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Elizabeth AlexanderA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
“The Dirt-Eaters” by Elizabeth Alexander (2001)
This poem, from Alexander’s collection Antebellum Dream Book, considers geophagy, or the eating of clay, dirt, chalk, etc., in relation to a news headline from the New York Times. Fragmented and composed in a long column of short lines that plunge down the page, the poem incorporates multiple voices to underscore a contrast between cultural practice and the way those practices are perceived by institutions outside the culture.
“Cough Medicine” by Elizabeth Alexander (1992)
In this poem, Alexander compares a child’s use of cough medication to what she has read from books as heroin and opium addiction. Like “Butter,” this poem reflects on childhood memories and contains serious messages between the lines.
“Persimmons” by Li-Young Lee (1986)
The speaker of this poem starts with a memory of being slapped in school for confusing two words that sound similar. In the course of the poem, the reader understands that the speaker is Chinese, who as a child was disciplined for his perceived mistakes in learning to speak English. The poem travels through memories of a lover, as well as of the speaker’s mother and father, considering the effects of language throughout.
“original [sin]” by Alison C. Rollins (2016)
Rollins’ poem highlights generational difference, as well as ideas about gratitude, identity, and self-possession.
“Onions” by William Matthews (1992)
Like “Butter,” Matthew’s poem uses a single culinary staple to illustrate the deep effect of food on lived experience. As in “Butter,” the onion comes to live inside the body, emitting a “domestic perfume” (Line 33) akin to the light pouring out from within the well-buttered body in Alexander’s poem.
In this seven-part interview, the two poets discuss what it means to grow up “Up South” in Washington, DC, as well as how some poems tell a “story that calls in other stories.” Alexander reads several of her poems.
Little Black Sambo Washington University Digital Gateway Image Collections and Exhibitions
This archive offers 21 mini-essays alongside the artwork from several iterations of Helen Bannerman’s 1899 children’s book, The Story of Little Black Sambo. The story is referenced in “Butter” and carries a long history of controversy and revival.
In this interview by Deborah Keenan and Diane LeBlanc, transcribed from a live event, Alexander discusses Sterling Brown’s notion that “Every I is a dramatic I”; what it means to cultivate a poetic voice; and how to learn from and honor one’s ancestors, literary and otherwise.
Alexander appeared as a guest on the podcast On Being with Krista Tippett on January 6, 2011. The conversation explores how poetry enters everyday experience and provides a way for people to process difficult events.
“A Poet’s Tale from Obama’s First Inaugural” by Elizabeth Alexander (2017)
In this article from The New Yorker, Alexander revisits the occasion of President Obama’s first Inauguration, for which Alexander composed and recited “Praise Song for the Day.”
By Elizabeth Alexander