logo

42 pages 1 hour read

Virginia Axline

Dibs in Search of Self: The Renowned, Deeply Moving Story of an Emotionally Lost Child Who Found His Way Back

Nonfiction | Book | Adult | Published in 1964

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 5-10Chapter Summaries & Analyses

Chapter 5 Summary

For his second session a week later, Dibs reads the sign on the playroom door, with some help from Dr. Axline: “Play Therapy Room” (48). Inside the room, Dibs again asks for help with his coat and hat, but this time, Dr. Axline has him hang his things up himself. Dibs goes to play with the dollhouse, looking for the missing front door and finding it in a cupboard. He puts it on after several failed attempts, and when Dr. Axline acknowledges this, he smiles at her for the first time. Dibs looks at the basement walls of the dollhouse and sees none of them has a door, so he draws a doorknob and lock. He narrates his actions: “Got a lock on it now, too” (50), and Dr. Axline affirms that she understands. She realizes Dibs has a preoccupation with locked doors, and that his vocabulary is more advanced than he initially let on. Dibs starts talking in full sentences, using words like “indeed” and “position” (51). As they converse, Dr. Axline gently encourages Dibs to refer to himself as “I”—as he usually refers to himself in the second person. He slowly starts to do so, and she hopes this will impact how he views himself. In the sandbox, Dibs lines up toy soldiers, counting out loud.

When the church bell across the street chimes, Dr. Axline warns Dibs that time is nearly up. He inspects finger paints and eventually tries them, but finds the mess off-putting: “They are not of interest to me” (54). His language becomes increasingly complex the more comfortable he becomes. Dibs talks to Dr. Axline as he paints a picture of a house that includes a basement with a locked door. He tells her that it’s her new house and looks at her with pain as he points out the dark basement. When it’s time to go, Dibs’s speech regresses: “Miss A say it paint one picture of a house and then it leave you” (56). He starts thinking of reasons to stay, but Dr. Axline remains firm. She hopes today’s session will help him “gain psychological independence” (58). When Dibs finally resigns to leaving, he does so without a fight, signifying a change.

Chapter 6 Summary

During Dibs’s next session, he undresses himself without help, and spends some time sucking on a baby bottle while watching Dr. Axline before engaging in play. He takes out some blocks and reads the packaging, and Dr. Axline notes the contrast between Dibs’s infantile desires and his desire to prove his intellectual capabilities. She wonders how he concealed these skills at school for so long, if he conceals them at home, and how he learned skills without talking to people. Still, she avoids speculating, allowing Dibs to take the lead. He decides to play with the sink, filling his baby bottle up and dumping it several times. He laughs for the first time in Dr. Axline’s presence. Afterward, Dibs takes out some toy animals and describes a situation in which a small duck wants its own pond like the bigger duck. He takes a toy truck and drives it to the scene, explaining how the three people inside will drive away and be gone forever, then burying them under the sand and placing the duck on top. He asks Dr. Axline to leave the toys this way, but she doesn’t answer. After the session, Dr. Axline reflects on how she must continue avoiding speculating about Dibs’s play; she hopes that by allowing him the freedom to decide his own conditions, he can learn self-understanding and self-respect, which are key to healthy relationships.

Chapter 7 Summary

When Dibs returns a week later, he finds the toys out of place and becomes angry. Dr. Axline waits with patience as he copes with his feelings about change: She hopes he will find security within himself and “take a measure of his own ability to cope with a changing world” (69). After talking about the change for a minute, Dibs decides to play with the toys. He takes Dr. Axline’s pencil and breaks it, seemingly on purpose, and Dr. Axline leaves the room to sharpen it. All sessions are observed by a team through a two-way mirror, and the observers watch as Dibs pulls the toy soldiers out of the sand. He picks one up and says, “I’ll get you out now, you fighting man. Standing there so stiff and straight. Like an old iron railing from a fence, you are” (71), and then buries it again. When Dr. Axline returns, Dibs comments on how cold it is today and then inspects the cupboards, finding them to be empty. He picks up a toy rabbit and tells Dr. Axline about the class rabbit named Marshmallow. He also confesses to letting it out without permission sometimes. Dr. Axline is encouraged by the fact that Dibs is discussing school and clearly involved in it in his own way.

When Dibs mentions how Independence Day is four weeks and two days away, he’s happy to say it’s also a play therapy day, and admits that he enjoys coming to the center. He picks up the toy soldier again, calling it “Papa” and proceeding to punch it several times. When the session ends, Dr. Axline is surprised to hear that Dib’s father is picking Dibs up today. He tries to leave in a hurry, pushing Dibs out the door and dismissing his talk of Independence Day. This scene angers Dr. Axline, who sees a man refusing to engage with his son; however, she reminds herself that “parents, too, have reasons for what they do—have reasons, locked in the depths of their personalities, for their inability to love, to understand, to give themselves to their children” (81).

Chapter 8 Summary

To Dr. Axline’s surprise, Dibs’s mother calls the next day and asks for a meeting. She seems apologetic and anxious, and has a hard time choosing when to come, but finally decides to come later that morning. Dr. Axline doesn’t pressure Dibs’s mother as she reveals that Dibs was an unplanned child, and that she and her husband were successful professionals (she was a surgeon and he, a scientist) well before his birth. When Dibs’s mother was pregnant, Dibs’s father started to pull away, favoring his work. She recalls taking Dibs to two psychologists, the second telling her and her husband that Dibs was “the most rejected and emotionally deprived child” (88) he ever encountered, and that Dibs’s parents should seek help for their own emotional issues. This psychologist didn’t believe there was anything wrong with Dibs’s intelligence. Dibs’s mother birthed a second child, Dorothy, who seemed to be neurotypical, and whom Dibs saw as an affront to his existence. Dorothy was sent to boarding school as soon as she was old enough as a result. Dibs’s mother confesses that Dibs seems more unhappy, and that he stares at her with sorrow (which Dr. Axline thinks is his expression of previously unshared feelings). She admits that Dibs’s father insulted Dibs’s intelligence yesterday and then locked him in his room, which made her cry; later, Dibs’s father cried as well. Dibs’s mother feels she and her husband failed as parents, but is happy to hear from Dr. Axline that Dibs can gain greater autonomy. After Dibs’s mother leaves, Dr. Axline reflects on the complexity of human beings and their reactions. She notes that Dibs’s parents, like him, seem to have locked themselves from within.

Chapter 9 Summary

Dibs arrives at his next session with ease. He paints and comments on the observers on the other side of the mirror, surprising Dr. Axline, who notes that all people observe more than they let on. Dibs narrates as he experiments with the paints, saying “These are streaks and stripes of my thoughts” (95). He looks at Dr. Axline’s notes, who has written abbreviations of each color he used, and tells her that she must spell the colors out to be correct. Afterward, he removes all the walls off the dollhouse and buries them in the sandbox. Dibs sings a song about wanting to kill “the people who shove you in” (98) locked rooms. He sings about wanting to be a bird who flies up and over the walls around him. He suddenly saddens at the thought of his sister Dorothy being there. Before leaving, Dibs tells Dr. Axline that he hopes the doctor at their vaccination appointment hurts Dorothy so he can “laugh and be glad she feels the hurt” (101).

Chapter 10 Summary

Again, Dibs arrives at his next session with ease. He talks to Dr. Axline about the toys he saw at the hardware store and their costs. He plays in the sandbox, building a mountain of sand and having the toy soldiers attempt to climb it. None of them make it to the top, and Dibs remarks how the climb isn’t as important as being happy while trying. He tells Dr. Axline that “every child should have a hill all his own to climb” (105), as well as their own star in the sky and their own tree to stand by. Dibs takes one of the toy soldiers and buries it deep in the sand, then piles sand on top of it, commenting on how it will never get to climb the hill. This toy soldier is “Papa.” Dibs then discusses clocks and telling time, and Dr. Axline suspects he’s withdrawing from his feelings toward his father. He crawls inside the puppet theater and looks out the back window of the playroom, commenting on the “bigness” (107) of the church, sky, and larger world. He comes out and steps into the sandbox, saying he is big in there as he steps on mountains. Before leaving, Dibs tells Dr. Axline about his family’s shopping trip and how he and his father got new shoes.

Chapters 5-10 Analysis

Dibs’s resilience becomes evident the more he feels comfortable in the playroom. He begins to gain independence and see himself as an individual worthy of dignity and respect. While Dibs initially referred to himself in the second and third person, as if he were on the outside looking in, he begins to use “I” and assert himself as a human being. Though the changes seem small, such as Dibs’s willingness to use the first person and increasing comfort with being in the sandbox, each of these steps builds up over time. Dibs’s language also becomes more complex, reflecting his intellect and the many hours he has spent reading. His language often becomes poetic—“Oh airplane, tell me! How high can you fly? Can you fly up to the blue, blue sky? Can you fly beyond the sky? To the clouds and the winds that hold fast the rain up there so high? Can you fly? Tell me, lovely airplane, can you fly?” (99)—or draws on older words and phrases. Dibs effortlessly uses metaphors and similes, such as when he compares his father to a steel railing. He describes the class rabbit with a hint of sadness, as if he relates to it being caged. He struggles with a mental cage, but with the security and freedom provided by Dr. Axline’s Humanistic Approach to Child Therapy, Dibs begins to work through it. He starts to show significant changes in his family interactions as well; he no longer has tantrums when picked up, and seems to be expressing his anger and frustration at home in healthier ways.

The mysteries of Dibs’s home life start to come to light when Dibs’s mother meets with Dr. Axline. Initially, Dibs’s parents refused to get involved with Dibs’s therapy sessions, but the visit shows a change in attitude. Dibs’s mother confesses that she and her husband feel embarrassed, like they have failed Dibs. Dibs’s parents are the source of his issues, but Dibs’s journey inspires them to change for him—illustrating How Healing a Child Can Heal a Family.

Dibs’s symbolic play continues to give clues regarding his thoughts and feelings, as well as his past experiences. When he punches and yells at the “Papa” toy soldier, it is clear that he feels anger toward his father that he needs to release. Dibs often buries the family dolls in the sand, as if he wants to silence or hide them so he can sort through his thoughts. These experiences vary in emotional impact, and as the memoir progresses, Dibs learns to cope with and manage The Pains and Joys of Finding Oneself. When Dibs builds a mountain out of sand, he has each toy soldier attempt to climb it, but none prevail. He remarks that the toy soldiers’ happiness comes from attempting the climb, and sees the mountain as an obstacle that every child must climb to find their worth: “Every child should have a hill all his own to climb. And I think every child should have one star up in the sky that is all his own. And I think every child should have a tree that belongs to him” (105). Dibs begins to think not only of himself, but other children as well, and relates to them in his own way.

blurred text
blurred text
blurred text
blurred text