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56 pages 1 hour read

Francesca Zappia

Eliza and Her Monsters

Fiction | Novel | YA | Published in 2017

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Chapters 33-40Chapter Summaries & Analyses

Chapter 33 Summary

Eliza stays home for another week, staying in bed and watching Dog Days reruns. Her mother wants her to see the therapist, but Eliza just shrugs. She won’t be posting new pages this week.

Chapter 34 Summary

Sully and Church take matters into their own hands and explain Eliza’s “hobby” to their parents. They show them the post that exposes her as Monstrous Sea’s creator, along with the MS forums. Their parents still struggle to understand the extent of Eliza’s fame—and their crucial part in exposing her—and Sully blows up at them for never having even googled Monstrous Sea. Her parents realize that Eliza has been listening to the conversation and attempt to apologize to her. She goes back to her room. Sully follows and tells Eliza that he and Church have been MS fans for a long time, even though their parents don’t get it.

Chapter 35 Summary

Before dawn on a Tuesday morning, Eliza drives out to Wellhouse Turn and carefully makes her way down the treacherous incline. She gazes at the stars, thinking about her childhood self and Wallace’s father’s death. She lets herself just be Eliza and nothing else.

Chapter 36 Summary

Two weeks after Eliza hits her head, Wallace comes to visit. She doesn’t want to see him, but after he texts her to say he’s just going to keep coming back, she lets him come upstairs. He’s too angry to speak, so he sends her a barrage of text messages. She finally responds that she wasn’t trying to fool him or upset his attachment to Monstrous Sea.

Wallace calms down and tells her that no one at school hates her; many of her classmates think that it’s cool. Neither one of them has looked at the forums. Eliza wonders how people have reacted to her not posting pages, saying she isn’t sure she’ll do any more. Wallace hesitates and then tells her that he has a deal to publish his MS transcription in book form. However, they won’t publish it until Eliza writes an ending. He tells her she has to finish, and she argues that she can’t. Eventually, he pleads with her. She can’t think of anything to say, and he leaves quietly.

Chapter 37 Summary

For Wallace’s sake, Eliza tries to draw more pages. Everything seems off, and now that everyone knows who she is, Eliza fears that they will express their disappointment to her in person. She googles Olivia Kane and wonders if she’s going to end up the same way. She’s not sure she’s any good if she can’t produce her art.

Chapter 38 Summary

Eliza reluctantly returns to school for the last two weeks of senior year. She finds fan mail in her locker, which rattles her. Wallace helps her clean the notes out of her locker, but they don’t talk to each other. She wonders if his online identity has been altered by the events of the past couple weeks, since rainmaker and MirkerLurker were known to have a thing on the forums before MirkerLurker was revealed to be LadyConstellation. She can’t even imagine what the Angels think. Eliza knows she should be grateful to her fans but can’t help but wish none of them had ever found her work.

Feeling desperate, Eliza writes a letter to Olivia Kane about her situation, wondering if she would be willing to talk to her about issues with fame and fans.

Chapter 39 Summary

Wallace notices Eliza’s letter and asks if he can read it, but Eliza tells him it’s just for Olivia. She mails it to Olivia’s publisher that afternoon, not thinking that it will actually get to her.

Chapter 40 Summary

Eliza sees the therapist, who asks her about her online and offline friendships and convinces her to talk about Monstrous Sea. She reveals that she feels like she is letting her fans down and has nightmares about the story. The therapist replies that it’s important for her to separate her self-worth from her art, something that Eliza has never considered before. She tells the therapist that she feels like she has to finish the story for Wallace’s sake, but the therapist says that even that can’t be her responsibility. When asked what she might do after Monstrous Sea, Eliza doesn’t have a great answer. Her therapist suggests taking a gap year before starting college, and this seems like a good idea to Eliza.

Chapters 33-40 Analysis

In the aftermath of her unmasking, Eliza can no longer take refuge in her multiple identities, having reached the limits of Self-Invention and Authenticity in the Digital World. However, she is still—if not more than ever—the creator of Monstrous Sea, a role that further complicates her relationship with Wallace. She interpreted his initial anger with her as a sign that he felt betrayed or that she had been leading him on in order to humiliate him. However, the reaction also has to do with the theme of The Creative Process and the Demands of Fandom. Just before the newspaper came out, Wallace had been offered a book deal for his transcription of Monstrous Sea that was contingent on the creator’s approval—and that depended on Eliza writing an ending for it. When Eliza says she can’t and the motivation is gone, Wallace compares their situations, pointing out that she has created something “millions of people” love and that unlike Wallace (316), she doesn’t have to worry about college or jobs or anything bigger. Wallace thinks that she’s being selfish and claims that “Artists create when they have no motivation all the time. If I could do it for you, I would—I would kill to write something without motivation if it meant I got to make what I wanted later” (316). While this may be true as a general rule of creative professions, it is not what Eliza needs to hear at that moment from her boyfriend.

Eliza’s mental health declines in these chapters; once again, Learning to Manage Anxiety becomes an important task. She falls into despondent isolation, barely leaving her room as she tries to recover mentally and emotionally from the devastation. Eliza reflects on how she’s broken and is worthless without her artistic abilities: “I can’t cry and I can’t draw and I can’t get online and I can’t talk to anyone, so what good am I? What is the point of me?” (322). Her mental block is centered on her identity as an artist; if she can’t create, she wrongly thinks she is pointless and not worthy of even existing—dangerous thoughts that foreshadow her suicide attempt. For the first time, Eliza’s online life doesn’t bring her comfort, which adds to her mental slump: “I want Davy around to hug, and I don’t want to talk to or see any people. Not in real life, and definitely not online” (323). Where she once found solace, acceptance, and success online, she can now barely respond to her friends.

The scene with the therapist is rendered exclusively in spoken dialogue, which contrasts with other sections of the narrative that often leave space for Eliza to be silent. The therapist’s dialogue is useful to Eliza, including when she reframes her thinking with advice such as “Worth as a person is not based on any tangible evidence. […] Whether or not you finish [Monstrous Sea] does not determine if you should live or die” (337). Their back-and-forth dialogue eventually helps Eliza make plans to move forward that are not totally focused on artistic achievement.

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