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52 pages 1 hour read

Gail Carson Levine

Ella Enchanted

Fiction | Novel | Middle Grade | Published in 1997

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Character Analysis

Ella

Ella is an intelligent and confident young woman. A fairy cursed her at birth with a spell that forces her into obedience. At the beginning of the novel, she lives at home in a manor with her mother, Eleanor; her cook—and unbeknownst to Ella—her fairy godmother, Mandy; other servants; and occasionally—when he’s not out on a trade expedition—her father, Sir Peter. Ella takes after her mother, Eleanor, who was said to have a “playful spirit” (216). Ella attracts Prince Charmont, who is drawn to her sense of humor and wit. Ella is determined and intelligent, with a particular interest and talent for languages.

Ella is a dynamic character. She learns and grows through the challenges which she experiences. Her growing maturity is evident in her altruistic choice to reject Char’s marriage proposal. As a child, her efforts to resist the obedience curse were motivated by an obstinate and stubborn desire to do what she wanted. In contrast, her resistance to Char’s order to marry him is self-sacrificial, driven by love. She knows that marriage to Char would bring her great happiness, but she also knows that she must protect him. Ella has to draw on great inner strength; it is this moment of determined self-sacrifice that breaks the curse.

Prince Charmont (Char)

Char is the prince of Kyrria, the kingdom where Ella lives with her family. Char is kind and humble despite his life of privilege. Sir Stephan—one of Char’s knights— describes Char spending “the better part of an hour on his hands and knees, rescuing vegetables” which had fallen from a fruit-seller's overturned cart (113).

Char is often frustrated by everyone being on their “best behavior” due to his illustrious title. He craves normalcy and is drawn to Ella’s easy playfulness and wit. As opposed to courtiers who grovel, “[Ella’s] contrariness kept Char laughing” (232). He falls in love with Ella. Eventually they marry when Ella is able to break the curse. They live a happy life characterized by “laughter and love” (232).

Mandy

Mandy is Ella’s fairy godmother. Mandy lives with Ella in Ella’s familial manor where she works as a cook. She operates secretly as a fairy, using small magic to make the family safer and more comfortable. Later, Mandy moves with Ella into Dame Olga’s home. At the end of the novel, Mandy comes to live with Char and Ella in their palace, where she is godmother to their children as well as cook—and secret fairy godmother. Fairies are immortal; Mandy was also Eleanor’s fairy godmother and Ella’s grandmother’s fairy godmother. Unlike the irresponsible Lucinda, Mandy is highly principled with her use of magic, insisting that she will only use “small magic.” “Big magic,” according to Mandy, can have unforeseen and dangerous consequences: as illustrated by Ella’s curse.

Mandy is likable and kind. Even though she can be brusque and bossy, Ella concedes that Mandy’s orders are “kind orders or for-your-own-good orders,” such as to “bundle up” on a cold day (5). Mandy gives Ella the gift of the enchanted fairy tale book, which helps to cheer Ella and provides important information to keep her safe and informed.

Hattie

Hattie is an antagonist who brings Ella frustration and anguish. Hattie is Olive’s sister and the daughter of Dame Olga, who eventually marries Ella’s father, Sir Peter. Hattie is greedy and selfish, motivated by status and wealth. She is a static character, as she develops very little through the course of the novel.

Levine positions the reader to dislike Hattie when she arrives at Ella’s home—“she held her hand out to me as though she expected me to kiss it or bow over it” (18). She says that Ella’s familial manor is “almost as fine as the palace, where I’m going to live someday,” revealing her arrogance as well as her obsession with status and wealth (18). Hattie feigns politeness and femininity, but is in fact scheming and avaricious.

Hattie quickly works out Ella’s curse, and exploits Ella for her own comfort and amusement. Hattie takes Ella’s late mother’s necklace from her on their way to finishing school. Hattie understands how hurtful this is, and enjoys Ella’s distress—“while I stared, Hattie stroked the chain, gloating” (54). Hattie exploits Ella as a slave, insisting that Ella help her undress, fan her, and collect flowers for her. Hattie tells Ella that she must end her friendship with Areida, which motivates Ella to run away from finishing school rather than betray and disappoint her best friend. Later, Hattie tells her mother, Olga, about Ella’s curse, which allows Ella to continue to be exploited and mistreated. Poetic justice is achieved when Ella rises to royalty, and excludes her cruel stepfamily from her new life with Char.

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