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56 pages 1 hour read

Ngũgĩ wa Thiong'o

Devil on the Cross

Fiction | Novel | Adult | Published in 1980

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Essay Topics

1.

How does the author’s use of the Gĩcaandĩ Player as a framing device contribute to the novel’s exploration of post-colonial identity and the role of traditional storytelling in modern Kenya?

2.

Analyze the character arc of Warĩĩnga in relation to the broader themes of female empowerment and resistance against patriarchal and neo-colonial oppression in the novel. How is Warĩĩnga’s story typical, and in what ways does it break away from traditional character arcs?

3.

Discuss the role of magical realism in Devil on the Cross. How does this literary technique enhance Ngũgĩ’s commentary on the socio-political realities of Kenya?

4.

How does the novel’s treatment of the Mau Mau Rebellion and its aftermath contribute to its exploration of historical memory and national identity in post-colonial Kenya?

5.

Analyze the significance of Gatuĩria’s musical composition project in relation to the novel’s themes of cultural authenticity and the challenges of articulating a post-colonial national identity. In the end, does Gatuĩria achieve his aims, and why?

6.

How does Ngũgĩ’s use of multiple narrative perspectives and nested stories contribute to the novel’s exploration of truth, deception, and the nature of storytelling itself?

7.

Examine the novel’s treatment of religion, particularly Christianity. What meaning can you derive from Ngũgĩ’s critiques of religious institutions while also appropriating religious imagery for his own symbolic purposes?

8.

How does Devil on the Cross engage with the concept of neocolonialism? Discuss specific examples from the text that illustrate the ongoing influence of colonial powers in post-independence Kenya.

9.

Analyze the role of violence in the novel, particularly in relation to Warĩĩnga’s actions in the final chapter. How does Ngũgĩ present the relationship between personal and political liberation in terms of violent action?

10.

How does Devil on the Cross engage with Marxist theory, particularly in its portrayal of class struggle and its critique of capitalism? Discuss the effectiveness of Ngũgĩ’s approach in addressing these complex socio-economic issues through fiction.

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