55 pages • 1 hour read
Edgar Parin d'Aulaire, Ingri d'AulaireA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In life, the Gorgon Medusa had the ability to stop anyone who looked at her in their tracks: They immediately turned to stone. When the king sent Perseus on the quest to bring him her head, he believed that Perseus would die in the attempt. No one who went after Medusa had ever returned. With the help of the gods’ favor, however, Perseus did the impossible: He killed Medusa without looking directly at her and carried away her head, which retains the power Medusa had in life. Anyone who sees her head is turned to stone.
Perseus drew on this power by pulling out the head to stop Andromeda’s cowardly suitors, who returned to claim her only after Perseus had dispatched the monster. When he discovered that the king had attempted to carry off his mother after he left on his quest, he used the head to turn the king and his court to stone. It is at this moment that Perseus deviated from the self-destructive pattern typical of heroes, for rather than continue to draw on its power, he relinquished it to Athena, entrusting its immortal power to another immortal.
The head of Medusa in the narrative functions on two levels. On one level, it symbolizes immortal power and especially the inability of mortal heroes to reckon with it alone. Perseus can only succeed against Medusa through the help of a host of gods and with the gifts they bestow on him. On a second level, Medusa’s head represents the lure of possessing power and the wisdom of Perseus in recognizing the danger of doing so. Medusa’s head enables him to win the hand of his beloved wife and to rid his family of a terrible threat, but once he has achieved these objectives, he is able to practice restraint and return the head, ensuring a happy outcome for himself and those close to him.
When Jason journeyed toward Iolcus to recover his father’s kingdom, which his uncle Pelias took from him, he encounters and is tested by Hera. He passed this test by gamely carrying across a stream on his shoulders, even as “she grew heavier” with each step (214). His gallantry pleases the goddesses, and when they arrive back at the shore, she pledges her support of him, saying, “You are a mortal after my liking, I shall stand by you and help you win back your throne” (214). Hera remained by Jason’s side. When Jason’s ship, the Argo, was constructed, Hera instructed Athena to place in its prow a sacred oak with “the power to speak in time of danger and advise Jason what to do” (215). With his splendid ship and quest as incentive, Jason gathered together famous heroes from across Greece, and they sailed across to sea to Colchis, overcoming every obstacle along the way. Once they arrived, Hera conspired with Aphrodite to ensure the Colchian king’s lovely sorceress daughter, Medea, fell in love with Jason. With her help, he secured the Fleece, and they fled for Greece together.
On their return journey, Medea committed a terrible crime by murdering her brother, whom the king had sent to capture them. The sacred oak warned all on the Argo that Jason and Medea must be purified of the sin by visiting the “dangerous sorceress” Circe (223). They complied, were purified, and continued on their journey to Greece. However, when they arrived, she again violated a sacred law: She tricked Iolcus’s daughters into murdering their father. The gods and the people of Iolcus turned against her, and Jason turned with them, abandoning the sacred oath he made “to love her till his dying day” (227). Medea had committed her crimes to help him, and he abandoned her for another princess. In return, Hera abandoned Jason. Medea ultimately murdered Jason’s new wife and left him alone and forgotten.
Abandoned by all, Jason died when the sacred oak broke off the ship, then fell on and killed him. The oak symbolizes the favor of the gods, which can spur heroes on to great achievements but, when lost, can lead to the hero’s destruction.
Zeus’s thunderbolt reappears throughout the book. After Zeus freed the Cyclopes from Tartarus, they forged “mighty weapons for him and his brother” (18), including his thunderbolts. Wielding them made Zeus the mightiest of all the gods, and “nothing could stand against him” (19). When the Olympians ascended to the top of the pantheon, it was with Zeus at the lead.
When the wills of the gods clashed, violent conflicts would erupt, prompting Zeus to “reach for a thunderbolt” (26). This immediately caused the Olympians to “tremble and fall to order, for Zeus alone was stronger than all the other gods together” (26). Zeus also used his thunderbolt to blast Phaëthon out of the sky when he lost control of Helios’s chariot, to prevent Otis and Ephialtes from carrying off Artemis and Hera, and to destroy Asclepius after he used his gifts to raise mortals from the dead.
Zeus’s thunderbolt symbolizes both his role as arbiter of cosmic justice and his power to fulfill that role.
Suffering is prevalent in ancient myth narratives, brought on by nature, divine intervention, and/or heroes’ own mistakes. At the same time, within the myths, their suffering is never without purpose or meaning. Frequently, it is through suffering that they achieve their eternal fame. This is especially manifest in the name and narrative of Heracles. The name in Greek means “fame of Hera,” and the Greek word for “fame,” cleos, refers specifically to the fame that comes with being the subject of epic songs that are sung eternally.
The D’Aulaires draw on this facet of ancient myths, especially evident in their retellings of the myths of Io and Hercules. In both cases, the extended trials that both endure lead them to their fame. Hera sent a gadfly to chase Io to Egypt, where she became a goddess-queen and ancestor of Greek rulers, and Heracles became the most famous and revered hero, even becoming deified after his death.
The motif of meaning through suffering thus supports the development of what it means to be a hero: Heroes suffer, but their suffering is not in vain. Through it, they achieve their eternal fame, as their stories continue to be told even in the present, and this fame does not benefit only them but also those who hear and learn from their experiences. In the modern world, suffering is something to avoid rather than embrace, but if, as the ancients seemed to believe, some degree of suffering is an inevitable part of the human journey, then the “lesson” their stories were intended to provide is to keep fighting and holding onto hope, as one never knows what may be waiting at the end of the journey.
Appearance Versus Reality
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Books & Literature
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Books on Justice & Injustice
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Brothers & Sisters
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Challenging Authority
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Colonialism & Postcolonialism
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Community
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Daughters & Sons
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Education
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Fate
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Fathers
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Good & Evil
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Juvenile Literature
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Marriage
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Mythology
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Nature Versus Nurture
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Order & Chaos
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Power
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Safety & Danger
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Truth & Lies
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