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George R. R. MartinA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
“Words are wind”(178) is a motif that reflects the importance of managing reputation, of balancing words and action, and of persuasion in maintaining political power. The phrase first appears when Jaehaerys refused to take rebel lords’ words alone to ensure their loyalty. He punished the lords by taking their children as wards/hostages and seizing their lands and money. As a ruler who used his power effectively, he backed up his words with action.
Jaehaerys kept his power because he understood the importance of reputation to legitimize rule. He sent the Seven Speakers on a tour to create popular support for the Doctrine of Exceptionalism because ‘[w]ords are wind…but wind can fan a fire” (191). The “fire” was populist or religious outrage over incestuous marriage, which stirred a generation of smallfolk and septons to revolt. The Shepherd later capitalized on words to fuel an uprising against Targaryen power. Words are not just wind then. They destroyed the legitimacy of the Doctrine of Exceptionalism, one of the underpinnings of House Targaryen’s right to rule.
Mushroom’s use of the phrase highlights the soft power of women. Mushroom remarked that “[w]ords are wind…but a strong wind can topple mighty oaks, and the whispering of pretty girls can change the destiny of kingdom” (588-589). Gyldayn incorporates the phrase to describe how Baela and Rhaena used charm and emotion to convince Aegon III to spare Corlys Velaryon during the Hour of the Wolf. Alysanne Blackwood took the same approach to reach Cregan Stark. Their persuasive speech helped the Hand and the king see the wisdom of preserving an important political ally. The reference to “pretty girls” infantilized Rhaena and Baela, who already showed themselves to be important political players; the implication was that the words of women are manipulative, especially when women use them to persuade powerful men to act in the women’s interests.
Dragons are a symbol of power in Fire and Blood but also of the distinction between Targaryens and natives of Westeros. Targaryens were the only dragonlords in Westeros—and possibly the world—during the events of Fire and Blood. Because of their dragons, “Targaryens were different” (192), so dragons were evidence to support the Doctrine of Exceptionalism. In medieval history, divine right—being chosen by God to rule—was the difference between an ordinary person and a monarch. In Westeros, with its many gods and petty kings, dragons were the closest equivalent of supernatural power that made the Targaryens worthy of rulership. Dragons were also powerful weapons, and as long as Targaryens held sway over them, they were able to enforce their rule through military might. Targaryen power rose and fell depending on the number of dragons in existence.
Martin also uses dragons to characterize riders. Balerion the Black Dread was the only one of the Targaryen dragons to survive the journey from OId Valyria. He was the biggest and fiercest of the dragons for many generations because his age allowed him to develop the hard scales that made it so difficult to defeat the creatures. Aegon the Conqueror rode Balerion, an indication of the importance of his Valyrian heritage, his power, and his strength in battle. Maegor I took Balerion without his brother’s permission. He later went on to be a tyrant who relied almost exclusively on violence to maintain his power. His departure from Westeros with Balerion showed his disrespect for his brother and his intention to usurp Aenys’s throne.
The Iron Throne is specifically a symbol of the power of the Targaryens and more generally of the perils of power. The throne appears in the first chapter, “Aegon’s Conquest,” in which Aegon collected the swords of all the defeated lords and petty kings of Westeros. The gathering of the swords was proof that he won his throne through military might. In his and subsequent generations, Targaryen rulers were always in danger of cutting themselves while sitting on the throne. Gyldayn cites a source that says Rhaenyra regularly bled when she ruled from the Iron Throne, while Maegor the Cruel was said to have bled out while sitting on the throne due to receiving many cuts from it. In this world, the wounds the throne inflicted symbolize the unfitness of the ruler to exercise power—Rhaenyra because she was a woman, and Maegor because he abused his power through an excess of violence.
Valyrian steel blades were very old, made using a process lost in Valyria with the Doom. Strong and sharp, they were heirlooms passed down through powerful houses. The blades were thus symbols of nobility and power. In Fire and Blood, one of the key indications that Aenys I would be seen as a weak king was that he gave Blackfyre to Maegor when he proclaimed that his brother would be equal to him in power. Martin also uses blades to characterize those who wield them. Visenya Targaryen carried Dark Sister during the reign of Aegon the Conqueror. She was “the dark sister,” relying on might and violence to shape Westeros into a kingdom, and she is reputed to have practiced sorcery and assassination to secure her brother’s power. She gave Dark Sister to Maegor, who relied almost exclusively on violence to attain power. There was no magic that made a wielder of a Valyrian steel blade able to keep that blade: Orphan-Maker was a sword that moved from man to man—many of them killed as a result of betrayal—until it landed in the hands of Unwin Peake, who used it in the presence of Aegon III to show that he intended to be a more assertive Hand than Tyland. Valyrian steel was thus a symbol of characters’ willingness to do anything to attain power.
Martin uses the curse of Harrenhal as a motif to develop the theme of power and conquest in Fire and Blood. Harrenhal first appears during Aegon’s Conquest as the site of the death of Harren the Red, one of the quarrelsome kings who attempted to defy Aegon. Aegon roasted Harren to death in his castle using dragon fire. Aegon’s action allowed him to claim a strategically important castle, but it also demonstrated to reluctant lords that his dragons made him too powerful to resist. From then on, characters who became lords of Harrenhal or lived in Harrenhal usually died painful deaths when they got in the way of more powerful characters or because they offended powerful interests. For example, Harwin Strong died in Harrenhal because he was an inconvenient reminder of the out-of-wedlock parentage of Rhaenyra’s sons, because he and his father stood in the way of Larys Strong’s lordship, and because he crossed Alicent and the Greens. His death shows that the true curse of Harrenhal came from unchecked power.
By George R. R. Martin