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After the funeral service, the funeral attendees follow the hearse to the graveyard. As they stand graveside, a car backfires, and Monterey jumps in fear. Her parents hold her closer, and Monterey leans on her mother. The preacher prays that God take no more children in this way. He asks those congregated to not be filled with hatred, but to allow their sorrow to bring them closer to God. A woman begins singing “Go Tell It on the Mountain,” and Monterey watches Verna and Emako’s siblings sink to the ground as Emako’s casket descends into the earth.
Jamal gives Eddie a ride to the cemetery, even though he wants to be alone. They do not speak to one another in the twenty-minute ride to the cemetery, and Jamal is grateful to be alone with his thoughts. When they arrive at the cemetery, Jamal walks over to Verna and takes her hand. She gathers Jamal in her arms and whispers, “She was a good girl, wasn’t she?” (109). Jamal agrees that Emako was. Jamal stands apart from the crowd as Emako’s casket descends. He takes a white rose from a woman handing them out and tosses it into her grave, whispering goodbye.
Marcel, Emako’s brother, greets Jamal. Jamal asks how he is doing, and Marcel tells him that he is scared to go back to their house because people keep saying that the rival gang is going to come back looking for Dante. He reveals that he and Latrice are going to live with an aunt in San Diego. Jamal puts a hand on Marcel’s shoulder and tells him to stay out of trouble.
Eddie takes in the views as Jamal drives them to the cemetery but feels guilty for noticing the world’s beauty at a time like this. He wants to tell Jamal that this is all a bad dream and that at any moment Emako will wake up. At the cemetery, Eddie walks up the hill to Emako’s casket. He finds Monterey and hugs her for a long time and lets himself begin to cry.
Savannah’s mother is late picking her up at the church after the funeral, so she calls her. When her mother answers, she tells her that she is still at the salon and that she will be there shortly. The parking lot of the church continues to clear out and a man with bloodshot eyes approaches Savannah, asking for spare change. She hands him 10 dollars, and he thanks her, ambling away.
When Savannah’s mother arrives, she asks her if she wants to go to the cemetery. Savannah declines, and her mother asks if she wants to go shopping instead, which Savannah also declines. She asks to go home. On the ride, Savannah’s mother talks about the community: “What these people need are jobs, jobs and education” (114). Savannah resists the urge to yell at her mother to shut up and goes right to bed when she gets home.
Gina calls her, asking if Jamal was at the funeral. She also asks if Emako looked good in her casket, and Savannah tells her that she cannot believe she would ask her something like that, but that yes, Emako did look good. She tells Gina to call her back later and hangs up.
Savannah wakes up to the sound of rain on the roof and thinks about how scared Emako must have felt in her last moments. She thinks about how kind, talented people like Emako are bullied by people like her and realizes that she is going to have to live with how she treated Emako for the rest of her life. Savannah’s mother comes in and sits on the bed. She asks Savannah if she wants to talk, and Savannah, shocked, admits that she does.
As it begins to rain, people begin to leave the cemetery. Jamal sees Eddie and offers to give him a ride home. As they walk to the car, Jamal states that he still cannot believe this is all real and Eddie agrees. Jamal shares that he thought he and Emako were going to get serious about their relationship. When he first met Emako, he was still a player interested in dating many girls at once and none too seriously. He says, “all of a sudden, I started lovin’ her. Now it feels like someone took a bat to my heart and beat the hell out of it” (118). Jamal takes the long way home to Eddie’s house. They say goodbye, and Eddie stands in the rain as Jamal drives off. Jamal drives back to the cemetery, playing the Aaliyah CD he and Emako listened to together. Everyone is gone when he reaches the cemetery, and he goes to her grave, sits next to it, and cries.
Eddie watches Jamal drive away before going inside. Hortensia greets him, and Eddie startles as she drops the remote. Loud sounds are now a trigger for Eddie’s anxiety. Eddie thinks about how if “they got Emako, maybe they would get me too” (121). He hopes that Tomas stays incarcerated, not wanting him to bring danger to his family upon his release.
Hortensia enters Eddie’s room and says that she is sorry about his friend, and Eddie wonders what will happen to her when he leaves for college. He resolves to make his parents promise to never let Tomas move back home. He pulls out Monterey’s phone number, still in his wallet, and thinks that Arizona is not that far away.
As the crowd scatters at the cemetery, Monterey approaches Verna and apologizes for her loss. Verna asks if Monterey and her parents plan to come to the house after the cemetery for food, but Monterey says that she cannot, not wanting to go back to the place where her best friend died.
Monterey and her parents return to their, car and her mother tells her that she needs to change out of her wet clothes as soon as possible. She pulls a blanket out of the trunk and begins to place it over Monterey. Monterey recoils and says that she is not a baby anymore and can do it herself. Her father agrees, saying that she is not a child anymore, but he tells her to put her seatbelt on.
As they drive home, Monterey thinks about how she does not want Emako to be gone; she wants them to continue to grow up together, and she wants to see Emako become famous.
At the end of the novel, each narrator has unresolved feelings about the loss of Emako. Her death means something different for each character, pointing to larger themes within the text. For Monterey, Emako’s death means the end of her childhood and innocence, developing the theme What it Means to be Grown. After witnessing Emako’s death, Monterey is finally able to assert her independence to her parents, who have always wanted to protect her from the dangers of the world: “Stop treating me like I’m a baby!” (123). To Monterey’s surprise, her father comes to her defense, agreeing with her that she is no longer a child after the trauma she has experienced.
Monterey reflects on the unfairness of life in the final moments of the novel, alluding that she now understands the darker side of growing up: “I didn’t want Emako to be gone. I wanted her to come back and finish growing up with me [...] My friend, Emako Blue, was supposed to be a star” (124). Monterey steps into adulthood, but at great personal cost. Monterey now wants her friend to come back so they can “finish growing up” together, implying that Monterey now understands the importance of innocence and yearns for its simplicity now that it is behind her.
Savannah also learns a lesson about growing up in these final chapters as she reflects on the way she treated Emako: “Why is it that when someone looks good and has talent [...] that people like me give her a hard time, like it’s her fault she was born lucky?” (116). In hindsight, Savannah realizes that she harbored so much resentment against Emako because of her own jealousy, and that “now I’m left to deal with all the lies and trash I threw her way” (116). Through Emako’s death, Savannah realizes that she needs to grow up and become a better person to try and make up for the way she treated Emako when she was alive. Ironically, she calls Emako “lucky” to be born pretty and talented, even though it’s the uncontrollable circumstances of Emako’s environment, or a lack of “luck,” that led to her demise. Savannah’s growth has not yet reached the point where she sees her own privilege in contrast to Emako’s life.
Eddie continues to struggle with anxiety about gang violence, which in some ways only gets worse after Emako’s death. He worries about what will happen to his family when he leaves for college and thinks about whether he will even make it through the summer: “I wondered if I would make it. If they got Emako, then maybe they would get me too” (120-121). Eddie’s feelings at the end of the text illustrate the Impact of Gang Violence on Individuals and the Community: even with his plans to leave, he knows that he will be leaving his family behind, potentially vulnerable to danger, and that, like Emako alluded to, a lot can happen in a short amount of time. Eddie may have plans for his future, but there are no guarantees, even though he is innocent.
Like Monterey, Jamal struggles after Emako’s death. He realizes that by Emako losing her life, she has lost the struggle to Escape the Cycle of Poverty and Violence they were born into. Jamal points out the inherent randomness and senselessness in her death: “I keep askin’ myself why. l I mean, why her? She never hurt anyone” and Eddie responds: “If her brother hadn’t got out, she’d still be alive” (118). Their conversation illustrates the senseless nature of the cycle of poverty and violence. Emako’s brother, embroiled in his own struggles with gang activity, brings violence directly to his family’s door, but the victim could have easily been a neighbor or someone unrelated to Dante and his gang affiliates. Emako, working hard to make a better life not only for herself but her family, finds herself caught up in this cycle as an unwilling participant and pays for her brother’s actions.
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