feminists, as described by Kelley, expanded the Imagination in Activism to incorporate new modes of engagement “to include poets, blues singers, storytellers, painters, mothers, preachers, and teachers” (154). In his own activist writing, Kelley draws on all of these forms of engagement, including invoking the influence of his own mother who, despite being non-political, helped shape his utopian dreams.

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