35 pages • 1 hour read
Martyna MajokA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Eddie is a man in his late forties and a focal character in the play. Eddie is deeply lonely. He fights the urge to indulge in self-pity; he has no loved ones and doesn’t feel entitled to dump his emotional pain on others. In the prologue, Eddie is trying to hide his devastation after losing everything. His wife has died, leaving him alone. At some point between his final scene with Ani and the prologue, Eddie has also lost the woman who was living with him. Additionally, he has lost his job as a trucker, a job he loved, due to a DUI, which occurred near his home and off the clock. This also means he had lost his sobriety.
He keeps all his lights on all the time. He is afraid that the universe will forget that he exists. Eddie wants connection, which he tries to earn from his wife by taking care of her, from the unseen stranger by buying them drinks in the prologue, and from Jess by offering her the food and shelter she desperately needs. He texts his dead wife and is so desperate to recover that connection that he travels from New Jersey to Brooklyn to a hipster bar where he doesn’t fit in, even though he is newly sober again, because the new owner of the number texts back.
Eddie has a sense of faith in the universe. He believes that there is an order, even when it is unrecognizable. Eddie is looking for a sign, but there isn’t one. In the end, he simply finds himself in a position to help a vulnerable young woman, a stranger, who needs someone to show some kindness.
Ani, a woman in her early forties, is Eddie’s wife. The two are separated. Majok calls for diverse casting of the play, and states that Ani’s last name can be changed to reflect her ethnicity or background. She only appears in the flashbacks, as she died in the interval between the flashback scenes and the prologue.
Ani was injured in a car accident six months prior to her first scene. As a result, she has quadriplegia. She is strong and stubborn, with a dry acerbic wit and a down-to-earth, unfiltered sharpness. The play doesn’t explain the details of her separation from Eddie. However, her attitude toward Eddie shows that she is still deeply hurt and isn’t interested in trusting him again. She mentions that Eddie hasn’t contacted her in the six months since her accident, but that the separation—and Eddie’s subsequent moving on with another woman—happened prior. Eddie mentions caring for her when she was blackout drunk, which implies that Ani may have also been an alcoholic. There’s no mention of her sobriety, but on the night of the accident, Ani doesn’t remember telling the EMTs that she was driving to Maine, and it’s possible that she was drinking.
When Eddie offers to become her caretaker, Ani doesn’t have much of a choice. She has no money and is only receiving medical care because she is on Eddie’s insurance, and her disability makes a caretaker imperative. Thus, Ani demonstrates how marginalization can force people with disabilities to make unpleasant compromises. For instance, Ani dreams of going to Maine and seeing trees and nature, but she also knows that the logistics of traveling are complicated. She dies of a blood clot a week before her birthday and only two to three weeks before the events of the prologue.
Jess, a young woman in her twenties, is the child of an immigrant. The play leaves it open to casting as to where her mother immigrated from. Jess is alone in the world, as her mother became ill and had to return to her home country to afford medical care. Jess’s phone call after leaving John’s apartment implies that her mother’s illness has changed or deteriorated her sense of self—Jess can no longer speak to the mother she knows.
As a first-generation US citizen, Jess feels immense pressure to be the success story of her family and sacrifices her own safety and wellbeing to send money to her mother. Jess went to Princeton and graduated with honors, which is no small achievement for someone without financial privilege or the benefit of supportive parents. Jess is closed off and reluctant to allow anyone in. When John pries and pushes her to answer him, Jess says that she has seen a lot of life. She mentions that she has been hit before, implying that she has experienced some kind of abuse. She has never been employed as a caretaker, but has bathed another person, which suggests that perhaps she was responsible for caring for her mother.
Jess starts to let her guard down with John only to be devastated when her openness is met with distrust. In the final scene, it becomes clear just how vulnerable she is, as she reveals that she is living in her car.
John is in his twenties. He is a very attractive man from a wealthy family and uses a wheelchair due to cerebral palsy. Although he has to pay her salary out-of-pocket, he hires Jess to be his caretaker. He believes that he can expect more from her as a personal employee than he could expect from a nurse. John is highly educated; he graduated from Harvard and is now pursuing his PhD in political science at Princeton. Although John is acutely aware of privilege in terms of disability, he doesn’t understand how much his own financial privilege plays into his ability to achieve success.
John judges Jess for having an ivy league degree and still tending bar. He assumes that she must have had a useless major, such as English or art history. John is living alone for the first time and Jess is the first caregiver he has hired. It’s apparent that he has hired her to both bathe him and serve as a companion to combat his loneliness. He even flirts with Jess as they get to know each other and acknowledges through insinuation that he finds her attractive.
Although John comes to trust Jess with his body and safety, he demonstrates that he still looks down on her socially. Rather than recognizing that someone who steals soap is likely in dire straits, John decides that he can’t trust Jess with his belongings. John mentions that he has considered paying a prostitute because he sees himself as untouchable. At the same time, he also demonstrates that he can’t see someone like Jess as a potential partner rather than an employee. John is both the most privileged character in the play and the least, as his disability has shaped his entire life.