99 pages • 3 hours read
J. D. SalingerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
When he arrives at Penn Station, Holden goes into a phone booth and tries to think of someone he might call; he rejects the idea of calling his brother D. B., his sister Phoebe, Jane Gallagher, and finally Sally Hayes, a young woman who has invited him to help trim the tree over Christmas break. Finally, he gives up and hails a taxi.
After accidentally giving the taxi driver his home address, he corrects himself and asks the driver to head back downtown. As they’re passing Central Park, he asks the driver where the ducks go when the lagoon is frozen over; the driver thinks Holden is kidding him, but this becomes a question that bothers Holden throughout the book. He finally tells the driver to take him to the Edmont Hotel, where he gets a room.
When he gets to his room, Holden looks out the window and into the rooms on the other side of the hotel. He sees a man putting on fancy women’s clothes in one room, and a couple spitting water or alcohol in each other’s faces. Holden thinks that he’s in a hotel full of perverts, but he admits he thinks about sex all the time and would even enjoy doing the kinds of things he’s seeing if he wasn’t hung up on the underlying ideas around sex. Holden thinks he should only have sex with someone he really cares about, and if he cares about them, then he wouldn’t want to degrade them with sex.
All of this leads him to think of calling Jane Gallagher again, but instead of doing that, he decides to call Faith Cavendish, a woman whose number Holden got from an acquaintance. She’s not happy to be woken up by him, but when he says he got her number from Eddie Birdsell, who goes to Princeton, she perks up a bit. Holden invites her out for a drink, and she insists it’s too late and makes up excuses for why she can’t tonight, suggesting another night instead. Holden says tonight is the only night he’s available and the conversation ends; he immediately regrets not trying harder to meet her for a drink.
Holden decides to head to the Lavender Room, which is the nightclub in the Edmont. While he gets ready, he thinks about calling his little sister Phoebe; Holden thinks very highly of Phoebe, who is bright and precocious and reminds him a little bit of Allie. He decides against calling her because he’s afraid his parents will answer, but he spends some time thinking about her, particularly remembering times when Allie was alive, and they spent time together.
Holden heads downstairs to the Lavender Room, where he’s seated at a table next to three women who appear to be around 30. Holden finds the music corny, and he’s denied alcohol when he orders it, so he turns his attention to one of the women, the blond one, whom he finds attractive. The women giggle in response to his staring, which annoys him, but he feels like dancing, so he asks them if they each want to dance. The blonde woman agrees.
She turns out to be an excellent dancer, but she ignores all his attempts at conversation, and Holden keeps thinking of her as dopey or dimwitted. While they’re dancing, she says she saw Peter Lorre (a famous actor) the night before. Holden asks her where they’re all from, and she says Seattle; Holden is making fun of her throughout this conversation, but she either doesn’t understand or doesn’t care, though she does take offense at his swearing.
Holden joins the women back at their table, where he learns their names: the blond one is Bernice, and the other two are Marty and Laverne. He dances with all three of them, and when he’s dancing with Marty, he tells her he just saw Gary Cooper (another famous actor) in the crowd. She believes him and shares it with the other two. Holden doesn’t have a good time talking to the women—he thinks they’re all corny tourists—but he stays at their table until they say they have to get to bed to see the first show at Radio City Music Hall. They leave him with the check, and he thinks about how depressing it would be to come to New York from Seattle just to do things that tourists would do.
Holden sits down in the hotel lobby and thinks about Jane Gallagher. They met because Jane’s family dog was relieving itself on the Caulfields’s lawn, which upset Holden’s mother. They began spending a lot of time together after that, playing checkers and golfing, and Holden found her attractive, though their relationship was chaste; during that time, they became close enough that Holden showed her Allie’s baseball mitt.
Holden recalls when Jane’s stepfather, who has an addiction to alcohol, came out on the porch when the two of them were hanging out and asked Jane where his cigarettes were. She ignored him until he left, but then a single tear rolled down her cheek. Holden got up and sat by her, which caused her to start crying fully; he began kissing her face then, which was the closest they ever got to making out. Holden never learned what caused this incident, and when he asked her if her stepfather ever abused her, she said no.
Though he and Jane never kissed except for that one incident, they often held hands, which made him very happy, and he felt like their relationship was intimate. Sitting in the lobby, he thinks about all these memories to distract himself from her date with Stradlater, which is occupying his thoughts. Finally, he gets up and heads outside to take a cab to Ernie’s, which is a nightclub he used to go to with D. B. that he knows will have good music.
Throughout the novel, Holden starts to reach out to someone through the telephone—often Jane Gallagher or his sister Phoebe, who are the two most important characters in Holden’s search for acceptance—before changing his mind and either calling someone else or calling no one. Holden is Longing for Connection, but he doesn’t know how to follow through on that need, and he lacks the kind of self-awareness required to recognize that he’s in an emotional crisis. Instead, he looks to strangers—as he does when he calls Faith Cavendish and then dances with the tourist women—and reinvents himself as a more mature person.
The problem, though, is that maturity doesn’t fit Holden all that well, especially sexual maturity, as is evidenced by his thoughts after watching people engage in sexual activity outside his hotel window. Holden is old enough to be interested in sex, but he finds the emotions of being with women to be a huge roadblock, particularly his sense of guilt about the way he wants to treat women. For Holden, liking and respecting a woman makes it difficult to think of her as a sexual being. Salinger hence explores the particularity of adolescence, which no longer has the innocence of childhood but doesn’t yet have the maturity of adulthood.
The events of the evening, particularly dancing with the three women from Seattle and realizing how much he dislikes their company, make Holden think of Jane again. It’s clear that the time they spent together was meaningful to Holden in a way he hasn’t experienced with other women, and he sees a kindred spirit in Jane. Holden is trapped in a liminal space between the child world and the adult world, and his relationship with Jane, which was largely nonsexual but had a degree of intimacy he hasn’t experienced with other women, is an ideal that he tries repeatedly to recreate without success.
By J. D. Salinger