99 pages • 3 hours read
Kurt Vonnegut Jr.A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Content Warning: This section references death by suicide and sexual assault. Additionally, the source text uses outdated language, which this guide reproduces only in direct quotation.
The narrator, a middle-aged writer, introduces himself as John. When he was younger and still a Christian, he began to gather material for a book about the day the atomic bomb was dropped on Hiroshima, Japan. Now, John practices Bokononism, a religion from the island nation of San Lorenzo.
Quoting a calypso song from The Books of Bokonon, John explains the concept of a karass: a team of people who work together to advance God’s will without realizing that they are doing so.
John explains his intention, through this book, to explore the work of his karass. He identifies members of his karass, including Dr. Felix Hoenikker, a scientist who helped create the atomic bomb, and his son, Newt Hoenikker. When John began to gather information for his book about the atomic bomb, he wrote to Newt, then a college student, asking what he remembered about August 6, 1945, the day the bomb was dropped.
In a letter, Newt explains that he was six years old in 1945. On the day the bomb dropped, his father, who spent almost all of his time on scientific research, did something out of character: He made a string figure known as a cat’s cradle and sang a nursery rhyme to Newt. The string came from a manuscript that a prisoner sent to Dr. Hoenikker, which imagined the end of the world in the year 2000 due to a powerful bomb.
Continuing his letter, Newt explains that he was frightened and ran outside when Dr. Hoenikker sang to him. In the yard, Newt found his 12-year-old brother Frank watching bugs fight in a jar. A few minutes later, Newt’s 22-year-old sister Angela scolded Newt for not appreciating their father as “one of the greatest men who ever lived” (16). The three siblings got into a fight, but Dr. Hoenikker didn’t notice or respond.
Newt explains with relief that he recently dropped out of school due to poor grades.
In a postscript, Newt questions John’s description of the Hoenikkers as “illustrious,” suggesting “glamorous” is more accurate.
Shortly after Newt wrote to John, news broke of a short-lived romantic relationship between Newt and Zinka, a Ukrainian dancer who, like Newt, is a little person.
A year later, John travels to Ilium, New York, where the Hoenikkers used to live. He contacts Dr. Asa Breed, who was Dr. Hoenikker’s supervisor at General Forge and Foundry Company, where Dr. Hoenikker worked while researching the atomic bomb.
John spends his first evening in Ilium at a local bar. John talks to the bartender and a sex worker named Sandra, who knew Frank in high school. He was so unsociable that they called him “Secret Agent X-9” (23).
Sandra recalls that Dr. Hoenikker was supposed to speak at graduation, but he didn’t show up, so Dr. Breed gave a speech praising science over superstition. The bartender recalls hearing about a scientific discovery that revealed “the basic secret of life” (25), something to do with protein.
An older bartender recalls the day the bomb dropped. He mixed a drink called “End of the World Delight” for a beggar. Dr. Breed’s son visited the bar and explained that he was quitting his work at the research laboratory because of the bomb.
John spends the night with Sandra, who tells him that Dr. Breed loved Dr. Hoenikker’s wife; he might be the father of the Hoenikker children.
The next morning, John joins Dr. Breed on his way to work. Dr. Breed describes Ilium as “a family town.” He also shares the story of a murderer, who killed 26 people and was sentenced in 1782.
Navigating rush-hour traffic, Dr. Breed recalls that Dr. Hoenikker once abandoned his car, leaving it running in traffic. His wife, Emily, picked it up, but she got into a wreck on the way home, which contributed to her later death in childbirth.
In the parking lot of General Forge and Foundry, Dr. Breed introduces John to Miss Francine Pefko, the secretary of a famous chemist. Miss Pefko claims that Dr. Breed and the other scientists “think too much” (33).
As they enter the building, Dr. Breed suggests that Miss Pefko ask the chemist to explain anything she doesn’t understand, but she says that he would have to start at a kindergarten level. Dr. Breed is annoyed to hear her describe nearby scientific displays as “magic.”
Arriving in his office, Dr. Breed helps his secretary, Miss Naomi Faust, put up a Christmas decoration that reads, “Peace on Earth” and “Good Will Toward Men” (37). Naomi reminds him that the Girl Pool, a group of female typists who work in the basement, are expected to come caroling soon, as it is tradition.
John interviews Dr. Breed, who is offended by his insinuation that the scientists who invented the bomb are immoral. Dr. Breed explains that his company engages in “pure research,” or the pursuit of knowledge for its own sake.
Dr. Breed recalls various military leaders’ attempts to get Dr. Hoenikker to solve problems for them. One general was particularly interested in a chemical agent to get rid of mud.
Dr. Breed explains that substances freeze following certain patterns on the atomic level, but if a new pattern were created, it could cause existing liquids to freeze in a new pattern by a chain reaction, creating new variants of ice, such as “ice-nine.”
The Girl Pool arrives and sings, “O Little Town of Bethlehem.”
After the carolers leave, Dr. Breed explains that if a marine tossed a fragment of ice-nine into a muddy field, it would solidify all the connected water in the field, allowing the marines to march through on solid ground.
Unknown to Dr. Breed, Dr. Hoenikker succeeded in creating a fragment of ice-nine, which has a melting point of 144.4 degrees Fahrenheit, shortly before he died. Following his death, his children split up the ice-nine among themselves.
In Bokononism, each karass has a wampeter, meaning a central object or idea. John identifies the fragments of ice-nine as the wampeter of his karass.
As the novel opens, Vonnegut sets stylistic patterns that persist throughout the novel. Cat’s Cradle is written in first person by a narrator who is recalling events at some point in the future. This, combined with the inclusion of a letter from Newt, plays into the novel’s metafictional elements by reminding readers that they are reading a text rather than observing or imagining events in real time. This reminder of the text’s artificiality raises questions about the role of texts in recording and learning from human history as well as their limitations.
Another notable stylistic feature is the narrator’s explanation of and use of terms and concepts related to Bokononism, which sets up Vonnegut’s exploration of The Usefulness of Religion. By giving names to abstract concepts, such as a karass—a team of people who unknowingly work together to accomplish God’s will—Vonnegut invites readers to see everyday events through a new perspective; these terms also work on the level of parody, making fun of the tendency in New Age-style movements like Bokononism to coin terms for abstract concepts. In terms of plot, John’s identification of ice-nine as the wampeter, or central point, of his karass foreshadows its significance.
The narrator’s interest in Bokononism takes shape within a broader juxtaposition of science and religion. Early on, the narrator foreshadows his conversion to Bokononism. Meanwhile, his interest in the activities of the people who developed the atomic bomb on the day it was dropped sets an in-depth discussion of the relationship between science and human welfare, which continues as John tours the company where Dr. Hoenikker worked; the unflattering portrait of the company suggests that science unbound by morality is a threat, not a boon, to society.
A particular point of tension between science and religion centers on their approaches to truth. Whereas science claims to value truth above all else, it falls short in answering soulful, abstract questions, as the conversation in the bar about protein and the secret of life humorously illustrates. Vonnegut’s decision to set John’s visit to General Forge and Foundry during Christmastime highlights the tension between science and religion with ironic commentary. The decorations’ and carols’ positive message about harmony between people reveal the hypocrisy of a company devoted to building weapons.
Tonally, Vonnegut infuses the text with humor. Some of it is light and absurd, such as the story about the woman confused by the blueprint of the doghouse. The narrator includes various details about the woman to make her a caricature of those who claim to understand God’s ways. For instance, the narrator notes, “She could not bear to look at a worm. When she saw a worm, she screamed” (4). At other times, his humor is darker, touching on typically heavy topics. For instance, after Dr. Breed mentions with amazement the “twenty-six people [a murderer] had on his conscience,” John wryly comments, “The mind reels” (29), no doubt thinking of the significantly greater number of deaths Dr. Breed had a role in while developing the atomic bomb. Throughout, Vonnegut’s humor draws attention to human foolishness, a recurring theme.
These chapters also introduce ice-nine, a recurring motif and item central to the plot. Ice-nine is discussed in terms of its potential to solve a particular military problem (muddy terrain), but John immediately notices that it could cause more problems than it solves. His concerns are met with denial by Dr. Breed, who insists that no such technology exists. His lack of concern illustrates the danger of waiting until a certain technology is discovered and known to deal with the repercussions; by the time ice-nine is loosed upon the world, it is far too late for Dr. Breed, or anyone else, to stop it.
The gender dynamics of these chapters are also worth noting. At General Forge and Foundry, as far as is specified in the text, the scientists are all men and the secretaries are all women. This reflects the discriminatory reality of the 1960s, but by filtering several items of important commentary through the secretaries, Vonnegut shows that their understanding surpasses that of the scientists in some ways.
By Kurt Vonnegut Jr.