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52 pages 1 hour read

Gail Carson Levine

Ella Enchanted

Fiction | Novel | Middle Grade | Published in 1997

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Chapters 20-29 and EpilogueChapter Summaries & Analyses

Chapter 20 Summary

Sir Peter sells much of the contents of the family home to pay off debts. Ella spends most of her time with Mandy, helping her to cook and clean. Dame Olga and Sir Peter marry. Before the ceremony, Ella tells Hattie that she’ll pull the wig off her head if she speaks to her at all. The ceremony is long and tedious. Lucinda arrives and places a spell on Sir Peter and Dame Olga: They will love each other as long as they live.

Chapter 21 Summary

Ella bumps into Char. Char reveals that her father used to live in the palace they were in, and that there is a rumor of a secret passage. Char and Ella look for it. While searching, they come across a pair of glass slippers. Ella tries them on and they fit perfectly. They dance to the sound of the orchestra from downstairs, discussing Lucinda’s spell on Ella’s father and Dame Olga. Char and Ella slide laughingly down the banister into the group of Sir Peter, Dame Olga, Hattie, and Olive.

Chapter 22 Summary

Sir Peter and Ella travel to Dame Olga, Hattie, and Olive’s home, where they will live now. Sir Peter admits to Dame Olga that he is broke. She is upset with his deception and declares that Ella will have to earn her keep, seeing she is a “pauper.”

Char visits the home the next day, but Hattie orders Ella to her room. Ella is frustrated and devastated not to see him. He returns the next day, and again Hattie orders Ella to her room. Char leaves to the country of Ayortha for a year. He writes in his journal that he is frustrated with Ella’s avoidant behavior; Ella is able to see the entry in her enchanted fairy tale book. Ella writes to Char apologizing, explaining that she was confined in her room and not allowed to leave. She also tells him stories of her childhood and asks questions about his life in Ayortha. She instructs him to address any return mail to Mandy.

Chapter 23 Summary

Ella’s father leaves to conduct trade, and Ella is moved to a small room in the servant’s wing. Hattie tells Olga about Ella’s curse. Olga summons the servants and tells Ella that she will join them. Mandy says that she will take her on as a scullery maid; Ella is relieved. Olive comes to the kitchen and orders Ella to tell her stories until she’s exhausted, and then commands her to give her money.

Ella is ordered to scrub the floor for hours before a dinner party. Ella adds a mixture to Olga’s serving to put her to sleep, and Olga has to be carried to bed. Ella decides to write to her father asking for his help.

Chapter 24 Summary

Ella continues to work as a scullery maid. Olga, Hattie, and Olive revel in her debasement. Char replies to Ella’s letter, telling her about his life in Ayortha. Char complains that the Aythoraians are not conversationalists, preferring silence, so Ella replies with conversational small talk and comments. In his reply, Char asks if Ella is still too young to marry. In another letter, Char admits that he loves Ella and wants to be with her: “I want to be with you forever and beyond” (181).

Chapter 25 Summary

Ella is shocked by Char’s profession of love. She realizes that she loves him too, and is briefly overjoyed at the prospect of marrying him. However, she then realizes the curse’s consequences: She could be used as a tool against the crown, perhaps even to kill Char. Ella writes a letter, pretending that it was written by Hattie, saying that Ella has eloped with another man. Ella then writes a letter in her own hand, mocking Char and confirming that she is married.

Devastated, Ella sends the letters and confides in Mandy. Mandy summons Lucinda and explains the predicament. Mandy insists that Lucinda try two of her most common “blessings—” turning people into squirrels and Ella’s obedience curse—on herself. Lucinda turns herself into a squirrel and is sent to live in a park.

Ella’s father says that he will not come home. In her enchanted book, Ella sees entries in Char’s journal cursing her dishonesty. Ella writes letters to him that she never posts telling him of her life and love for him.

Lucinda reappears. She is devastated at the damage she has caused with her careless use of “big magic” after she’s had a chance to experience the curses directly. Ella begs her to remove the spell.

Chapter 26 Summary

Lucinda is repentant. However, she has renounced big magic and will not remove the curse. Olga, Hattie, and Olive talk excitedly about the upcoming balls which Char will host. Ella decides that she wants to go, although she must go disguised.

Areida writes in her journal about an encounter with Char. She contradicted his suggestion that Ella married a rich man because all she cared about was wealth; Areida said that Ella had been a good friend to her and did not care about fortune.

When Ella is washed and dressed for the ball, including a mask to disguise her appearance, she realizes that it is heavily raining. Frustrated that Mandy won’t use her magic to help, Ella summons Lucinda. Lucinda fashions her a carriage out of a pumpkin, horses out of mice, footmen out of lizards, and a coachman out of a rat. Lucinda also produces a beautiful necklace and tiara for Ella to wear to the ball. Lucinda warns Ella that the charms will wear off at midnight.

Chapter 27 Summary

Ella spends most of the evening watching Char longingly from afar. She dances with one man because he phrases his request as an order: “[D]ance with me, Lady” (206). Finally, Char introduces himself. Ella introduces herself as Lela and speaks to him in Ayorthaian; he is surprised and impressed. They dance together.

Ella attends the next ball, arriving again in her bewitched pumpkin. Char dances with Ella, singing an Ayorthaian song in her ear. Char asks Ella—who he thinks is Lela—to call him Char.

Chapter 28 Summary

Ella reads a journal entry by Char where he wonders why Lela will not remove her mask. A note from Olive asks Hattie to pay her for distracting the prince’s attention from other women when he was not dancing with Hattie. At the final ball, Char introduces Ella—as Lela—to his father, the King, and his mother, the Queen.

Hattie interrogates Lela about who she is, but fortunately makes no direct commands. Ella creates a fictitious backstory for Lela. Ella and Char dance together. Ella realizes that it’s her last night with Char and cries. Char is distressed; Ella pretends it is because she will miss Frell when she leaves. As Char and Ella are saying goodbye, Hattie sneaks up behind Ella and removes her mask.

Chapter 29 Summary

Ella races home. She explains her predicament to Mandy, and they begin to hurriedly pack. She takes off her gown and puts on her sooty scullery maid’s clothing. Char arrives and insists that the whole household present themself. He recognizes Ella in spite of her grubby appearance, and insists that she try on the glass slipper which had fallen off as she fled the ball. It fits Ella perfectly. Char asks if she loves him, and she admits that she does. He asks her to marry him, which she agrees to. Hattie interjects: “Don’t marry him, Ella” (224). Ella is forced to say that she will not marry him. Ella’s stepmother, Olga, overrules her, and Ella knows that she is planning to exploit Ella’s position for wealth and status. As she feared, Ella knows that marrying Char will compromise his safety and the wellbeing of Kyrria. For this reason, she knows she cannot marry Char, even though she loves him dearly.

Char gives Ella a direct command—“say you’ll marry me” (224). Ella feels that Char is too precious to endanger; she struggles with all her might against her curse. She rocks and cries with the effort of resisting, and eventually is able to yell: “No,” “I won’t marry you” (226). Ella is shocked that she is able to refuse. Hattie orders her to her room and she refuses. Mandy explains that her refusal to marry the prince in order to save him, in spite of wanting desperately to marry him, broke the curse. Joyfully, Ella tells Char that she can marry him. They kiss.

Epilogue Summary

A month after their engagement, Ella and Char marry. Ella does not invite her stepfamily. Her friend Areida attends, and they happily resume their friendship. Mandy happily moves into the palace as cook, and as godmother to Ella and Char’s children. Ella continues to hone her language skills and accompanies Char on his journeys. Rather than princess, she adopts the titles of Court Linguist and Cook’s Helper. They live happily ever after.

Chapters 20-29 and Epilogue Analysis

Lucinda the fairy is a dynamic character, meaning that she evolves through the course of the novel. Initially, she is meddlesome and irresponsible; her curse on Ella brings so much suffering and pain. At the giant’s wedding we see her vanity; she is mollified when Ella pretends to stare at her beauty. Her arrogance is clear when she dismisses the fairy Claudia’s objections to the curse on Ella. Instead of listening to Claudia, or to Ella’s complaints, she orders Ella to like her curse, further reducing Ella’s autonomy.

However, when Lucinda experiences the effects of her so-called blessings she is repentant—“being a squirrel was bad enough. Half the time I was cold and wet, and I was always hungry” (194). Lucinda admits that she suffered greatly when she turned herself into an obedient eight-year-old. Lucinda, thinking about all of the “blessings” she brought upon people, wishes that she could “take them all back” (194). She renounces big magic, and tries to atone for Ella’s obedience curse by transforming a pumpkin, mice, a rat, and lizards, into a horse-drawn carriage with footmen and a coach driver for Ella. At Ella and Char’s wedding, Lucinda bequeaths the gift of an enchanted fairy box—helpful and unobtrusive— This illustrates her newly responsible and considerate behavior, and her redemption.

Olga and Hattie, and to a lesser extent Olive, are the story’s antagonists: They force Ella into servitude and derive pleasure from Ella’s debasement. Poetic justice is achieved when Ella rises from her servitude to marry Char, and chooses to exclude her stepfamily from the nuptials.

The novel shows the power of love, both romantic and platonic. Kindness and friendship can transform even the direst of circumstances. Mandy, a kind ally to Ella, provides constant support. After Eleanor’s death, Mandy acts as a mother figure, as well as Ella’s fairy godmother. Ella is able to bear servitude only with Mandy’s love. Ella is also reunited with her other main source of platonic love and support: Areida.

Levine suggests that selflessness—at least in the world of this novel—is rewarded. Areida resumes a loving and reciprocally joyful friendship with Ella, and Mandy lives happily as godmother and cook in Char and Ella’s palace. Ella’s decision to refuse Char’s proposal, despite how deeply she loves him, makes her a hero. Her actions are altruistic and self-sacrificing. She loves Char so deeply that she is willing to damage her reputation to ensure his safety and happiness.

The love between Ella and Char goes beyond superficial physical attraction. Even when Ella is posing as the masked Lela, Char is still drawn to her. Their union is characterized by equality, intelligence, an eagerness to travel and learn, and fun. These qualities are evident in the epilogue which presents their life together as filled with “laughter and love” (232).  

Ella conforms to the underdog trope: She is disadvantaged by her curse, her father’s indifference, and the cruelty of her stepfamily who force her into servitude. Her union with Char is a metaphorical and literal victory. It symbolizes the triumph of good—as presented by Ella—over evil—as presented by Hattie, Olga, and Olive.

Though Ella is disadvantaged, she also possesses agency. Within the parameters of her curse, she rebels in often humorous ways. In the end, her agency blossoms into full-blown choice and breaks the curse. Ella’s self-sacrificial choice to save Char inverts tropes typical of traditional fairy tales, which tend to present a damsel in distress saved by a brave, male hero. Ella does not conform to this feminine stereotype; she is confident, independent, brave, and self-sacrificing. She is a hero herself rather than a hero’s conquest. Her autonomy and heroism is further established by her refusal to stay at home to mind the palace after being married. Instead, she prefers to learn “every language and dialect” and join Char on his travels around the world (231).

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