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41 pages 1 hour read

Edward Abbey

Desert Solitaire

Nonfiction | Autobiography / Memoir | Adult | Published in 1968

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Chapter 12Chapter Summaries & Analyses

Chapter 12 Summary: “Down the River”

Abbey begins the chapter by cursing the latest Colorado River dam project and the destructive impact it will inevitably have on Glen Canyon.

He then recounts a long trip on the river through the canyon with his friend Ralph Newcomb, in “two little rubber boats” (189), which they unfold from suitcase-sized cartons. The men relish the rough rapids and the cool quiet nights camping on the river’s shores. Abbey beholds the magnificence of Glen Canyon as they pass through on their journey, and he fantasizes about an “unknown hero” (205) who will dynamite the dam before it can be constructed. With some mixture of defiance and grief at this point, Abbey again praises the wilderness in graceful and exalted terms.

Abbey describes a long, wondrous hike that he takes by himself, without Ralph Newcomb (who only has one good leg and cannot hike), from one of their campsites, through the Escalante gorge. He finds petroglyphs in caves, sees ancient cliff dwellings above his head, imagines the life of the ancient cliff dwellers, and wonders how and why they were ultimately moved to abandon their homes.

Abbey returns to the campsite. The next morning, he and Newcomb begin their journey back toward civilization. Abbey describes the “tantalizing views” (227) they are gifted with and the “hanging canyons” (227) they pass beneath.

That evening, they pitch camp at Hole in the Rock, an historic 1880s Mormon settlement, long abandoned. From here, Abbey embarks on a solitary hike up an old trail, neglecting to take his canteen. Soon, he is so profoundly thirsty that upon “finding moisture leaking from the rock and dampening the sand beneath,” (230) he puts wet sand in his mouth, “extracting what refreshment [he] can from it” (230). Abbey continues up the trail until he attains the view he seeks, of near and distant mountain ranges and clouds.

Abbey returns to camp; he and Newcomb resume their journey, communing through brief words and pregnant silences over the beauty of their surroundings and a shared sense of timelessness. While investigating one side canyon, Abbey accidentally starts a brush fire that he only narrowly escapes. As they pass other tributary canyons, Abbey seeks a trail to the legendary Rainbow Bridge, the world’s largest natural bridge, long considered sacred by the Navajos. Sadly, when he does find the right trail, he sees that it is littered with the detritus of tourists: “Slobivious americanus has been here first.” (238) Nonetheless, Abbey’s solo trek to the breathtaking bridge is the grandeur-laced climax to this river trip.

The chapter ends on a sad note. Rounding a bend in the river, Abbey and Newcombe behold “the first billboard ever erected in Glen Canyon” (245). It is a warning that they are approaching the dam construction zone, where boats are disallowed.

Chapter 12 Analysis

At roughly sixty pages, this is by far the longest chapter in the book. Abbey lends the chapter the unhurried pace of the river trip itself. The superlative descriptive language he employs, as well as the chapter’s length, emblemize the grandeur and majesty of the canyons.

Abbey’s discovery of the ancient cliff dwellings amplifies the theme of geologic time, which Abbey has touched on previously. In the end, the scourge of human civilization is but a tiny blip in the history of the earth. Also, the age of modern technology and “Industrial Tourism” is but a very thin slice of the history of humanity, which has existed in the past in far more primitive and adaptive form, and perhaps may again.

The brush fire is a surprising incident, treated briefly. Abbey does not seem remorseful for having made a destructive impact of his own on the wild. He seems to reserve his disgust for the bureaucracies that mandate the building of dams, and for the garbage tourists leave in the wilderness.

That the chapter ends on a note of melancholy–the US Bureau of Reclamation billboard warning all boaters to steer clear of the dam construction zone–is consistent with the pervading theme of encroachment by human industry on all things wild and unspoiled.

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