logo

36 pages 1 hour read

Henry James

Daisy Miller

Fiction | Novella | Adult | Published in 1878

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Background

Authorial Context: The Ambiguity of Henry James

Henry James was born in New York, New York, in 1843. Throughout his life, he often straddled the boundaries of geographical places, social changes, and even sexual identity. This ambiguity and “both/and” nature of James’s life gave him unique authority to illustrate the themes in Daisy Miller.

While James was born in New York, he and his well-known and wealthy family spent a lot of time in the intellectual social circles of Massachusetts and traveled often to Europe. His father encouraged his children to pursue higher education and travel widely. Like Winterbourne in Daisy Miller, Henry James spent much of his formative years and early education in Europe; he and his brother, William, also studied at Harvard, his brother becoming known as the “Father of American Psychology.” James’s knowledge of upper-class American society, as well as European sensibilities and the conflicts that can arise when the two collide, appear in the writing of Daisy Miller. James eventually spent so much time in England that he became a British citizen in 1915, the year before he died. A citizen of both countries, James was neither wholly American nor English.

Though James and his family were certainly wealthy and well-known, like Mrs. Costello and Mrs. Watson in Daisy Miller, his father’s leadership of their family was somewhat unorthodox. He was a progressive theologian and was interested in utopian societies; though he came into contact with leaders in the American transcendentalist movement such as Thoreau, Emerson, and Bronson Alcott, they did not agree with many of his perspectives. A proto-feminist, James’s father advocated for the liberalization of divorce and supported his daughter, Alice, who was a teacher and diarist who never married. The way James seems to question the harsh judgment of Daisy’s behavior in the novella points to an impending sea change in the role of American women in society. Here, he is illustrating a woman caught between the strict guidelines for women in the Victorian era and their liberation in the Modern period to come.

Henry James’s sexuality is another ambiguity that has been the subject of scholarly debate, especially because it is relevant to the themes of his work, including Daisy Miller. James never married and many people believed him to be completely celibate, but many of his letters to both male and female friends contain such thinly-veiled eroticism that it is difficult to ascertain his true sexual identity. Although James and his family were members of a high social rank in American society and enjoyed the privileges that come with that status, he may have also felt like an interloper and, like Daisy, questioned the rules prescribed to men and women for the sake of propriety.

There are parallels between James’s life and the themes and characters of Daisy Miller. Like James, protagonist Daisy is caught between an old world and a new one. Like many ahead of their time, she is a casualty of the old guard’s resistance to change.

Literary Context: Between the Victorian and Modern Periods

As Henry James personally straddled geographical, philosophical, and sexual boundaries, so too did his writing stretch across periods and styles over time. His first short story, “A Tragedy of Error,” was published in 1864, when he was 21 years old. He continued to publish his work for the next 50 years and scholars who study it often divide it into three distinct periods because his style and themes changed over his long career.

James’s early period of writing, which spanned 1864 to 1881, includes the 1878 publication of Daisy Miller. James was greatly influenced by American writer Nathaniel Hawthorne, who died around the same time James began writing. Hawthorne probed at the strict Puritanical values and prescribed gender roles of his culture; his stories often contained “types” of characters who play similar roles in each one and represent a certain type of person in society. One could easily draw some connections between the treatment of Hester Prynne in The Scarlet Letter and Daisy Miller in her own story. Though these characters are ostracized by their respective societies, each novel takes an overall compassionate view of these women and a critical view of society. The end of this early period was marked by the 1881 publication of Portrait of a Lady, a full novel which confronts similar themes as Daisy Miller.

The middle period of James’s writing spans the years of 1882-1895. During this time, he wrote novels, short stories, and plays that were not particularly successful, but also literary criticism, including the famous essay “The Art of Fiction,” which first appeared in Longman’s Magazine in 1884. As he spent more time contemplating the techniques and devices of storytelling, this middle era served as an incubation period as he prepared for his last, and sometimes called “major,” period of writing.

James’s major period was his most prolific and his style was notably different from earlier works of fiction. For example, his writing became increasingly more complex in an effort to replicate the thoughts, point of view, and psychological state of a character—a style that is a precursor to the stream-of-consciousness writing deployed by Virginia Woolf and James Joyce in the Modernist era. During this time, he wrote The Turn of the Screw (1898), and many other short stories and novels. He also revised many of his earlier pieces, wrote prefaces for them, and published them in 24 volumes as his Collected Works. This period of writing ended with the beginning of World War I in 1914 and his death two years later.

Henry James’s writing career had three phases. Daisy Miller is an example of the first era, where James wrote about social issues and conflicts from an omniscient point of view. Had he written it 30 years later, he might have cast Winterbourne as a first-person narrator and we would have had a greater, if not more complicated, understanding of his feelings about Daisy and the social conventions that she defied.

blurred text
blurred text
blurred text
blurred text