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Antjie KrogA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The TRC’s first hearings begin. A large portion of this chapter comprises snippets of direct testimony from many different victims, some attributed and some not, presented as though taken verbatim from the actual proceedings. Krog provides many pages of victims’ stories describing violence and trauma that they have endured through losing children, spouses, or their own torture. While the vast majority of the victims in this chapter are black, Krog does include one Afrikaner victim towards the end of the chapter.
Krog gives particular attention to the testimony of Nomonde Calata, and the assessment and interpretation of Nomonde’s testimony by Krog’s Xhosa friend, Professor Kondlo. Nomonde is the wife of one of the Cradock Four—four noteworthy, black South Africans who vanished and were later found dead. Kondlo describes the funeral of the Cradock Four as “the real beginning of the end of the apartheid” (58).
Woven throughout and around victims’ testimonies, Krog includes snippets of poetry that reflect her background as a poet rather than a journalist, and some brief historical context for why the Commission is starting in the Eastern Cape. She describes the process her news team goes through for how it will report on the TRC in the coming years. Krog also admits to having a nervous breakdown within only 10 days of starting work reporting on the Commission. She, like many of her fellow journalists, begins experiencing emotional trauma that mirrors the trauma of the victims, and insists: “I am not made to report on the Truth and Reconciliation Commission” (50).
This short chapter covers two longer transcripts from specific victims—Basil Snayer and Yassir Henry, with some responses from Alex Boraine and Archbishop Tutu. Both men’s testimony regards the death of anti-apartheid activist Anton Fransch. Snayer’s testimony covers the night of Fransch’s murder, during which police invaded Snayer’s home to use as a base for their siege. Snayer describes the aftermath: “There were bits of clothing on the floor, against the wall—the walls and ceiling were blood-spattered all—all over” (70), noting that he believes Fransch and those like him were heroes.
The other testimony belongs to Yassir Henry, who at 19 years old was, in his telling, betrayed by a fellow military member to police searching for Fransch. Henry, by his account, reveals Fransch’s whereabouts from peer pressure, which results in Fransch’s death, at which Henry is present in a car. Henry feels victimized, as people view him as a traitor, but claims that he had no choice but to reveal Fransch’s location, and that he did not understand what would happen.
Krog shifts focus from the victims to the perpetrators—the eponymous “second narrative,” which begins six months after the victims’ hearings started. She muses on the nature of truth, describing the victims’ truth as an unknown woman, and the perpetrators’ truth as white and male. Krog offers some historical context, noting the ongoing debate in South Africa about whether blacks who committed violence against other blacks at the instigation of whites should face accountability according to the same standard as the white perpetrators.
Krog also notes that even as the TRC has been in session for months, people around the country still question its purpose, citing a book published at the time that asked: “If the Truth Commission cannot distinguish between right and wrong, how can it weave a moral fabric?” (76). She details how the Amnesty Committee sessions suffer from delays, disagreements about seating arrangements, and other tensions that highlight the difficult nature of the task at hand.
The remainder of this chapter focuses on testimony from members of the Vlakplaas—the police hit squads that carried out numerous acts of violence during apartheid. Krog provides fragments from half a dozen Vlakplaas members, both white and black, but largely focuses on Dirk Coetzee, a founder of the Vlakplaas and one of the first people to apply for amnesty. Coetzee, like other police and military applicants, focuses more on statistics of his past actions than on demonstrating clear remorse, though he does seem to understand that what he did was wrong.
Krog dives deeper into perpetrator testimony through transcript-style sections as well as quotes from amnesty application forms, radio interviews, and an excerpt from one of her own news pieces. She focuses more on psychology, specifically the psychology of perpetrators blaming their actions on childhood trauma and of lying versus memory loss. The Amnesty Committee hears from a psychologist to try to distinguish “whether people are genuinely traumatized or whether they are deliberately hiding information and so do not fulfill the amnesty requirement of full disclosure” (98).
Krog’s discussion of psychology and memory loss specifically ties to the testimony of police captain Jeffrey Benzien, who during his testimony speaks directly with several of the people he tortured, including a member of Parliament. As Krog describes it: “Never had the double-edged relationship between the torturer and the tortured been depicted as graphically as it was that week” (93). In Krog’s assessment, Benzien is wily and manipulative, making his former victims feel powerless once again, though Benzien’s psychologist insists that Benzien is mentally fragile and that his stated inability to remember many of his actions may be real.
This chapter consists entirely of two pieces of testimony, both from women who suffered attacks on or near Christmas. One is a black woman whose husband died in an attack in their home that also terrified her children. The other is a white woman who was herself injured in an attack on a white golf club.
As Krog wraps up her section on the hearings, she focuses on one particular set of amnesty testimonies—those of the Vlakplaas Five. Krog focuses on a single incident, the murder of the Mutases, observing that every Vlakplaas member who testifies tells a slightly different version of the story. Most of the Five are defensive; some are remorseful and some block out the memories. Amid the weeks-long testimony, the building in which the hearings take place catches fire, causing delays and confusion.
Krog attempts to make sense of the conflicting testimonies in a variety of ways. Woven throughout the actual testimonies and conversations, Krog details conversations with psychologists that she has in an attempt to understand the perpetrators’ psyches. As part of her attempts to understand the men’s perspective and her view of them, Krog also engages in self-exploration of her own Afrikaner identity. She wants to understand how she is similar to the Five and how she is different. In doing so, she recalls very specific Afrikaner male culture, which she calls “the Afrikaner manne” (113), as well as an incident in which she received a death threat for her covering of the TRC. Krog wonders, “Was there perhaps never a distance [between myself and the perpetrators] except the one I have built up with great effort within myself over the years?” (121).
Part 2 contains many of Krog’s most significant observations and explorations. Race stays at the forefront of almost every chapter, just as it did during the actual TRC hearings and afterwards. Though Krog does attempt some balance in showing testimony from white victims and descriptions of black perpetrators, her focus stays primarily on black victims and white perpetrators. Krog relates testimonies from black victims with great sympathy, noting the pain, grief, and intense anger many of the victims feel, but also their strength and grace in coming forward after the fact to find closure for their lost loved ones and their own trauma. Krog’s choices in relating white victims’ testimonies are distinctly less sympathetic, making their trauma seem less important or impactful, such as in Chapter 7, where the white victim considers her life “richer” for having been the victim of a terrorist attack.
Early in Part 2, a psychologist explains to Krog and her fellow journalists that they will go through trauma similar to that of the victims, feeling helpless and needing strategies to cope with the stress of their emotions. As much as Krog tries to consult with psychologists to understand her own mind and the minds of the people testifying, she does a poor job of taking care of herself, having a nervous breakdown, needing to take time off, and even developing skin conditions in response to stress. Krog’s engagement with the traumatic process of the TRC sparks an identity crisis in her that comes out strongest in the narrative in Chapter 8, when Krog must reject or identify with the Vlakplaas Five.
Krog’s anti-apartheid stance and sympathy for the plight of black victims prompts Afrikaners to call her a traitor, threaten her and her family, and prompt her to distance them from the Afrikaners who are on trial. Krog’s personal experience likely reflects the experience of all Afrikaners in South Africa at the time, trying to restructure their identity in the wake of learning more truth about apartheid. Some become defensive, insisting they are not like the perpetrators because they did not know and did not participate in actual violence. Krog, however, feels a deep sense of shame as she realizes that she is more similar to the perpetrators than she is different, simply from having grown up in the same culture.
Gender plays a significant role in this section as well, and Krog deliberately highlights moments when she focuses on women because those moments were virtually unheard of prior to the TRC. Victim testimony largely comes from black women, who for Krog become the literal sound of the TRC. As Krog’s friend Professor Kondlo observes:
For me, this crying is the beginning of the Truth Commission—the signature tune, the definitive moment, the ultimate sound of what the process is all about […] So maybe this is what the commission is all about—finding words for the cry of Nomonde Catala (57).
Nomonde’s haunting wail—a change from a time when women face discouragement from ever speaking—signifies everything that has happened to South Africa up to this point.
Krog’s own identity crisis contains an element of gendering as well, as part of her understanding of herself and her culture comes from observing her specific feelings and reactions to “Afrikaner manne.” When someone threatens Krog’s home, her husband retrieves his gun with the intention of shooting anyone who tries to kill them. Krog is horrified, believing that if she and her husband kill others despite being peaceful people, then that is an indication that killing is okay for anyone. Krog’s husband believes that defending his family takes priority over moral arguments. Their disagreement highlights a more traditionally masculine versus feminine approach to violence and confrontation. When covering the amnesty hearings of the Vlakplaas Five, Krog also notices herself behaving differently in the presence of the Afrikaner police officers, falling into submissive behaviors learned at a young age, pandering to their sense of maleness and authority. Her behavior changes so much that even her friends observe the change, noting: “I couldn’t hear what you were talking about, but there is a definite intimacy…” (117).