53 pages • 1 hour read
N. H. KleinbaumA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Content Warning: This book contains references to death by suicide and sexual assault, and uses outdated and culturally appropriative terminology that is reproduced only in direct quotes.
The novel begins at Welton Academy, an isolated and historic private school for boys in the hills of Vermont, at a start-of-term ceremony for students and their parents. It is a posh affair, with bagpipers accompanying the rituals that mark the beginning of the school year. One group of boys carries in flags, each one highlighting one of Welton’s four pillars: “‘Tradition,’ ‘Honor,’ ‘Discipline,’ ‘Excellence’” (2). Headmaster Nolan, an old, distinguished man, points to another old man in long flowing robes who has lit a candle. He presents this as “The light of knowledge” (2). He addresses the crowd, welcoming them to Welton.
Welton, he tells the expectant parents and students, has a history of producing Ivy League-bound scholars. Those who survive Welton’s rigorous curriculum tend to excel in their college years and into their careers. They strive for perfection and uniformity; there are certain rules and social graces of this world that the boys must learn, and they will learn them at Welton.
Mr. Keating is the new English teacher at Welton. He is an alumnus of the school himself and has just finished teaching in England. He is younger than many of the teachers at Welton, in his thirties, but seems to be ordinary on all other accounts.
At the ceremony, several other main characters are introduced to readers: Knox Overstreet, future lawyer; Charlie Dalton, future banker; and Richard Cameron, a student who is diligent about following the rules at all times. Readers are also introduced to Neil Perry, whose father is extremely controlling, and Todd Anderson, a new student and the ignored younger brother of one of Welton’s best. While other parents show their children affection as they say their goodbyes, Todd is alone, his parents “paying no heed to their son” (7). Soon, the parents leave, and the boys are left alone to start another year at Welton Academy.
The novel focuses on the junior class at Welton. Knox, Cameron, Todd, Neil, and Charlie go into Headmaster Nolan’s office to get assigned to extracurriculars, while Pitts and Meeks, two other juniors, wonder about the new kid, Todd. These extracurriculars are assigned based on the boy’s interests and strengths or educated guesses from the Headmaster. When Nolan gets to Todd, he tells him that he’s been placed in soccer. Todd “struggle[s] to say something, but the words just [won’t] come out” (11). He shakes all over and quietly tells Nolan that he’d prefer to row, and the words take every bit of strength he can muster. Nolan dismisses Todd and keeps him signed up for soccer.
When they get to the dorms, Neil and Todd discover that they are roommates this year. Todd quickly learns that Neil is a leader of their class and very popular. Their room is visited by all the boys who went to Nolan’s office with Neil earlier, as well as Pitts and Meeks. The boys discuss which summer school courses they took and tease Todd for being a newcomer, greeting him with “welcome to Hellton” (14). Suddenly, amid the laughter, Neil is surprised to hear a familiar voice. His father, Mr. Perry, is in the doorway.
Mr. Perry interrupts to tell Neil that he’s doing too many extracurriculars, so he’s removing him from his position on the school paper. Neil, who is the assistant editor, protests that he shouldn’t be forced to step down. Mr. Perry excuses the two of them and takes Neil outside the dorm room. He reprimands Neil for contradicting him in front of his classmates and reminds him that as long as he is under his care, Mr. Perry will be the one making the decisions.
After Mr. Perry leaves, Neil tries to hide that he’s upset about having to step down from the paper, but he isn’t able to keep it up for long. He “rip[s] off the school annual achievement pin from his blazer and hurl[s] it furiously at his desk.” The boys try to encourage the clearly upset Neil to stand up for himself more often. Neil reminds them how ironic their statement is since all of them are just as submissive with their own fathers. They don’t know what else to say, so they leave the room to let Neil have some peace.
Neil lays down on his bed, trying to let the anger subside. To distract himself, he watches Todd unpack, and notices Todd pull out a picture of his family. He observes that Todd is set apart from the rest of his family, “with them, but not really a part of them” (18). The next thing Todd sets up is “an engraved leather desk set” (18). As they finish unpacking, Neil asks Todd how he liked his father. Todd remarks, under his breath, that even with his faults, he prefers Mr. Perry over his own father. Neil can’t hear this comment, however, and the rest of their unpacking is done in silence.
The first day of class proves to be even more intense than Todd anticipated. Each class is more rigorous than the last, with loads of homework due from the start. The boys get through chemistry, Latin, and trigonometry before finally settling down in Mr. Keating’s English class.
They are surprised to enter and find Mr. Keating relaxed, staring out the window. They sit down at their desks and allow themselves to breathe for the first time all day. As the minutes pass, and Mr. Keating still does not look up, they find themselves wondering about this new teacher of theirs. Eventually, Mr. Keating stands and walks up and down the aisles between the desks, excited to be working with “[n]imble young minds!” (23). He tells the boys that in his class, he will either answer to Mr. Keating, or “O Captain! My Captain!” (24). With a dramatic flourish, Mr. Keating walks out of the classroom.
The boys, puzzled, follow Mr. Keating out into the hall. There, he stops them in front of a glass case lined with photographs of students from years past. He asks one of the students to read a poem aloud while the class gazes at the pictures. Mr. Keating asks the class to consider how many of these students, who are not too different from themselves, ever dared to live life to the fullest. He introduces a phrase that becomes a motif throughout the novel: “Carpe Diem. […] Seize the day. Make your lives extraordinary” (27). He whispers these words behind the boys as they lean in closer, examining the faces of the students. It has an almost ghostly effect, leaving some of them spooked and others, like Cameron, wondering if that is the sort of stuff on which Mr. Keating will be grading them. One thing is for certain: They are all mesmerized by this new teacher.
After gym, the boys get together to organize a study group. Knox can’t attend tonight; he has dinner with the Danburrys, who are friends of his father and major alumni of Welton. Neil turns to Todd and invites him to join their group, but Todd declines. Todd then retreats to his room to be alone for a while. He sits at his desk and, remembering what Mr. Keating said earlier that day, begins to write three words in large lettering in his notebook: “SEIZE THE DAY” (30). He tells himself that he wants to do this and to live life the way Mr. Keating described it. The trouble is that he doesn’t, at the moment at least, know how to do that.
Meanwhile, a car has been arranged to take Knox to the Danburrys for dinner. When Knox approaches the door, he is greeted by a pretty teenager in a tennis dress, a blue-eyed girl named Chris Noel. She asks him if he’s here to see Chet, but he just stares back blankly. Finally, Mrs. Danburry ushers Knox inside. Chris, it turns out, is dating the Danburry’s son, Chet. He watches her helplessly as she runs up the stairs of the house. He is introduced to Mr. Danburry and Virginia, “Ginny” (33), their 15-year-old daughter. Eventually, their oldest son Chet comes down the stairs with Chris. Knox learns that Ginny attends Henley Hall, Welton’s sister school, and will soon be auditioning for the school play: A Midsummer Night’s Dream. Chet, on the other hand, went to Welton before flunking out and transferring to Ridgeway High. That’s where he joined the football team and met Chris, a cheerleader.
When Knox returns, he relays the night’s events to his friends. He is in despair: He has met the most beautiful girl, but “[s]he’s practically engaged to Chet Danburry, Mr. Mondo Jocko himself” (36). Knox can’t concentrate on anything else; all he can think about is wanting to be with Chris. Some of the boys tell him to cheer up and maybe he’ll get over her soon. Cameron reminds him what Keating said about seizing the day and is certain Knox can woo Chris if he tries.
The next morning, Mr. Keating asks the class to read the introduction to their poetry book aloud. The introduction is written by Dr. J. Evan Pritchard and features a graph that allegedly allows scholars to measure the excellence of a poem. The formula evaluates a poem’s technique in conjunction with its relevance, and from there, one can accurately rate a poem. Mr. Keating turns to his class, says this methodology is complete and utter nonsense, and tells them to rip out the introduction and throw it away. The students are astonished by this but slowly begin to do as Mr. Keating says, finding joy in the sensation. Soon, the classroom is filled with the sound of ripping paper as they wad up the pages and toss them in the trash.
McAllister, hearing the commotion, enters the classroom and starts to stop the students before realizing Mr. Keating is still in the room. He bows out shyly as Mr. Keating takes the floor again. He faces his students, saying, “This is a battle, boys. […] War! Your souls are at a critical juncture. Either you will succumb to the will of academic hoi polloi, and the fruit will die on the vine, or you will triumph as individuals” (40).
Mr. Keating teaches against herd mentality, instead asking the boys to use poetry to gain a sense of self. He tells them that their chosen professions of medicine, law, and banking are all noble pursuits. Poetry, however, is there to remind them what it means to be human. He concludes the class with another quote from Whitman: “That the powerful play goes on, and you might contribute a verse” (41). He sends the boys off, leaving them to wonder what verse they might contribute to the powerful play of life.
The first five chapters introduce the central characters in Dead Poets Society. The junior class consists of Todd Anderson, Neil Perry, Knox Overstreet, Charlie Dalton, Richard Cameron, Steve Meeks, and Gerard Pitts. These chapters give readers a glimpse into the primary conflicts for Todd, Neil, and Knox: Todd grapples with severe social anxiety; Neil is in constant opposition with his controlling father; and Knox has met the girl of his dreams, a girl who is in love with a popular jock at her school.
The adult characters in the novel are also established in these first five chapters. Mr. Keating, the new English teacher, is first seen at the opening ceremony in Chapter 1. There, he is said to seem “respectable and scholarly, but Neil Perry’s father [eyes him] with suspicion” (6). Here, Kleinbaum foreshadows not only Mr. Keating as an oppositional force to Welton at large but a more personal oppositional force for Mr. Perry, as they later fight over Neil’s future. Mr. Keating understands that these students are at a pivotal point in their lives, where they can either fall into the rigid, lifeless paths that Welton expects of its students, or they can learn to make more of themselves as individuals. He is no less intelligent than his colleagues, but his classes are unconventional, and he dares to argue against the curriculum. This makes him instantly intriguing to the boys and an immediate foe to the adults.
Mr. Perry, Neil’s father, is stone-faced and serious, hovering over Neil to control his every move. His refusal to listen to Neil when he asks to stay on the paper is just one example of how Mr. Perry will continue to be an antagonistic presence in the book. When the parents are bidding their children goodbye at the end of the welcoming ceremony, most families are hugging each other affectionately. Mr. Perry, however, “[stands] stiffly, adjusting the achievement pins on his son’s jacket” (6). This single line sums up how Mr. Perry feels about his son: To Mr. Perry, Neil is the sum of those achievement pins, not a person with dreams of his own that might be worth pursuing.
Finally, Headmaster Nolan is presented as another antagonist in the novel. He is intent on maintaining the traditions of Welton no matter what, and these chapters hint at the conflict that will arise later in the novel between Nolan and Mr. Keating.
These three adult characters are central to the theme of Individual Thinking and the Dangers of Conformity, a theme that emerges within the first few pages of the novel. Mr. Keating represents a new way of thinking, with motifs of “Carpe Diem” (26) to encourage living life to the fullest, and “O Captain! My Captain!” (24) to establish a sense of loyalty to this new leader. The pillars of Welton are challenged for the first time as the boys start to wonder what it might be like to rebel against the idea of a life purely built on “Tradition! Honor! Discipline! Excellence!” (3), and to instead contribute a verse to the powerful play of life.
Another theme emerges in this chapter concerning Father/Son Dynamics in Overachieving Environments. As mentioned above, Mr. Perry and Mr. Keating are already at odds over what Neil should value in his life. However, the conflict is deeper than that: They are at odds over how to fulfill the role of “father” in Neil’s life. Mr. Perry’s father/son relationship with Neil is one of duty: Neil’s duty is to obey him and do what Mr. Perry deems best for the family, and Mr. Perry’s duty is to set Neil up for success, by any means necessary. Mr. Keating, as a father figure, is more interested in Neil (and his other students) as people, not as their achievements. Another father/son relationship that Kleinbaum starts to explore in these chapters is that of Todd and his father. When all other parents, including Mr. Perry, are with their children at the end of the ceremony, Todd is left alone by his parents, who ignore him to speak to other friends of theirs. When Neil asks Todd what he thinks of Mr. Perry, Todd answers that he’d rather have Mr. Perry than his own father. Though it isn’t elaborated on just yet, readers start to piece together that Todd has a strained relationship with his parents.
Lastly, these chapters set up Welton Academy as a symbol for the isolation that a life of striving for excellence can bring. The school is “isolated in the raw but green woods of Vermont” (8), and as Todd looks out his window at the acres of green trees, he says to himself, “It’s so big, but it’s so small here” (30). The campus represents the bubble that the parents and teachers of Welton are trying to keep the children in, an impenetrable, controlled world immune to influence from the outside world. While these students may have successful careers, be resected in society, and be financially stable, they are only experiencing a small piece of what life as a human being has to offer. By remaining isolated in their world with their rules, they are denying themselves the joys and excitement of a world beyond the walls of Welton and society at large.