logo

45 pages 1 hour read

Gabriel García Márquez

Chronicle of a Death Foretold

Fiction | Novella | Adult | Published in 1981

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapter 2Chapter Summaries & Analyses

Chapter 2 Summary

The narrator switches attention to Bayardo San Román, the man who called off the marriage to Angela Vicario. Bayardo arrived in the town in August. Six months later, his wedding to Angela took place.

Bayardo is near 30 years old, though he has “the waist of a novice bullfighter” (24) and gold eyes that make him seem younger. His purpose for coming to the town was to find a wife, and he seems to possess “endless resources” (26). Bayardo sees Angela when she is walking through the town with her mother. She is dressed in “inclement black” funeral clothes and carrying a basket of artificial flowers. He sees her again when she is “ringing out the raffles” (28) at a local event. Bayardo buys all the tickets, winning a music box. The box is decorated with mother-of-pearl. He sends the box to Angela as a birthday gift and, for the rest of her life, she never discovers how he knew the date of her birthday. Even when her brothers try to return the music box, Bayardo’s “irresistible charm” wins them to his side.

Angela is from “a family of scant resources” (30). Her father was a goldsmith, but the loss of his sight prevents him from doing the fine, intricate work. Angela’s mother Purisima used to be a schoolteacher but left her job when she married Poncio. As the youngest and “prettiest” member of the family, Angela is highly valued in her society. When Purisima hopes that Angela’s mysterious admirer will reveal himself, Bayardo introduces the Vicarios to “his whole family” (32). The San Roman family is wealthy. They drive into town in a car, a relatively newfangled invention and a symbol of wealth and status. Bayardo’s mother is named Alberta Simonds. She is a woman with a diverse racial background who was once hailed as the most beautiful woman in the Antilles. As well as his two younger sisters, Bayardo’s father is a famous soldier. General Petronio San Roman earned his fame as “a hero of the civil wars” (33) many years before.

Despite his wealth and status, Angela is reluctant to marry Bayardo. She claims that he is “too much of a man“ (34). They spend four months engaged. During this time, Bayardo tries to impress Angela. He asks her where she would like to live. Angela tells him that she wants the house which once belonged to Xius, a widower who owned a farmhouse on top of a hill, overlooking the marches which are covered in purple anemones. Though Xius insists that the house is “not for sale“ (35), Bayardo offers him increasingly huge sums of money. Eventually, Xius cannot bring himself to refuse the absurd offer. He accepts, but selling the house breaks his heart. Dr. Dionisio Iguaran claims that Xius “died because of that” (36).

Angela has a secret: She has had sex before being married. She tells her close friends, who assure her that “almost all women lost their virginity in childhood accidents” (37). They teach her “old wives tricks” (38) to fool Bayardo. In this time, Bayardo plans a large, extravagant wedding. The narrator claims that he and his brother Luis Enrique attended the wedding. Cristo Bedoya was also with the brothers, who all remember that Santiago Nasar was constantly in their presence during the celebrations. The four men are old friends, and the narrator does not believe that any one of them could have hidden a secret like an affair with Angela.

The narrator’s memory of the wedding celebrations is blurred. Among his scattered memories, he recalls that he “proposed marriage to Mercedes Barcha” (43) as soon as she is finished with school. They eventually marry years later. By 6:00pm, the time has come for the bride and groom to depart. They will travel to their new home. After their departure, the four men go to the brothel run by María Alejandrina Cervantes. Among the singing, dancing, drinking guests, the narrator notices that Angela’s twin brothers are present. The Vicario brothers are singing and dancing with everyone else.

Purisima Vicario retires to her bedroom at 11:00pm. She is woken from her deep sleep by “three very slow knocks” (46) on her door. When she opens the door, she finds Bayardo and Angela on her doorstep. Bayardo pushes Angela into the house, kisses Purisima on the cheek, thanks her, and leaves. Purisima is furious. She physically assaults Angela quietly, making sure not to wake the rest of the family. When Pedro and Pablo return home, Pedro asks who Angela had an affair with, and she gives him the name of Santiago Nasar.

Chapter 2 Analysis

Chapter 2 of Chronicle of a Death Foretold more explicitly explores the motivations behind Santiago’s murder, bringing the theme of Honor and Violence to the fore. The perceived infringement on Angela’s “honor” is enough to justify the killing of Santiago, though he is never proven guilty, illustrating the detrimental effects of patriarchal coded societal norms. The extent of the narrator’s search for such evidence is limited to gently questioning Angela in her old age, when she reaffirms her original confession. As such, the titular “death foretold” describes the justification of Santiago’s murder by many of the townspeople based on Angela’s confession.

Given the extent of the collective guilt surrounding Santiago’s murder, in which the entire town seemed to know what was going to happen and failed to intervene, the townspeople need Santiago to be guilty to avoid addressing The Complicity of the Crowd. If he is innocent, then they will have to face their internalized shame and guilt. The narrator is complicit in this, which is why he is unwilling to delve too deeply into Santiago and Angela’s alleged affair. After the murder, Angela’s confession becomes a settled truth, as challenging this would mean interrogating their role in an unprovoked murder.

The introduction of Bayardo’s family also hints at the subtle social dynamics which propel the plot forward. Bayardo is a wealthy man: His father is a famous general, who fought in the country’s civil wars. The general also supposedly fought against Aureliano Buendía, a character from Márquez’s earlier novel, One Hundred Years of Solitude. That the general fought against the sympathetic Buendía hints that he may not be a sympathetic figure himself, though the people of the town mostly refuse to acknowledge his past transgressions because they are too preoccupied by his fame and fortune.

This prominent reputation gives Bayardo a large amount of power, particularly compared to the modest and inferior Vicario family. When he announces that he plans to marry Angela, she is reluctant. She is compelled to marry Bayardo because her family needs the money and do not want to refuse such a powerful man. While the twins may have been raised to be strong, independent men, the women in the Vicario family were “reared to get married” (30). Angela faces an “obligation” to marry Bayardo against her desire, imbuing the coupling with a grim, tragic air even before the wedding takes place. The social dynamics of the small town mean that the rich and powerful get their way, while the middle- and lower-class citizens feel obligated to follow along. The hollowness of the social dynamics are revealed when one of the richest characters in the novel—Santiago—experiences the direst fate.

The emotional and physical violence leveled against Angela on the night of her wedding shows the brutal treatment of women in the patriarchal society. After she is revealed to have had sex before marrying Bayardo, Angela is dragged to her parents’ home and abandoned by her new husband. She is abused by her mother and then taken from her hometown by her family. She is driven into social isolation and marginalized for having sex before marriage—an act in which the men in the town regularly partake. The narrator explains that men in the town visited the brothel on a regular basis, illustrating how celibacy and sex are held to a different standard between men and women. Angela is physically and emotionally abused for engaging in similar acts that are culturally acceptable—and even encouraged—for men, revealing how notions of Honor and Violence control and punish defiance of social norms.

blurred text
blurred text
blurred text
blurred text