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54 pages 1 hour read

Cherie Dimaline

Empire of Wild

Fiction | Novel | Adult | Published in 2019

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Themes

Damaging Effects of Religious Indoctrination

The novel repeatedly depicts manipulative religious indoctrination (including, but not limited to, Christianity) as a dangerous and damaging force that can result in exploitation at both the community and individual level. Religion is depicted as especially problematic in the context of colonizer-Indigenous relationships, reflecting the ways in which European Christian influences can undermine Indigenous culture, identity, and beliefs.

Heiser runs a traveling ministry and travels to Indigenous communities in the hope of converting people to evangelical Christianity. It is eventually revealed that the ministry is intended to leave people “too busy praying to protest. The missions are good at changing the way people see shit” (220). Heiser himself thinks smugly that Victor’s preaching “mak[es] the work of coming in behind to get project approvals so much easier” (176). Heiser himself has no real personal religious convictions; for him, it is merely a tool he can wield to more easily gain access to, and leverage with, Indigenous communities. In falling under Heiser’s influence, Victor both becomes a colonizer’s tool and risks losing his own Indigenous identity as a result.

The doctrine that Victor preaches to Indigenous audiences renders them more malleable and submissive to terms that are not in their best interest to accept. His Christian teachings imply that Indigenous people are themselves responsible for the oppression they experience. During one sermon, Victor argues, “[W]hy are our youth dying, our men in prisons at such a high rate, our women being murdered and going missing? We are paying for the sins of our fathers” (120, emphasis added). In a grotesque subversion of reality, Victor argues that Christianity can heal the suffering experienced by Indigenous people, when many of these problems can in fact be traced back to how imposed Christian beliefs led to dehumanizing attitudes toward traditional Indigenous beliefs, creating generational trauma through efforts at forced conversion. The work of Heiser’s ministry is a microcosm of how, over centuries, European settlers and, eventually, the Canadian government often used religion as a tool to manipulate and exploit Indigenous peoples.

The experiences of Victor and Cecile both show how fervent religious beliefs can warp and damage an individual, leaving them vulnerable to exploitation and manipulation. When he loses his true identity and becomes the Reverend Wolffe, Victor becomes beholden to Heiser and willing to preach ideology that is damaging to the people who hear it. Victor is particularly useful because he is himself Indigenous, and “people loved seeing a reflection of themselves in the pulpit” (176). Significantly, during the time that he is working with the ministry, Victor literally forgets his name, his past, and even his beloved wife, which symbolically reflects how individuals can lose themselves in fervent religious faith.

Likewise, Cecile has a history of being consumed by religious beliefs, first when she joins a cult in California and then again when she becomes a devout convert to evangelical Christianity. Cecile’s history of addiction and mental illness leave her vulnerable, but she is adamant that “no one could see that what was happening to her was not mental illness, it was her being called” (161). By showing that both Victor and Cecile are traumatized, broken, and not able to fully understand what they are doing, the narrative undermines the idea that their faith is benefiting them. In fact, Victor immediately and decisively rejects the ministry once he remembers who he is, and Cecile’s devotion to her faith ends up causing her death. The novel therefore suggests that religious faith is only empowering when it is genuine and enhances identity instead of manipulating or erasing it.

Exploitation Versus Respect for Land

Throughout the novel, individuals who believe that land is theirs to exploit and profit from are shown to be acting from arrogance and a selfish desire for profit. In contrast, traditional Indigenous reverence for the land speaks to an older tradition that is increasingly under threat in the modern, post-colonial world. The tensions between needing to make a living in the modern world and wanting to preserve respect for the land is something that the Indigenous characters must grapple with throughout the novel.

Heiser only cares about “raking in the big dollars from industry and government alike” (176) and does not care that his development projects may have negative impacts on both the environment and local communities. Heiser embodies a Western, highly individualistic worldview in which individual peoples have the right to do whatever they can to ensure their own personal gain and profit. He does not see any connection between himself and the environment. His attitude toward the environment is also reflected in his identity as a Wolfsegner, or someone who can charm and control wolves. Wolves are powerful predators, and Heiser’s arrogance leads him to think that he can utterly control and exploit whatever parts of nature he wants. However, as Robe eventually explains to Victor and Joan, “Heiser was an ass. He should know better than to play with magic that doesn’t belong to him” (284). Heiser’s illusion of control over the environment and natural world ends up being proven false.

Heiser’s lack of respect for the natural world aligns with a Western worldview that tends to see humans as distinct from, and in control of, nature. However, Indigenous characters in the novel are also guilty of trying to exploit the land on which they live, albeit in response to economic pressures they cannot fully control. The conflict between Joan and Victor is precipitated when he suggests selling some land that she has inherited since he knows that they could make a large profit. Joan immediately tells Victor, “[I]t is ours to enjoy, to build on. It’s not yours to sell” (73). Joan’s distinction highlights the difference between a sense of appreciation and possession and of the collective versus the individual. Victor’s arrogance in presuming that he can own and control the land directly results in him becoming a rogarou.

On a smaller scale, Joan’s grandmother offers a rebuke to Joan’s brother, Junior, when he mentions potentially going to work for a mining company. Mere argues, “[T]hat’s going from making things all day to taking things all day” (18, emphasis added), and attempts to cut off Junior’s braid, thus symbolically divesting him of his Indigenous identity. Junior quickly concedes and backs down on his plan because he does not want to upset his grandmother or become alienated from his community and family. In both of these cases, men are tempted to consider establishing a more exploitative relationship to the environment, while women are able to see the value of a more respectful relationship. However, the novel never fully resolves these tensions, suggesting that Indigenous struggles to retain control over their lands and maintain their traditional reverence remain under threat.

Identity Through Community and Connection

The plot of Empire of Wild revolves around Victor forgetting his identity and Joan’s effort to recall him to it. Significantly, that identity is shown as developing through community and connection because Victor cannot be saved without Joan and Joan can only save Victor with help from others. The novel suggests that a strong identity is one built through familial and social ties.

During the interludes, in which Victor is trapped in the woods with the figure of the rogarou becoming more and more menacing, Victor is utterly dependent on Joan and cannot take any action to free himself. As he reflects, “Joan better find him soon. Before the something else did” (104). The rogarou also later refers to Joan as “the person who makes [Victor] so resistant” (257), implying that Victor’s connection to Joan prevents him from being fully subsumed into his new identity.

The connection is also furthered when Joan uses memories of her relationship with Victor, especially the sexual chemistry between them, as a way to gradually pull him back into his true identity. Connection and love are what help Victor to become who he is; indeed, he lost his identity because he was vulnerable after weakening his relationship with Joan through his selfish request to sell her land. Victor’s temptation to sell the land weakened his connection to himself as both a good husband and an Indigenous man, thus leaving him vulnerable to forgetting these aspects of himself.

Joan is determined to save Victor, even when many other people do not support her quest. However, Joan cannot achieve this goal by working in isolation. She needs the support of Ajean because, as an elder, Ajean has a deep connection to Métis history and traditions. For example, Ajean explains to Joan how to use bone salt and the ace of spades. Ajean’s role in Joan’s quest shows that individuals need to remain connected to their history, culture, and traditions, as while Joan shows bravery and skill in enacting her plans, she needs Ajean’s wisdom to guide her and could never succeed without her help.

Significantly, Joan needs help from both the past (as represented by Ajean) and from the future, with Zeus functioning as an emblem of the next generation. Ajean explains, “[A] child makes you think before you go acting out all crazy. The boy will remind you to come home” (147). Joan needs to act with the wisdom and influence of both past and future generations, and this structure shows that her identity and ability to save Victor are rooted in both community and connection to others. 

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