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40 pages 1 hour read

Stephen King

Dolores Claiborne

Fiction | Novel | Adult | Published in 1992

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Pages 215-283Chapter Summaries & Analyses

Pages 215-283 Summary

Dolores notes that she doesn’t sleep well the day before the murder, worried that rain will mar her plans. When she wakes, the day is merely cloudy, and Dolores spends her morning helping Vera with a brunch buffet for her eclipse guests. Although she has a headache, Dolores works throughout the morning, returning home after her job is complete. She tells the police that she can “remember everythin that happened” that day (215).

On her way home, Dolores buys a bottle of Johnnie Walker for Joe, hoping to make him easier to kill. Once home, Dolores presents Joe with the Scotch and a pair of eclipse-viewers, telling her husband she has a surprise for him later. She fixes a sandwich for Joe, thinking to herself: “Make it good, cause it’s the last thing he’s ever gonna eat” (225). The pair enjoy their food and share a kiss. For a moment, Dolores has second thoughts, but as soon as she touches Joe’s forehead, she remembers Joe’s abuse of Selena and poor treatment of their other sons and decides to go through with the murder.

When the eclipse begins Dolores suddenly sees a little girl holding a reflector box to watch the sun go dark in the sky. However, Dolores notices that the girl’s “Daddy’s hand was on her leg, way up high. Higher’ n it ought to’ve been, maybe” (232). The girl reminds Dolores of Joe’s abuse of Selena and as the world turns darker, Dolores realizes this is the time to kill him. Telling Joe she has a surprise, Dolores claims that she found out about Joe taking the children’s college money and convinced the bank teller to return it to her. Flabbergasted, Joe accuses Dolores of lying and finally lunges at her, grabbing her by the throat and nearly strangling her to death.

Afterward, Dolores tells Joe the money is at the back of the woodshed and begins to lead him through the yard as Joe shoves and hits her. Breaking free, Dolores runs through the blackberry bushes to the well and Joe follows after, stepping on the rotted wood and falling part-way into the well. Joe begs for help, but Dolores doesn’t move to help him, instead listening as “the board he was clawin his way along all of a sudden snapped under his weight and he dropped” (250).

Dolores again sees the same little girl, Jessie, who asks who she is, but before Dolores can respond, she hears Joe calling from the well. At first Dolores thinks she is imagining things, but she recognizes his voice. After grabbing a flashlight from the shed, Dolores takes a closer look. Joe, still alive, begs Dolores to help him, promising that he will leave Selena alone. The eclipse ends, but Dolores doesn’t assist her husband, who continues to alternately beg for help and curse his wife. After dozing off at the side of the well, Dolores wakes to find Joe climbing the well walls and grinning. Dolores waits until he falls and returns home to try and sleep.

Unable to sleep and imagining Joe stumbling to their house, Dolores returns to the well. Joe has made his way to the top of the well and grabs Dolores’s ankle. Fighting Joe off, Dolores grabs a stone and bashes it against Joe’s head; he falls into the well. He doesn’t move again, and Dolores finally believes he is dead. She sleeps, but dreams of Joe’s hand grabbing her and goes to check on him again. Convinced of his death, she returns to bed.

In the morning, Dolores begins to worry. She picks up the bottle of scotch whiskey, rehearses a story of Joe’s drunkenness, and returns to the well. Joe lays at the bottom of the well with bugs crawling on his face. Dolores throws the bottle down with him along with some of the rotten boards and picks up the pieces of cloth caught in the bushes when Joe chased her. A few hours later, Dolores calls a friend and reports Joe missing. Then, she calls Joe’s friends and tells them they had an argument and Joe left angry. In her call to Vera, Dolores explains that she’s “misplaced [her] husband,” to which Vera cryptically responds, “Maybe he’s had an accident” (282). Finally, Dolores phones the police chief to alert him of Joe’s disappearance.

Pages 215-283 Analysis

Dolores’s murder of her husband is carefully planned, and emotionally buttressed by her desperation, fulfilling the central tenets of a Revenge Tragedy: a violent murder by a wronged protagonist. As Dolores notes, “Joe St. George wa’ant much loved on Little Tall, and there weren’t many who’d’ve blamed me for what I did, but they don’t pin a medal on you n give you a parade for killin a man, no matter if he was a worthless piece of shit” (271). Instead, Dolores considers that if she is discovered, she will go to prison and lose her children, the very ones she aims to protect.

King uses the link between Dolores and Jessie (the little girl whose own abuse Dolores senses during the eclipse) as the final push necessary to empower Dolores to kill Joe. When Dolores observes how the darkness of the eclipse conceals the inappropriate touches that signal Jessie’s abuse, she uses that same darkness to exact revenge on Joe for his sexual abuse of her own daughter. She can’t change what is happening to Jessie, just as she can’t change what happened to Selena, but she can take action to make sure at least one man—Joe—never enacts Violence against Women again.

Drawing out Joe’s death allows King to trace a full range of manipulation tactics commonly employed by abusers. Joe’s murder is difficult and agonizing. Dolores’s plan, although carefully planned, does not account for Joe’s ability to survive his fall into the well. Rather than simply witness his death, Dolores must wait at the side of the well listening to Joe’s cries and curses: “Sometimes he’d beg and call [her] honeybunch; he’d tell [her] all the things he was gonna do if [she] let him outta there […] then he’d curse me and tell me he was gonna tie me to the wall n stick a hot poker up my snatch and watch me wiggle on it before he finally killed me” (258). Trapped in the well, Joe begins with affection, using terms of endearment, gives orders, makes violent threats using imagery of sexual dominance, and eventually threatens torture and death. Even after leaving Joe to try and sleep, Dolores suffers from nightmares, foreshadowing the trauma that will haunt her long after his death. When she finally returns to the well, Joe is climbing from its depths, and Dolores is forced to hit him in the head with a stone. The clean, passive murder Dolores had planned in which Joe simply falls to his death shifts by necessity to an active and intimate killing in which she deliberately uses her body against his, suggesting that the price for violence is more violence—a key motif of Revenge Tragedy.

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