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56 pages 1 hour read

Wendy Mass

Every Soul a Star

Fiction | Novel | YA | Published in 2008

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Pages 1-115Chapter Summaries & Analyses

Pages 1-115 Summary

Nearly 13, Ally Summers has a passion for astronomy. She has always been homeschooled. Her parents, both scientists, agreed 10 years earlier to leave their native Chicago to start a remote campsite called Moon Shadow Campgrounds in New England. The camp provides them the opportunity to collect astronomical data impossible to gather amidst the light pollution in the city. For the past three years, the family—including Ally and her younger brother, Kenny—have prepared the camp for the flood of tourists expected at Moon Shadow to observe a total solar eclipse, the first visible in mainland America in 75 years.

Ally manages the camp’s six signature recreational sites, which she calls The Unusuals. There is the Labyrinth, a series of massive concentric circles made from stones. The Labyrinth challenges visitors to follow the circles to the center and there ask a big, difficult question about their life and, in turn, receive an answer. There is a site along a shallow river where campers pan for gold (her brother periodically stocks the river with tiny gold nuggets); there is the Art House, a cabin where kids paint on the walls; Alien Central, where campers listen in on astronomical equipment sweeping the skies for any radio signal that might indicate extraterrestrial life; the Sun Garden, with a giant sundial; and the Star Garden, where guests scan the night skies using a battery of telescopes.

Ally and Kenny have grown up without the distractions of television, pop music, video games, and social media. Kenny has become an expert in bugs; Ally dreams of discovering a comet (she wears a fragment of a meteorite in a necklace her grandfather gave her). Ally has no friends, however—she holds nightly conversations with three friends she imagines living on the distant stars she watches through her telescope.

Bree Holden, for her part, has grown up in the city. She is savvy to the ways of middle school. She is beautiful by everyone’s account. She knows fashion and makeup—she dreams of becoming a supermodel. Although her parents are both accomplished physicists, to Bree, “dark matter and anti-matter really means don’t matter” (4). It is the last day of seventh grade, and Bree looks forward to a summer working her part-time job at the mall. The first day of summer break, Bree and her best friend, Claire, attend an information forum on modeling held at the community center. Even though the presenter cautions against unrealistic hopes for success in a highly competitive field, Bree is confident she will succeed. After the program, however, Bree’s mother informs her that a major research grant has come through and that in just days the family will be moving to someplace called Moon Shadow Campgrounds for the next three years. There, in addition to running the campground operations, the parents can gather data for their research into dark matter. Bree is stunned. She cannot imagine life away from her friends. She pouts at dinner, refuses to help the family with a big garage sale, and says little during the flight or in the car to the campsite.

We meet Jack Rosten. Jack remembers little about his father—he abandoned the family when Jack was only four, and his mother has since remarried multiple times. Jack is shy and painfully aware of his awkward size: He is pudgy and tall for his age, and it does not help that his older brother is a major jock. Jack daydreams and finds applying himself in class difficult, preferring to sketch fantastic creatures in his notebook. He lives comfortably in a world of his own invention. He is given to lucid dreaming, periods when he is both awake and asleep, dreaming and aware he is dreaming.

At the end of seventh grade, Jack finds out he must repeat science in summer school. While in the refuge of his treehouse, sketching aliens and snacking, Jack is summoned to the phone. His science teacher, Mr. Silver, makes Jack an offer: Avoid summer school by agreeing to be his assistant for a two-week stint at Moon Shadow, where Mr. Silver is leading a busload of 30 eclipse chasers. Jack will observe the approaching solar eclipse and gather data as part of an international scientific cooperative designed to prove the existence of an exoplanet—a new planet not in the Solar System. Jack agrees to go. The two are to leave the next day. Jack quickly gathers his things, including a tattered stuffed bunny that his father left in his crib the night he left for good.

Two days later, Jack begins the 14-hour bus ride to Moon Shadow, surrounded by eager eclipse chasers. He bones up on eclipses. Science has never interested him, and he wonders why Mr. Silver chose him to be his assistant. On the bus, he sits next to an elderly woman, Stella, who enthusiastically tells Jack about the wonders of witnessing an eclipse; this is her sixth one. At one point, Jack is certain he hears the bus engine making an odd noise. He tells Mr. Silver, and the bus driver pulls over and finds a problem with the engine crankshaft. Had Jack not spoken up, the bus could have broken down in the middle of nowhere.

Meanwhile, Ally welcomes her friend Ryan to the camp—he stays at the campsite along with his grandparents every summer. Ryan, a year older, is the only real friend Ally has. This summer, however, Ally notices Ryan has changed. He brings a weight set—he plans on trying out for varsity football—and asks if any “hotties” are coming for the eclipse. Ryan, Ally suddenly understands, does not consider her a hottie.

The morning after Ryan arrives, Ally takes him to Alien Central and explains to him her plans to discover a comet by tracking readings of any disturbances in the sky. It is tedious work. The outdated computers work day and night sorting through the non-stop inundation of data. Suddenly, Ryan notices a spike in the computer printout, indicating an anomaly Ally has never seen before. Excited, Ally immediately sends that portion of the reading to an international organization that tracks celestial data for confirmation, which could take weeks.

Ally returns to the main cabin. There she meets the Holdens, who are just arriving. She assumes they are more eclipse tourists. Awkwardly, Ally’s mother breaks the news to Ally that the family is moving back to Chicago after the eclipse and that the Holdens are there to take over the camp operations. Ally is stunned: “I know I should cry, should be screaming to the rafters at the unfairness of it all, but I’m just numb” (111).  

Pages 1-115 Analysis

Every Soul a Star features an alternating narrative. It consists of short chapters, each told by one of the three main characters. Chapter to chapter, the author moves from one character to another, signaling the change only by that chapter’s heading. The first 115 pages functions as the novel’s exposition, introducing each of the three characters and providing critical elements of each character’s backstory. This section tells readers what they need to know about these kids to understand the importance of Moon Shadow. The exposition begins with each character at home and closes with each arriving at Moon Shadow. The novel introduces Ally, Bree, and Jack as individuals with distinct interests and family stories. However, as each character shares their story and how they come to be at Moon Shadow, they reveal what they share more than what makes them different.

Ally is a homeschooled brainiac with an interest in science like her parents. Growing up at the campground under wide night skies, she has developed a passion for astronomy. She is an Alpha (her given name): self-sufficient and entirely self-sustaining. Given her parents’ commitment to their research, Ally, still weeks from her 13th birthday, largely runs the operations of the camp itself. Bree Holden has a different sort of confidence. She understands the power of her good looks and grooms herself diligently every day to meet her friends’ expectations that she be gorgeous and stylish. She commands her middle school world—other kids want to be in her clique. That dynamic is evident in her friendship with Claire, a sort of Bree-wannabe. Like Ally is certain she will someday discover a comet, Bree is certain about her future: She will retire in her mid-twenties, the world’s most recognized and wealthiest supermodel.

Jack is the product of a dysfunctional childhood. Shy and introspective, with low self-esteem, he pines for a father he never knew. Jack has grown up in a difficult emotional environment where he has learned only that relationships are not stable and that people come and go. He has no friends. The level of acrimony that defines his homelife is indicated by the family photo albums: Jack has no idea what his biological father looks like because his mother has methodically cut his image from any family photo. His treehouse is a welcoming sanctuary where he is happy and dismisses the real-time world of friendships and family.

Despite their happy embrace of their life, none of the three characters sees what the reader sees: They are still children, and as such each is living in a protective, safe world, a kind of extended womb. Each uses a different strategy, certainly, but each kid has found a way to avoid the difficult business of growing up and engaging in the real world. In Ally’s life at the campground talking to imaginary friends on distant stars, in Bree’s insulated world of popularity, and in Jack’s alternate fantasy world, each kid avoids any anxiety over the real world with its complications, its demands, and its unpredictability.

The exposition leads to the tipping-point moment when each character gathers at Moon Shadow and comes to understand two things: the precariousness of the world they have long relied on for its stability and the daunting challenge of learning how to survive in an entirely new and radically different environment. For each, the moment of transition, as when the sun initially disappears during the eclipse, is fraught with anxiety and fear. After her conversation with her mother, Ally fears her future is over in the city: She will no longer be able to track the stars, search for a comet, or even enjoy the constellations. Bree, looking around the remote camp in the woods, despairs over the prospect of losing three irreplaceable years in her burgeoning modeling career. She stews on all the aspects of her city life and of her schooling that have so suddenly and so completely been taken from her. Jack hates the idea of camping and of nature itself—the woods and weather and bugs and snakes are too real for him. He does not even like science. He struggles during the bus ride. He has learned not to be around people. He makes no eye contact as he heads to an empty seat in the back of the bus. He is initially put off that Stella dares to look into his sketchbook.

For each kid, it is a time for tears, worries, anger, and doom and gloom predictions. As each character begins to adjust to their new situation, however, each begins to show promise of maturity and emotional development: Ally and Bree, although polar opposites, strike up a friendship, and Jack bonds first with Stella and then even becomes a real superhero: He saves the bus trip by notifying the driver of a strange noise he hears coming from the engine. 

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