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48 pages 1 hour read

Cassandra Clare

Clockwork Angel

Fiction | Novel | YA | Published in 2010

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Themes

Women and Power in Victorian England

Content Warning: This section of the guide describes and discusses the source text’s treatment of alcohol, substance, and gambling addictions.

Clockwork Angel follows Tessa Gray as she discovers her power to Change, or shape-shift, her appearance at will. Her journey to embrace this magical power mirrors her internal journey to accept and use her power to fight for the people she cares about. Among the obstacles to Tessa embracing her power are the patriarchal norms of Victorian society, which pressure women to be passive and focus on domestic pursuits such as marriage and child-rearing. The female secondary characters like Jessamine and Charlotte act as foils for Tessa’s journey to reject her society’s restrictions on women.

At the start of the novel, Tessa moves from New York to London because, as a young, unmarried woman in 1878, her options for housing and money are limited. She assumes she will need to rely on a man, her brother, to provide for her needs. Once the Dark Sisters capture her, and she learns about her magical power, she still only uses it when commanded: “Tessa still didn’t understand what happened inside her to make it possible, but she had memorized the series of steps the Dark Sisters had taught her” (21). The Dark Sisters present a negative representation of powerful women to Tessa: They have magical power but use it for evil. Tessa fails to escape the Dark Sisters on her own; Will Herondale, a male hero figure, must set her free. Tessa’s introduction to her power through the Dark Sisters, and her first rescue at Will’s hands, demonstrate the status quo in Victorian England, where women have little personal power, and women who claim power are seen as abominations. 

Charlotte Branwell, the Head of the London Institute, provides a counterexample of powerful women for Tessa. The Sisters hid information about Tessa’s identity from her, but Charlotte immediately tells Tessa everything she knows about her background and identity. Charlotte also offers to use her resources to search for Tessa’s brother, Nate. When Will tells Tessa that Charlotte fights and leads alongside the men, Tessa believes at first that women should not have “those sort of feelings [...] fierceness [...] warrior feelings” (93). Will challenges Tessa, reminding her that she showed fierceness when fighting back against the Dark Sisters. Will compares Charlotte to Boadicea, an ancient British warrior queen, proving that women have not always been naturally passive and weak as Tessa has been taught to believe. Charlotte’s example shows Tessa that women can use their intellectual and physical power to accomplish their goals. 

Jessamine represents what Tessa’s life might look like if she chooses not to embrace her power and instead follows society’s expectations. Jessamine wants to reject her power as a Shadowhunter, telling Tessa that her mother “wanted other things for [her]. That [she] would make [her] debut, meet the Queen, find a good husband, and have darling little babies” (136). Jessamine does not want to “live like Charlotte, having to dress like a man and fight like a man” (136); instead, she wants Tessa to come live with her when she turns 18 so that they can join society together. Jessamine’s plan echoes Nate’s desire for Tessa to marry the Magister and act as his servant, hinting at the inherent menace of a society that demands women surrender their autonomy and freedom to their husbands. 

Tessa rejects the Dark Sisters’ twisted use of power and Jessamine’s submissive refusal of it in favor of using her internal power to defeat the Magister. In a reversal of Tessa’s earlier fight with the Dark Sisters, Tessa uses her Changing power to trick the Magister and save herself, Will arriving only after the fact. Tessa accepts Charlotte’s offer to live at the Institute, following Charlotte’s example of independent female power in the face of a male-dominated society. Though Charlotte and Tessa will continue to face backlash for stepping outside of patriarchal expectations of women in subsequent books, they nevertheless claim their independence and power as women.

The Nuanced Effects of Addiction

Cassandra Clare illustrates the nuanced effects of addiction through Nate Gray’s untreated gambling addiction and Jem Carstairs’s dependency on demonic poison. Clare sets Nate’s and Jem’s addictions against the historical context of England’s opium business in China to show the way racism changes how addicts are viewed by society. 

Nate squandered his family’s money on his gambling addiction. Tessa recognizes later in the novel that she and her Aunt Harriet enabled Nate’s addiction for much of his life, hiding his “weaknesses from him, the consequences of his own flaws and failings [...] to keep him from being hurt” (352). Out of control, and deeply in debt, Nate was looking for a family heirloom to pawn when he found the diary pages that explained Tessa’s abilities and Axel Mortmain’s connections to the occult. Nate claims that he needed the money to pay off his gambling debts to the Pandemonium Club, but the novel does not clarify whether that was true or part of his ruse. Either way, Nate’s gambling addiction puts Tessa directly in harm’s way. Through Nate, the novel demonstrates how untreated addiction can impact families financially and relationally. Nate does not demonstrate remorse over his gambling addiction, nor does he try to control it. Jessamine, who hopes to marry Nate to escape her life as a Shadowhunter, encourages him to continue to play cards until his deception is revealed. Jessamine and Nate’s lack of concern over his addiction, and even Tessa and Aunt Harriet’s decision to not confront Nate earlier in life, represents how addiction can persist when it goes unchallenged. The novel illustrates how a variety of motivations lead people to enable a loved one’s addiction: Tessa and Aunt Harriet fear that confrontation will hurt Nate’s feelings, while Jessamine does not believe the effects of Nate’s gambling are all that bad. Nate himself is in deep denial, believing that his risk-taking behavior leads to important opportunities, like working with Mortmain. 

By contrast, Jem Carstairs developed a dependency on the demonic poison Yanluo used to torture him. He must continue taking controlled doses of it for the rest of his life, or he will die. The drug itself is still killing him, but Jem has chosen to live a longer life with the drug’s side effects rather than die a quick death from withdrawals. Jem compares his experience with Yanluo’s poison to opium, the drug that is tearing apart his native China: 

The British bring opium into China by the ton. They have made a nation of addicts out of us. In Chinese we call it ‘foreign mud’ [...] The city is full of dens where hollow-eyed men starve to death because all they want is the drug [...] I used to despise men like that (340). 

For Jem, his addiction is analogous to the addictions suffered by other people in China. Just as the British deliberately created a crisis of opium dependence in China, Yanluo forced Jem into a situation where he must rely on a taboo substance to survive, even while the drug slowly kills him.

Unlike Nate, however, Jem receives little sympathy or support for his addiction. Most Shadowhunters see him as weak or lazy or otherwise compromised by his proximity to a substance that they have learned to view as evil. The Shadowhunters’ negative view of Jem represents society’s negative view of opium users. Through Jem’s perspective, the author invites the reader to consider how larger social forces—like the British Empire—play a role in addiction and stigma against people with addictions. The author also highlights how racism influences the perception of addiction: Nate is a white American, and the characters around him see his gambling addiction as an unfortunate but common problem among gentlemen in society. Meanwhile, Jem, a Chinese man, is labeled as less capable, lazy, and pitiful by those outside of his inner circle because of his dependency, even though it is well-managed. When Jem tells Tessa his story, even Will worries that Tessa will misjudge Jem and his decision to live on the drug. Jem’s demonic poison management system reflects modern-day harm reduction treatments for opioid addiction and the stigma attached to long-term pain medication treatment despite its proven effectiveness.

Love in the Face of Despair Creates Hope

Clockwork Angel is the first in a trilogy that chronicles the story of Tessa, Will, and Jem as they fight against harmful forces and learn to love themselves in the face of despair. In this first installment, Tessa’s story exemplifies how love for others in the face of despair creates hope.

Throughout the novel, even before she embraces her power, Tessa chooses to fight for the people she loves. In the beginning, Tessa finds the courage to fight frightening, confusing creatures because she wants to save her brother, whom she loves. Her love for her brother motivates Tessa to train with the Dark Sisters and later to confront de Quincey at the party. Similarly, Tessa repeatedly steps up in scary or seemingly hopeless situations to protect the family she finds among the Shadowhunters, including Will, Jem, Jessamine, and others. Love makes Tessa capable of things she did not think she could do.

Still, not all forms of love are good. Tessa must learn to distinguish between love that harms her and love that supports her, to embrace love from people who reciprocate her care, and to give herself the love she needs. Her brother Nate embodies the type of toxic, manipulative “love” that creates despair rather than hope. Sophie’s advice that “[i]t’s all right to love someone who doesn’t love you back, as long as they’re worth you loving them,” though meant to steer Tessa away from Will, functions as foreshadowing of Nate’s betrayal—the final proof that Nate does not deserve the love Tessa has given him (297). Will also represents problematic, one-sided love. His response to Tessa’s love is to push her away, just as his response to Jem’s love is to lie to Jem and his response to Charlotte’s love is to punish her. Will does not want to accept the love given to him by others, and at the end of this novel, this leaves him alone and hopeless.

Jem, on the other hand, demonstrates how love can create hope in the face of despair. He accepts Tessa’s and Will’s love, and this love pushes him to have hope for the future despite his dependence on the demonic poison. In the final chapter, Jem tells Tessa, “I know you feel inhuman, and as if you are set apart, away from life and love [...] I promise you the right man won’t care” (472). Punctuating Jem’s assertion that love can overcome Tessa’s confusion and loneliness, the clockwork angel gifted to her by her mother returns to Tessa. The clockwork angel’s reappearance at the end of the novel symbolizes how true love, like that between Tessa and her mother, is not conditional. In the enduring love of family and friends, there is hope in even the darkest of moments.

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