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48 pages 1 hour read

Cassandra Clare

Clockwork Angel

Fiction | Novel | YA | Published in 2010

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Background

Author Context: Cassandra Clare

Cassandra Clare is the internationally best-selling author of the young adult Shadowhunter Chronicles, which consist of six series: The Mortal Instruments, The Infernal Devices, The Lost Hour, The Dark Artifices, The Wicked Powers, and The Bane Chronicles. She is also the author of the middle-grade series The Magisterium. The Shadowhunter Chronicles have been adapted for film and television, and Clare continues to produce stories set in the world of the Shadowhunters across periods and locations, inspired by Clare’s travels. Clare’s work is known for its intricate plotting, family dynamics, vivid settings, and a blend of romance and fantasy.

Series Context: The Infernal Devices

Clockwork Angel is the first book in The Infernal Devices series, a prequel trilogy to The Mortal Instruments series. Clockwork Angel was published following Book 3 of The Mortal Instruments, City of Glass, and the subsequent books, Clockwork Prince and Clockwork Princess, were published in between Books 4, 5, and 6 of The Mortal Instruments series. Since the conclusion of The Infernal Devices and The Mortal Instruments, Clare has published an additional prequel series—The Last Hours— and a post-Mortal Instruments series—The Dark Artifices—as well as several novellas and short stories. 

The Infernal Devices series is set in late 1870s Victorian London and follows the Shadowhunters at the London Institute in the early days of the Accords, the tentative peace between supernatural groups. The series introduces key families relevant to The Mortal Instruments series: the Lightwoods, Fairchilds, Waylands, and Herondales. As the series was published in conjunction with later books in The Mortal Instruments, The Infernal Devices also hints at aspects of the supernatural heritage of Clary Fairchild, the protagonist of The Mortal Instruments, and her love interest, Jace Herondale. Tessa Gray, Will Herondale, and Jem Carstairs make important appearances in other Shadowhunter Chronicles books. 

Clockwork Angel introduces several conflicts that form the core of the series. An overarching mystery introduced in the novel is Tessa Gray’s heritage. In Clockwork Angel, Tessa discovers that she is part demon and that The Magister manipulated her conception for some unknown purpose. The novel also introduces tensions between Charlotte Branwell, the young, female Head of the London Institute, and the older, male leaders of the Clave, particularly Benedict Lightwood. Will and Jem both exhibit romantic feelings for Tessa, and the author sets up a love triangle among the three of them that will develop throughout the series.

Historical Context: Women in Victorian London

Clockwork Angel is set in late-19th-century Victorian London. Life in Victorian London was characterized by a complex web of social norms, class distinctions, and gender expectations. During this era, which spanned from the ascension of Queen Victoria in 1837 to her death in 1901, there were especially rigid social expectations for women. Women were generally expected to conform to the ideals of femininity, which included qualities such as modesty, domesticity, and submissiveness. They were often seen as the moral guardians of the household and were expected to prioritize their roles as wives and mothers above all else.

Cassandra Clare uses the setting of Victorian London and the expectations of its society to shape her female characters. Tessa Gray is an orphaned teenage girl from working-class New York City; she follows her brother to London because she doesn’t have the standing as an unmarried girl to provide for herself. Similarly, Jessamine plans to marry quickly so that she can have property of her own and escape the Shadowhunter world. Both women seek the protection of men, reflecting that women in this time period faced significant challenges to maintain themselves independently. Employment opportunities for women were limited, particularly in higher-paying professions or those that required education. Women were often relegated to low-paying jobs, such as domestic service or factory work, where their wages were meager and working conditions often harsh. Many women found employment as governesses, teachers, or nurses, but these roles were also poorly paid and did not offer much financial independence. Although the Clave, the Shadowhunter law enforcement, is more progressive in their treatment of female leaders, they hold Charlotte Branwell to a higher standard than their male counterparts, scrutinizing her activities as Head of the Institute and reflecting the social judgment of women who operate outside of the expected feminine sphere of domesticity.

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