logo

49 pages 1 hour read

Tony Horwitz

Confederates In The Attic: Dispatches From The Unfinished Civil War

Nonfiction | Book | Adult | Published in 1998

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapter 5Chapter Summaries & Analyses

Chapter 5 Summary: “Kentucky Dying for Dixie”

Chapter 5 finds Horwitz in the small Kentucky county of Guthrie, home to both the famed writer Robert Penn Warren and the racially-motivated killing of Michael Westerman, a white, Confederate sympathizer who was shot dead a by a group of African-American young men. Guthrie appears to be the type of place where people pay no homage to ideas of political correctness, as the first bar explored by Horwitz is a biker bar where a man is wearing a t-shirt proclaiming, “I’ve Got a Nigger in My Family Tree” (89).

The chapter centers on the backstory and result of the Michael Westerman killing and trial, an event that bitterly divided the community along racial lines and eventually gained national attention from groups as varied as the NAACP and the Ku Klux Klan, each arriving to support their respective sides during the trial.

Although the “circumstances surrounding Westerman’s death” (95) are widely-disputed, the story goes that Westerman, whose truck was flying the Confederate Battle Flag, was chased by a group of cars driven by young African-American men who attempted to box in Westerman and his wife, and then who shot and killed him. The alleged murderers claimed, however, that the chase resulted when Westerman supposedly called the group “Niggers!” (95) before he drove off from the gas station where both parties were.

Ultimately, after a long trial, a young African-American man name Freddie Morrow is found guilty of murder. Morrow is not a local, Guthrie resident, but rather had been born and raised in Chicago, and he had only moved to Guthrie in order to escape the violence of the city and attempt to get his life on track, which he appeared to be doing before the Westerman incident occurred. Overall, Horwitz’s telling of the Westerman trial and the tragedy of Freddie Morrow shows how racial tensions in the South survive, despite the Civil War having ended nearly 150 years ago.

The Westerman trial also serves as the backdrop for the ongoing debate in Todd County of whether or not the local high school sports teams should be continued to be called “the Rebels” (99). This highlights the divide that exists between African-Americans and many white, working-class Southerners, the latter of whom believed such changes are the result of African-Americans “fixin’ to strip white people—whites that ain’t rich—of what little they got” (99) and that African-Americans “just need to get over slavery. You can’t live in the past” (99).On the other hand, there is the sentiment of a younger, African-American generation that proclaims, “We aren’t going to just take it like our parents did…times have changed” (105).

Chapter 5 Analysis

Chapter 5 is one of the darker chapters in Confederates in the Attic and shows how the threat of violence still haunts the South, especially when it comes to racially-motivated violence between whites and African-Americans. Having previously discussed the controversy regarding the Confederate Flag in theory, Horwitz now goes on to show how these theoretical discussions can have very real and very violent ramifications if left unchecked.

A heavily symbolic chapter, Chapter 5 also attempts to explore how people can go from being neighbors one day to killing each other the next. The idea of clan loyalty and belonging to a specific people dominates much of the psychological contents of Chapter 5, and it is as though, between African-Americans and white Southerners, there is a massive, mental divide that does not let them both see each other as being equally American but members of distinctly-different communities who live differently and desire different things from life.

Moreover, Chapter 5 shows that the battles raging in how the Civil War should be remembered extends to all walks of life. It also shows how seemingly otherwise rational and mild-mannered people can lose their minds and get swept up in a passionate group think when it relates to Civil War images and debates. Furthermore, the notion of ownership of the Civil War and the story behind it is presented as a major factor in Chapter 5. The question of what story shall be told of the Civil War and who will control the narrative is a theme running throughout the chapter, and this will also extend to other parts of the book, wherein individuals will continually fall back on the oversimplified notion of heritage to claim why one thing should be allowed or one thing should be outlawed.

Ultimately, Chapter 5 is the emotional low point of the book, and it is placed in such a location as to ostensibly remind the reader that while there is a fun and light simplicity in many areas of Civil War remembrance, it cannot be forgotten that there is also a more sinister and problematic history that still informs the conflict in the contemporary South. 

blurred text
blurred text
blurred text
blurred text

Related Titles

By Tony Horwitz