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55 pages 1 hour read

Chimamanda Ngozi Adichie

Dream Count

Fiction | Novel | Adult | Published in 2025

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Part 4Chapter Summaries & Analyses

Part 4 Summary: “Omelogor”

Part 4, Chapter 1 Summary

Content Warning: This section of the guide includes sexual content, drugs, sexual violence and harassment, and racism.

Omelogor is living in Abuja, Nigeria, in January 2020. One morning, she looks out her window and watches her doorman Mohammed interact with a delivery driver. She studies her flowers, too. She feels happy until she remembers what Aunty Jane recently said to her. When Omelogor was back in the village, Aunty told her to stop pretending that she liked her life. She was incredulous that Omelogor still hadn’t married or had a child. Omelogor insisted she was happy, but Aunty wanted her to adopt. Staring out the window now, Omelogor lists all the things she likes about her life, wishing she’d told Aunty there are different ways for women to live.

Omelogor’s butler Philippe interrupts her thoughts, asking if he should take down the Christmas tree and make her breakfast. She dismisses him to answer texts from her father and “scan the news headlines” for updates on Kadi’s case (249).

Part 4, Chapter 2 Summary

In the morning, Omelogor is still thinking about Aunty. She tells herself to get up and respond to some of her For Men Only letters but can’t summon the energy. That evening, she gets together with her friends, including Ehigie, Jide, Belema, Chinelo, and Hauwa. Omelogor silently remembers meeting Hauwa.

Part 4, Chapter 3 Summary

Jide stays behind after everyone leaves. He and Omelogor sit on the couch and talk. Jide, who is gay, jokingly suggests they get married so his relatives will stop bothering him. Omelogor lets the comment go because Jide is drunk, but silently wonders what would happen if they did marry. Then Atasi enters, surprised to find Omelogor awake. (Omelogor is Atasi’s benefactor, and Atasi lives part time at her house.)

After Jide leaves in the morning, Omelogor reflects on their relationship. They’ve been friends since childhood.

Part 4, Chapter 4 Summary

A few days later, Omelogor is still thinking of Aunty’s words. To distract herself, she logs onto her computer and reads some For Men Only notes. Later that day, Hauwa stops over, immediately noticing that Omelogor is out of sorts. Omelogor pretends she’s fine, but Hauwa won’t drop the matter. She demands to know why Omelogor keeps visiting the village. Omelogor visits the village to meet financially insecure women and give them small business loans, but she hasn’t explained this to Hauwa. The two get into an argument about the meaning of friendship.

Omelogor hasn’t been herself since returning from America. She and Hauwa met shortly after she moved back to Nigeria. One night, Hauwa invited her to a party with strippers, tantric massages, and drugs. Omelogor agreed to go, but felt uncomfortable throughout. She didn’t like when others commented on her body, made advances, or offered her pills. Hauwa teased her about being a prude. Omelogor couldn’t handle Hauwa because she wasn’t a man.

Part 4, Chapter 5 Summary

Omelogor wakes up the next morning feeling hopeless. Chia texts asking to talk because she’s “worried about Kadiatou’s case” (277). Omelogor takes the call with Chia and Zikora. Omelogor is worried about Kadi too but feels irritated by Zikora’s bitter comments about men and underhanded remarks about her pornography studies.

Omelogor has never been in love. Instead, she has brief, intense relationships. The most upsetting was with the Big Man in America. She met him through work, and he retaliated against her professionally when she refused him sex. The most important relationship was with Arinze, who was the only person she thought she might love. She ended it because she didn’t think she could commit to him the way he wanted. She did the same with Chijioke. Although she wanted to love him, she felt he deserved someone better.

Part 4, Chapter 6 Summary

Omelogor wakes from a nightmare about her late Uncle Hezekiah. When she talks to her mom later, she reminds Omelogor it’s the anniversary of Uncle Hezekiah’s death. He was murdered during the war, and Omelogor is often haunted by his memory. For the rest of the day, she has a bad feeling.

Meanwhile, COVID spreads throughout the globe. Worried about the virus and Kadi’s case, Omelogor longs to be near Atasi. She sits with her while she looks at pictures of skinny girls on her phone. Omelogor remembers her mother’s disapproval when she bought the house and set aside a room for Atasi. She didn’t approve of this relationship or of Omelogor’s friendship with Chia.

Part 4, Chapter 7 Summary

Omelogor wakes up feeling sick. She reads the news and feels even worse. She starts to wonder what she’s doing and why. She reads some For Men Only letters and composes some responses. Then Jide calls to talk about work and his colleague’s departure for America. Jide wants to leave Nigeria, but fears that anywhere he goes will be racist. She understands the adversity he faces (she’s come to his defense numerous times) but encourages him to try.

Omelogor finds Atasi and her friend reading articles about Brazilian butt surgeries. Omelogor reflects on their obsession with thinness. She calls Chia to express her worries. Chia suggests Atasi is angry with her for being her benefactor.

When Atasi was a child, Omelogor hit her with her car. She didn’t die but was badly injured. Omelogor paid for her hospital expenses and began funding her education and aiding her parents financially.

Part 4, Chapter 8 Summary

COVID comes to Nigeria via an infected Italian. Omelogor tries not to worry. She continues working. She is with the same financial company she was with before moving to the United States. When she first started there, she quickly established herself as a leader in her field and earned the CEO’s trust. Her colleagues disdained and resented her as she rose through the ranks. Over time, the company began working with politicians. Eventually Omelogor was doing well for herself. However, she soon realized her work was disenfranchising the lower classes, whose money she was effectively stealing. Guilty, she started siphoning money from the politicians’ already illegal accounts into a new Robyn Hood account. With Robyn Hood, she funded women’s small businesses.

Part 4, Chapter 9 Summary

Chia’s brother Afam comes to see Omelogor. During the visit, Afam asks if Omelogor ever regrets having left Nigeria. Omelogor reflects on her past decisions, remembering why she left home. She was happy with her job for a time, but eventually grew disgusted with CEO’s corruption and left for America to earn her graduate degree.

Part 4, Chapter 10 Summary

Omelogor wanted to study pornography after an odd sexual encounter. One of her friends suggested she sleep with younger men because they’d pleasure her better. However, her first young lover slapped her breast, which he revealed he’d learned from porn. She started doing research and discovered that most men learn about sex through porn. One of her boyfriends had had the same experience, which upset Omelogor.

Part 4, Chapter 11 Summary

Omelogor hosts her friends for dinner, assuming they’ll be on lockdown soon. They discuss COVID and Kadi’s case. Omelogor defends Kadi when her friends imply she made up the assault for money.

Alone again later, Omelogor’s mind returns to her time in America. When she first visited, she liked the place, but her impression changed after moving. She didn’t like her graduate classes, and her classmates consistently disparaged whatever she said. She made some friends but soon found she didn’t fit in with them either. Over time, her misery and anger grew. She started For Men Only, posting a long letter about her time in America and the entitlement of Americans. In retrospect, she knows America doesn’t owe her anything but still resents it for disappointing her.

Part 4, Chapter 12 Summary

The days pass, and the virus spreads. Omelogor’s parents worry about her safety, but Philippe insists Africans won’t be affected.

Part 4 Analysis

In Part 4, the narrative shifts away from Kadiatou’s storyline and toward Omelogor’s story; this formal shift recontextualizes the novel’s thematic explorations within Omelogor’s unique perspective, experience, and journey. Written from Omelogor’s first-person point of view, Part 4 is primarily set in the winter of 2020 and captures how the global pandemic physically, emotionally, and psychologically impacts Omelogor’s character. Not unlike Chia and Zikora, Omelogor’s physical isolation exacerbates her internal unrest as the virus spreads. Her solitude creates angst, and her angst compels her to reflect on her life, her identity, and her past.

Omelogor’s recollections contribute to the novel’s themes of The Pursuit of Lasting Happiness and The Intersection of Personal Desire and Social Expectations. Like Chia, Zikora, and Kadi, Omelogor is from Nigeria and has been raised in a community that prioritizes marriage and motherhood. Unlike Chia, Zikora, and Kadi, Omelogor doesn’t value romance above professional accomplishment and sexual exploration. She has lived her life according to her personal desires and has, until the narrative present, felt comfortable with her choices. However, after her Aunty Jane tells her “Don’t pretend that you like the life you are living,” (246) Omelogor can’t help but question every experience she has had, decision she has made, and relationship she has valued. Her aunt is interrogating the value of her life because Omelogor hasn’t fulfilled her family’s and society’s expectations for her. Her words thus disrupt Omelogor’s internal world and normal modes of behavior. Omelogor is a self-possessed, blunt character who speaks her mind and stands up for what she believes in. When someone tests her definitions of happiness or the worth of her pursuits, she readily counters their remarks. Such interactions appear in Chia’s, Zikora’s, and Kadi’s sections of the novel, and cumulatively underscore Omelogor’s fierce, fearless nature. However, in the narrative present, Omelogor’s strong sense of self begins to falter. Her aunt’s cutting words act as the inciting event of Omelogor’s story; they launch Omelogor’s internal quest for meaning and her simultaneous work to reconcile what she wants with what others expect of her.

The narrative movements between the past and the present throughout Part 4 enact Omelogor’s attempts to make sense of her own interiority. In particular, Omelogor’s mind is repeatedly drawn into the past whenever she remembers her aunt’s words. The memory of Aunty Jane’s accusation (that Omelogor is unhappy and unwilling to admit her unhappiness) in turn affects a tense narrative mood; the repetition of Aunty’s words throughout the section also compels Omelogor’s narrative into a stream of consciousness style. (The repeated line is a narrative device used to enact Omelogor’s unrest and the weight of her family’s expectations.) In Chapter 1, for example, Omelogor is standing on her balcony studying her employees down below, when she starts silently addressing her aunt in her mind:

Actually, Aunty Jane, I do like my life. I flail for meaning sometimes, maybe too often, but it is a full life, and a life I own. I have learned this of myself, that I cannot do without people and I cannot do without stretches of sustained isolation. To be alone is not always to be lonely (248).

This internal monologue conveys Omelogor’s internal tension and desperation to defend her experience and self-worth. She is still at odds with her aunt (and with her family’s and village’s expectations) although she is physically distanced from them. This is why she continues to meditate on her sexual entanglements, her work experiences, her financial choices, and her geographical relocations throughout the section. Each of these decisions relates to Omelogor’s past, and therefore to how she and others perceive her life. Her obsessive state of mind and inability to remain focused on the present shows her desire to validate her experience and to claim her own happiness. These facets of Omelogor’s storyline show how one’s culture, relatives, and society might undermine the individual’s autonomy, and in turn challenge her to defend herself. At the same time, she cannot set herself free from these expectations until she claims the inherent value of her body, mind, and life.

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