74 pages • 2 hours read
Kamila ShamsieA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Part 3 opens in 1982 in Karachi, Pakistan, where Hiroko and Sajjad live with their 16-year-old son, Raza Konrad Ashraf. Raza is supposed to be studying for his college entry exams but is really looking at pictures of electronics sent to him by one of his cousins. Raza finds it difficult to fit in as a half-Japanese teen in Pakistan and wonders why Hiroko isn’t more like the traditional Pakistani mothers of his friends. Raza leaves to get ready for school while Hiroko reflects on 35 years of marriage to Sajjad and admires the fox painting in their living room, a gift from Sajjad and a reminder of the kyubi they said on their wedding day. Sajjad comes to the kitchen looking for Raza, and Hiroko asks him not to put too much pressure on Raza about the upcoming exams.
Sajjad imagines how his relationship to Raza would be different if Sajjad and Hiroko had been younger parents. Hiroko had a miscarriage early in their marriage, and they decided not to try again because of her fear of the lingering effects of radiation. Hiroko unexpectedly became pregnant at 41, and now Sajjad worries for Raza’s financial future as he approaches retirement. Still, Sajjad has come to see Karachi as home and is proud that Raza is taking the college entry exams a year early. Sajjad wants Raza to be the lawyer that he never got to be. Since James Burton never actually helped Sajjad gain the right certifications, Sajjad was unable to secure legal work in Pakistan and settled for a general manager position at a soap factory. Raza returns to the kitchen, and Sajjad gives him a gift, the same cashmere jacket that James Burton once gave to Sajjad.
Hiroko follows Raza out to make sure he takes his lunch money, and Raza’s friend Bilal playfully calls out “sayonara” to Hiroko. Raza never speaks Japanese in front of his schoolmates, self-conscious about being perceived as different.
Hiroko visits a bookstore and notes that a nearby coffee shop where Hiroko once met with other Japanese women living in Karachi is now closed. Hiroko could never admit to the other Japanese women that she was a survivor at Nagasaki, even though she was able to tell her Pakistani neighbors. In the bookstore, Hiroko looks at a copy of War and Peace by Leo Tolstoy, but another customer tells her that Western writers are “the enemies of Islam” (144). Hiroko believes that the trend of “aggressive religion” will pass and remembers her students who became kamikaze pilots. Hiroko waits for Raza to pick her up, noting that he has been acting strangely.
Raza arrives, handing Hiroko a newspaper in which the exam results are listed. Raza admits that, overwhelmed with anxiety, he did not complete the final essay on Islamic studies. Raza kept his failure a secret out of fear over of how the neighborhood, and especially Sajjad, would react. Hiroko comforts Raza and asks him if he actually wants to be a lawyer; Raza admits that he wants to study languages. Hiroko notes that Raza seems handle loss and disappointment with more struggle than either of his parents.
Hiroko breaks the news of Raza’s failure to Sajjad, who is initially angry but agrees to treat Raza gently. Hiroko points out that Raza can re-take the exam in the fall, before college starts, and may still get to enroll. Sajjad goes out to find Raza and finds him hiding from Bilal and the other neighborhood boys.
Harry Burton, the son of Ilse Weiss and James Burton, is now an American CIA operative on assignment in Islamabad, the capital of Pakistan. Harry travels to Karachi to reunite with Sajjad, whom he has not seen since he left India for boarding school as a child. Harry arrives at the Ashraf home and is greeted by Raza, who is simultaneously impressed by Harry’s American glamour and offended by Harry’s assumption that Raza doesn’t speak English. Raza shows off his linguistic prowess, and Harry is impressed, correctly guessing that Raza is Sajjad and Hiroko’s son. Sajjad is delighted to see Harry, and the two men share memories of their time together in Delhi. Sajjad introduces Harry to Hiroko, who tells Raza that Harry is Konrad Weiss’s nephew. Raza explains to Harry that his full name is Raza Konrad Ashraf. Harry is surprised, considering the name Konrad unlucky.
Harry asks Raza if he has enrolled in college, and a tense moment passes before Sajjad changes the topic and asks after Harry’s father, James. Harry, dismissive, tells them that James recently survived a heart attack and is back to partying with his Gentleman’s Club but that his mother—who now uses the name Ilse Weiss—will be delighted to hear that Harry has found them in Karachi. Raza, awestruck by Harry, worries that his parents will tell the American that Raza failed his exam a second time, once again due to anxiety. Sajjad was unable to hide his disappointment at Raza’s second failure, and the neighborhood boys distanced themselves from Raza. Sajjad wants Raza to take the exam again in a few months, but Raza is sure he will fail again.
Harry is driven by Sher Mohammed, a local CIA asset, to meet Sajjad and Raza at the Karachi fish harbor. Sajjad and Harry leave Raza asleep in the car, and Sajjad gives Harry Raza’s rubber shoes to wear. Sajjad shows Harry around the market and points out the Makranis, the original inhabitants of the region who are descended from enslaved Africans, calling Karachi “a city of comings and goings” (162). Harry notes that Sajjad talks of Karachi the way he used to talk about Delhi, and Sajjad agrees that much has changed. One of Sajjad’s brothers was killed in the Partition riots, another is also in Pakistan, and his third brother lives in poverty in India, dispossessed of the family home for being Muslim. Sajjad says that he used to blame James for all that happened but that he now thinks “this is my life, I must live it” (165).
Harry surveys the fish market wharf, wondering how many people there are involved in arms smuggling. Harry’s covert operations support the US proxy war in Afghanistan: The CIA buys weapons and sends them to Karachi, where the Inter-Services Intelligence (ISI), Pakistan’s corresponding agency, transports the weapons to training camps for Islamic guerilla fighters, the mujahideen, who are sent to fight the Soviet invasion of Afghanistan. Harry has not told the Ashraf family that he is with the CIA but knows that many assume all Americans in Pakistan are CIA because of the ongoing Cold War.
Meanwhile, Raza wakes in the car to discover his shoes missing and Harry and Sajjad gone. Not seeing Harry’s shoes, which were left for him, Raza sets out barefoot, coming across two Pashtun refugees from Afghanistan in a truck nearby. Raza calls out to the men in Pashto, which he learned from an Afghani bus driver, and the men assume that Raza is a Hazara, another ethnic group native to Afghanistan, because Raza’s combined Japanese and Pakistani facial features resemble the Hazara people. Raza plays along, pretending to be an Afghan refugee. A 14-year-old Pashtun Afghan boy, Abdullah, arrives and tells Raza to come find him in Sohrab Goth, a neighborhood of refugees, by looking for the painting of a dead Soviet soldier on Abdullah’s truck. Harry arrives and kneels before Raza apologetically, carrying his shoes. Abdullah looks at Raza in awe as the American man kneels before him.
Shamsie opens Part 3 by once again orienting the reader to a new place and historical context, as well as laying the groundwork for the narrative arcs of Raza and Harry, which become inextricably linked in Part 3 before culminating in the tragedy of Harry’s death and Raza’s arrest in Part 4. Shamsie shifts narrative focus, writing mostly from Raza and Harry’s perspective as she prepares to close Sajjad’s arc with his murder at the end of Part 3 and moving Hiroko into the role of onlooker. Shamsie also indicates the importance of Sher Mohammed, Sajjad’s eventual murderer, by naming him early on so that he will be recognizable in Chapter 25. Part 3’s title, “Part-Angel Warriors,” refers to Raza’s later confusion upon seeing men at the guerilla training camp whose weapons gleam in the sun and indicates that Part 3 will primarily focus on Raza’s transition to adulthood and loss of innocence after the murder of his father.
Part 3 also adds cross-generational considerations to the novel’s examination of cross-cultural intimacies. Raza Konrad—named for Sajjad’s favorite legendary warrior queen, Razia, and the man who embodied Hiroko’s cosmopolitan ideals—literally has his father’s dreams and his mother’s love for his namesakes. Shamsie presents Raza’s crisis of belonging as teenage rebellion “asserting itself through nationalism” against his culturally sensitive parents (132) —complicating notions of translation and language learning as means to intimacy by combining Raza’s love of languages with his instinct for secrecy. Raza uses language to obscure his identity in order to connect with the Afghan men rather than to intentionally forge a cross-cultural friendship. As Hiroko feels marked by her scars, Raza feels physically marked by difference because of his multi-ethnic background.
Harry is also seeking family and belonging—divorced and anxious to undo the harm caused by his father while working to establish the dream of his Uncle Konrad via the defeat of the Soviet Union. However, in the absence of a father figure he respects, Harry has adopted a patriotic attachment to the United States, veering toward the very nationalist tendencies of James, which frustrate him. Even as he quips about “the sacrifices a man makes for his country” (151), Harry maintains an idealistic belief in the rightness of US intervention in the Middle East. Harry is desperate to build a better world, but Shamsie suggests that his inability to confront the past hinders his ability to move forward, in stark contrast to how Sajjad’s forgiveness of James facilitates his new sense of home in Karachi.
Hiroko is presented in the beginning of Part 3 as the ultimate survivor, already well-practiced at reinventing the self in response to traumatic events. Hiroko’s discomfort with rising Islamic nationalism in Pakistan serves as a kind of barometer for political tensions in the novel, foreshadowing that, once again, geopolitical forces will indelibly mark Hiroko’s personal life and relationships, as Shamsie sets up Raza’s coming encounters with militant Islamic extremism.
By Kamila Shamsie
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