99 pages • 3 hours read
J. D. SalingerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Content Warning: This section of the guide discusses suicide and anti-gay prejudice, and it uses stigmatizing terms about mental illness which are reproduced only in quotations.
The novel begins with Holden Caulfield telling the reader that he’ll be narrating the events of the previous Christmas season that led to him ending up in a mental institution, which he refers to as “this madman stuff that happened to me” (3). He makes mention of his brother D. B., a writer who recently moved to Hollywood, and his parents before moving on to the subject of the day he left Pencey Prep, a school in Hagerstown, Pennsylvania.
Holden begins his retelling with the moment he is standing on Thomsen Hill looking down toward the stadium, where the last football game of the season is taking place. He’s just arrived back from an aborted fencing team match—Holden is the team manager, and he left all the equipment on the subway in New York—and instead of going to the game, he’s decided to go and visit his history teacher, Mr. Spencer. Holden reveals he’s going to see Spencer to say goodbye; he’s been kicked out of school.
Holden has paused on the hill to feel something about Pencey Prep; he has a dim opinion of the place and thinks the students are crooks and phonies. Still, he wants to have some kind of mental goodbye, which comes in the form of a good memory of throwing a football around with his friends Robert Tichener and Paul Campbell. As soon as he remembers that, he heads down the hill and jogs over to Spencer’s house, where Mrs. Spencer welcomes him.
The Spencers are in their seventies, and Holden finds Spencer’s continued living a little sad; Holden only came to visit because Spencer specifically asked him to. He goes into Spencer’s room and sits on the bed. Spencer asks Holden what the headmaster, Dr. Thurmer, told him, and Holden tells him that Thurmer insisted that life is a game and the rules should be followed. Spencer agrees, but Holden argues that’s only true if you’re on the side of the hot-shots; otherwise, the game is meaningless.
Spencer asks what Holden’s parents think, and he admits he hasn’t told them. Spencer then proceeds to read Holden’s essay about Egyptian culture aloud, including Holden’s note where he admits that he couldn’t get interested in the subject and it’s okay if he fails the paper. Spencer is doing this to shame Holden; Holden realizes he’ll never forgive this, but he still sees that Spencer feels bad about it, so he stays to talk with him while his mind wanders to thinking about where the ducks go when the lagoon in Central Park freezes.
Spencer asks Holden about leaving his previous school, Elkton Hills, and Holden says he didn’t flunk out, he quit. He explains to his reader that it was because the school was full of phonies, but he will later reveal that he witnessed a fellow student leap to his death, which likely played a role. Spencer insists he’s trying to put some sense into Holden. Holden tells him he knows this, but that Spencer shouldn’t worry about him; it’s just a phase Holden must go through. Holden makes up an excuse to leave, and he thinks he hears Spencer yell “Good luck!” after him, which he thinks is a horrible thing to tell someone (21).
Holden heads back to his dorm, which is named after a man named Ossenburger, which reminds him of the time that his friend Edgar Marsella farted during a speech Ossenburger was giving to Pencey students. When he gets to his room, he settles in to read, but his suitemate, Robert Ackley, interrupts him. Holden has a poor opinion of Ackley, thinking of him as a nasty guy with a bad personality who rarely leaves the dorm.
Ackley starts bothering Holden by wandering around the room and poking around Holden’s stuff, including a picture of Holden’s ex-girlfriend Sally Hayes. Holden tries to annoy him so he’ll leave, but Ackley can’t take the hint. He comments on Holden’s new red hunting hat, saying it’s for hunting deer, and Holden responds that he shoots people in it.
Ackley asks Holden to retrieve a pair of scissors and then begins cutting his nails with them. While he does so, they talk about Holden’s roommate, Stradlater. Ackley and Stradlater don’t get along, primarily because Stradlater calls Ackley out on his poor hygiene. Holden stands up for Stradlater, saying he’d lend a person a tie without thinking twice about it.
Just then, Stradlater arrives and asks Holden if he can borrow a jacket. It’s snowing outside, and he has a date downstairs. Holden protests, saying he’ll stretch the jacket out, but Stradlater says he won’t and gets it from the closet. Ackley makes an excuse to leave so he won’t have to be around Stradlater, and Stradlater decides he should shave first, heading for the communal bathroom.
Holden follows Stradlater to the bathroom and watches him shave. Holden likes Stradlater, though he thinks Stradlater’s a bit of a narcissistic womanizer. While Stradlater shaves, he asks Holden for a favor: he has a descriptive composition due, and he wants Holden to write it. Holden finds this ironic since he’s the one being kicked out of school, and that leads him to careen from topic to topic in his mind until he grows bored and starts goofing off, dancing around to try and get Stradlater to laugh.
Stradlater compliments Holden’s new hat and asks again if he’ll write the composition. Holden says he’ll do it if he has the time. When the conversation turns to who Stradlater’s going on a date with, Holden starts wrestling with him until Stradlater breaks free. Stradlater reveals that his date knows Holden: it’s Jane Gallagher, an old neighbor.
Holden grows excited at hearing her name and asks Stradlater several questions about her; Stradlater shows little interest in their shared history, as it isn’t anything sexy. Holden tells a story of when they used to play checkers and Jane would keep all her kings in the back row, unwilling to sacrifice them. Stradlater says Holden should come down and say hello, and Holden says he’s not in the mood.
Stradlater heads back to their room, and Holden follows him, asking about the date. Stradlater is annoyed that Jane only signed out of her dorm until 9:30; it irritates Holden that Stradlater only sees Jane as a possible conquest, and it makes him nervous to think of dating Jane in general. Stradlater takes Holden’s coat and tells him to do the composition, leaving him alone until Ackley comes barging back into the room and hangs out until dinnertime.
Understanding Holden Caulfield as a subjective narrator is key to understanding Catcher in the Rye as a whole. Though he doesn’t cross into the realm of being an unreliable narrator, he does make long digressions away from the plot of the novel as he remembers past events and becomes distracted by notions that the characters around him either aren’t interested in or don’t understand. The conceit of his narration—that he is speaking to his reader from an institution—hangs over the events of the novel. There are also subjects that he avoids or diverts from, sometimes purposefully and sometimes as a defense mechanism that he doesn’t realize he’s employing.
The “you” that he is speaking to is unresolved throughout the novel; it could easily be a doctor or a fellow patient, and there is one moment toward the end of the book in which the “you” seems to shift to mean his deceased brother, Allie. Everything the reader experiences comes filtered through a bitter, depressed worldview of a young man who is having difficulty with the fact that he doesn’t fit into the society he sees as phony coupled with his struggle to reckon with the trauma of his brother’s death and witnessing the suicide of James Castle.
The first chapters of the book paint a picture of a distracted, depressed young man who views his surroundings with disdain, and his feelings about phonies are a frequent refrain throughout the book. He is disgusted with the high society of preparatory schools, but he also hates more benign forms of artificiality, like the movies; he is affected by The Lack of Authenticity in Adult Society. To Holden, phonies come in many flavors—rich old prep school donors, Spencer wishing him good luck, Stradlater being so concerned with getting somewhere physically with Jane instead of getting to know her—but he’s still quick to empathize with the individual, as he does when Ackley says he doesn’t like Stradlater. Ironically, Holden says Stradlater is the type of guy who would give his tie to you without asking, which is immediately followed by Stradlater arriving home to borrow Holden’s jacket and ask Holden to complete his homework for him; despite all this, Holden still likes him, and it’s clear that though Holden may be annoyed by his classmates, he’s far from an outcast among them. His problem isn’t with the individual acting in a way that’s phony but with a society that privileges phoniness as the way things should be.
Hearing Stradlater mention Jane Gallagher awakens something in Holden; it will be revealed throughout the book that Holden had true feelings for Jane that went unfulfilled in the time they knew each other, highlighting his Longing for Connection. His memory of Jane keeping her kings in the back row is a marker of his view of her: someone who is cautious with themselves and is willing to buck the rules to stay that way. That she would go on a date with Stradlater is distressing, both because it contradicts Holden’s experience of her and because Holden is jealous. He spends the next few days of the novel reaching out to several people in his life, but he never speaks with Jane, despite repeated moments when he thinks to do so. There’s something unbearable about the idea to Holden, which reveals both a reluctance to embroil her in his current mental and social crisis and a desire to not tarnish the idealized version of her from his past.
By J. D. Salinger