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Ray BradburyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Bradbury was born in Waukegan, Illinois, in 1920 and in high school moved with his family to Los Angeles, where he became interested in Hollywood. His first professionally published short stories appeared in the early 1940s in science fiction magazines and later in the decade in mainstream magazines like American Mercury, Harper’s, and The New Yorker. His first book was a collection of fantasy and science fiction short stories called Dark Carnival (1947), and his second, called The Martian Chronicles (1950), explored an imagined colony on Mars at the turn of the 21st century. While later famous works like Fahrenheit 451 (1953) and Dandelion Wine (1957) diverged from his interest in space exploration, it remained a topic he returned to throughout his career in both short stories and in Hollywood screenwriting.
While the Space Age proper did not begin until the Soviet Union’s launch of the Sputnik satellite in 1957, Bradbury’s short stories from the late 1940s and early 1950s reflect the cultural interest in space that preceded this breakthrough. Bradbury himself was deeply interested in advances in space exploration, befriending many of the leading astrophysicists of his day. However, Bradbury was insistent that the aim of his fiction was not to speculate about potential technology or real scientific events. Many of his stories involve events that are scientifically impossible, like the epigenetic changes experienced in “Dark They Were, and Golden-Eyed,” or suggest ideas later found to be false, such as the existence of intelligent alien life on Mars. The point, for Bradbury, was not to write about possible developments in science but instead to consider stories set in space that explore what it means to be human.
In the wake of World War II and at the beginning of the Cold War (roughly 1945-1989), concerns about the threat of nuclear war were widespread in the United States and elsewhere. The antagonistic relationship between the Soviet Union and the United States resulted in the Space Race and numerous breakthroughs in aeronautical engineering and astrophysics, but also in pervasive fear that led to preparations like fallout shelters. Also felt to be under threat with the rise of communist states like the Soviet Union was the “Western” lifestyle; the 1950s emphasis on the nuclear family was in part a reaction against the perception that communism disrupted “traditional” family bonds.
“Dark They Were, and Golden-Eyed” deals explicitly with the possibility of nuclear war, as the colonists move to Mars to escape that threat. That a nuclear bomb does in fact hit New York makes the story function in another way, speculating on what would follow if the worst happened and how humanity might survive. However, the settlement on Mars not only promises to continue human life but to continue a specifically American way of life felt to be at threat amid the expansion of communism. The traditional nuclear family embodied by the Bitterings and other settlers is a safeguard meant to preserve this culture should it be lost on Earth, with the small white cottage embodying American values.
By Ray Bradbury