49 pages • 1 hour read
Kate MessnerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Sinan’s mom wakes Anna to ask if she’s seen him; he hasn’t returned since he went to the bathroom. Guards come to get Sinan’s mom, who is supposed to be restricted to one section of the airport with the rest of the musicians. Anna wakes José and Henry when she realizes Sinan has gone to rescue Hammurabi. Since most of the airport is sleeping, they agree to take a chance and sneak into the baggage area to find him.
The kids sneak past the airline desks, where the only adult is an inattentive employee “eating a cupcake and reading a book called Ten Days to a Flatter Belly” (109). The kids realize that to get into the baggage area they will have to ride the conveyor belt that takes luggage to be sorted. As the kids contemplate this idea, Snake-Arm hurries into the area wearing a baggage handler’s fluorescent orange vest, reaches behind a counter, and turns on the belt. From their hiding spot, they see him hop onto the belt and disappear. They become more convinced that Snake-Arm is involved in the theft of the flag and is going to check on it down below. Nervous but determined, they follow.
Anna, Henry, and José tumble into a cavernous space “ten times the size of Anna’s school gymnasium at home,” with bags and boxes of all sorts scattered everywhere (114). At first, the room seems deserted, but then they see Snake-Arm searching through the luggage. As they quietly look for bags labeled BTV for Burlington, Vermont, all the conveyor belts in the room suddenly spring into motion. As the bags move around the room, the kids follow, and Anna is separated from the others. She finds a bag labeled BTV and hops on the belt, determined to follow it to Sinan or the flag.
Anna rides the belt until she drops off a ramp into a pile of suitcases. She hears voices (one of which sounds familiar) and what sounds like change clinking in a pocket. Men are searching for the flag amid the luggage. Anna takes out her mini video camera to record them. The clinking comes from the clamps that were holding the flag, though Anna can’t see that—and one man scolds the other for bringing them from the museum. Anna climbs the belt to get a better view and ends up directly above them. As she records, she hears them tear a piece off the flag and gets so upset she drops her camera. As the men are about to investigate, Sinan and Hammurabi appear. The men grab Sinan, threatening that bad things can happen to lost kids at an airport, and the conveyor moves Anna away into a tunnel.
At the end of the tunnel, Anna finds José and Henry and tells them everything she heard. They know they need proof, so they decide to go back and find Anna’s camera. While it’s Anna’s turn to worry about the danger, Henry takes the lead and says they have to help Sinan because a little boy is more important than the camera. José halfheartedly offers a Euripides quote about courage but they all feel the situation is grim. Scared, Anna and José go back through the tunnel with Henry.
Back in the giant baggage room, they try to figure out where the men would have taken Sinan and Hammurabi. From a high perch, they see Snake-Arm below and then see the lid of a box moving—Sinan is hiding inside. They agree that Anna and José will create a distraction so Henry can try to get to Sinan.
Anna and José find a bag of golf clubs, which they drop to distract Snake-Arm while they run. He pursues them, and they climb along the maze of conveyor belts to escape. José looks through the luggage for something they can use to defend themselves and finds an assortment of toiletries. Snake-Arm approaches, warning them that he’s not just some baggage handler, and Anna asserts that they know who he is. He warns that if they don’t go with him they’ll be in trouble with much tougher people. José throws a tub of face powder at him, and Anna sprays him with hairspray, making him choke and cough long enough for them to get away. José has also emptied a bottle of shampoo onto the belt, so as Snake-Arm tries to pursue them again, he slips and falls, allowing them to escape.
These chapters develop the novel’s rising action and build narrative tension, as Sinan’s disappearance raises the stakes of the mystery. Because his mother is held without cause due to the overt prejudice and implicit bias Snickerbottom exploits with his accusations, responsibility for Sinan’s rescue falls to the three kids. Messner introduces the symbol of the baggage conveyor belt as the trio jumps literally and figuratively into the unknown. Mirroring the conveyor belt, the plot takes several twists and turns as well. The chapters shorten and events occur more rapidly as the kids accumulate evidence and face physical obstacles as well as the threat of being captured themselves. As they do so, they confront the idea that the adult world can be full of hypocrisy and that there are differences between what people claim and what they do, highlighting The Danger of Assumptions and Prejudices.
Henry and José’s different but equally valuable approaches to courage demonstrate The Value of Teamwork and Diverse Perspectives. Henry continues to demonstrate his protective instincts as he takes on the role of big brother and protector to Sinan. As Henry puts down his video games to help those around him, he becomes a more fully formed character—one whose sense of responsibility, justice, and courage is informed by the games he plays. Like Henry, José’s interests and innate character traits prove invaluable in helping the kids pursue their goals, demonstrating the same values of justice and courage expressed in a different way from Henry. Echoing their shared enthusiasm for Pindar’s words about action, both find the courage to jump onto the conveyor belt after José quotes Euripides: “A coward turns away, but a brave man’s choice is danger” (132). José also finds courage in logic: he identifies that it is the opportune time to try to find Sinan while the rest of the airport sleeps, rationally explains what they can expect when they follow the conveyor belt, and has the ability to think clearly and creatively by using toiletries to deter Snake-Arm.
Anna’s actions in these chapters also develop characterization and theme, illustrating her continuing sense of civic responsibility and her determination to Protect Artifacts That Shape Understanding of the Past. Her willingness to put herself in physical danger for the chance to catch the thieves on camera and her reaction to the sound of the flag ripping—“it felt as if something had torn in her heart” (126)—reinforce the urgency of their mission in the world of the story. Though Anna interprets the clinking she hears as change in someone’s pocket, Messner has already provided readers with the information needed for a different inference: the sound comes from the clamps used to hold the flag, which the thief put into his pocket in Chapter 2—information Messner provides to the reader but not her protagonists. Messner continues to misdirect the characters’ efforts through Anna’s assumption that Snake-Arm is working with the Serpentine Princes, which causes her to interpret his warning about “trouble with people a lot tougher than I am” as a threat to turn them over to his supposed accomplices (143). His assertion of doubt when they insist they know who he is further foreshadows their error about his identity. Though they escape him at the moment, Messner hints at their return to the baggage area since Henry, Sinan, and the camera are all still there.
By Kate Messner
Action & Adventure
View Collection
Appearance Versus Reality
View Collection
Books on Justice & Injustice
View Collection
Challenging Authority
View Collection
Class
View Collection
Class
View Collection
Friendship
View Collection
Juvenile Literature
View Collection
Nation & Nationalism
View Collection
Power
View Collection
Teams & Gangs
View Collection
The Past
View Collection
Truth & Lies
View Collection