52 pages • 1 hour read
Christopher Paul CurtisA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The horn player in the band, Jimmy Wesley, deduces that Bud’s arrival must have something to do with the cryptic telegram Mr. Calloway received the day before. Mr. Calloway insists rudely that Bud is “a disturbed young man” (150) who does not know his father. When Bud tries to tell Mr. Calloway, “I belong with you now, sir” (150), Mr. Calloway becomes increasingly agitated. Mr. Jimmy asks Bud many questions to try to determine who his caretaker is in Flint, and Bud tries to explain his confusing circumstances at the Amoses and after he left their shed. Mr. Jimmy sends Bud to stand a distance away while he confers with Mr. Calloway. When Mr. Jimmy calls Bud to return, he offers Bud dinner at the Sweet Pea in exchange for more information. Bud agrees. Mr. Calloway leaves after making it known this is “nonsense.”
Mr. Jimmy introduces Bud to other band members: drummer Doug “the Thug” Tennant, saxophone player “Steady Eddie” Patrick, trombone player Chug “Doo-Doo Bug” Cross, and piano player Roy “Dirty Deed” Breed. They are all Black except for Roy, who is white. The Thug tries to convince Bud that he should run up to Mr. Calloway and hug and kiss him, but Bud realizes the Thug is teasing. Steady Eddie tells Bud, “You just steer clear of Mr. C. for a while, he’s not someone you want to toy with, and for God’s sake whatever you do, don’t call him Daddy or Poppa or anything that’s going to give anyone the idea you two are kin, you hear?” (156).
Inside the Sweet Pea restaurant, Bud sees Mr. Jimmy and Mr. Calloway at a table with a woman. Mr. Jimmy calls Bud over to sit with them. The woman is Miss Thomas, the band’s singer. She is sweet to Bud, ordering him meatloaf, mashed potatoes, and okra and noticing his stings and cuts. She demonstrates immediate concern for him and disregard for the orphanage setting and system. Mr. Calloway shows no sympathy for Bud’s revelations about fighting Todd Amos and being locked in a shed, saying “Sounds like a case of diarrhea of the mouth and constipation of the brain” (165). Mr. Calloway leaves the table and Steady Eddie comes to sit in his place. Bud begins to take notice as he eats the wonderful food how beautiful and sweet Miss Thomas is, how funny Mr. Jimmy is, and how nice Steady Eddie is. They laugh and talk and make Bud feel so welcome in their group that he begins to cry and cannot stop. Miss Thomas pulls Bud into her lap and soothes him; he understands that is okay to cry.
Miss Thomas drives Bud to “Grand Calloway Station,” a nickname for Mr. Calloway’s house. Miss Thomas explains that so many musicians come and go from the house that Mr. Calloway once compared it to Grand Central Station in New York City. Miss Thomas shows Bud to a bedroom. He sees a small dressing table and two small closet doors along with the bed, night table, and lamp. Bud worries that monsters like a wolfman might come out of the closets, and he asks if the doors are locked. Miss Thomas tells Bud that they are filled with a girl’s possessions, but she is gone. Bud knows this means the girl is dead. Miss Thomas tells Bud to get some sleep. Soon after she leaves, Bud hears Mr. Calloway and Miss Thomas arguing. Mr. Calloway comes into the room and locks the closet doors angrily. He tells Bud, “You’ve got the rest of them fooled but not me. […] I’m going to find out what your game is and believe you me, scamp, you’re going back where you belong” (180). Mr. Calloway threatens that he has “secret bell” all over the house to alert him if Bud touches or tries to take anything. Bud knows he is lying, like the public swimming lifeguards who claim a chemical water will turn red and burn anyone who urinates in the pool. Bud lies do
Bud wakes to discover his clothing folded next to the bed. It reminds him of how his momma used to do the same for him. Downstairs, he overhears Miss Thomas telling Mr. Calloway how orphanages are badly run. Mr. Calloway insists that he will find out the truth about Bud in Flint. Miss Thomas tells him she and the other bandmates all agreed to allow Bud to stay: “Until we’ve heard otherwise from Flint, he’s staying right here” (186). Steady Eddie speaks up and says he found a gift for Bud in the basement.
Bud runs upstairs to make noise as if he is just waking up so that they do not know he eavesdropped. Miss Thomas teases Bud for sleeping till noon. She also tells Bud that she and the band members would like for him to stay with them for a while, as long as “some people in Flint” (189) agree. Miss Thomas explains Bud will do chores and help out; part of his helping will involve assisting Mr. Calloway with his heavy bass fiddle when the group travels. Steady Eddie gives Bud an old, empty instrument case lined in soft black material. It is Eddie’s old instrument case, intended to replace Bud’s tattered suitcase. The band members arrive and greet Bud. Steady Eddie says Bud should learn the rules Mr. Calloway requires of his band members and explains they must practice two hours a day. Then he gives Bud a recorder. Bud is excited to learn to play music. Miss Thomas leaves when the band members give Bud his musician name. After several suggestions, they decide Bud’s band name is Sleepy LaBone. Bud loves it and looks forward to practicing double hours every day.
Conflict and tension increase throughout these chapters, as Bud completes the journey to Grand Rapids and confronts he man whom he feels must be his father. Mr. Calloway does not want to consider any connection to Bud, so Bud’s success in staying in Grand Rapids depends on the kindness of the band members and Miss Thomas. When Mr. Jimmy wants to pursue finding out more about where Bud came from, Mr. Calloway tells him, “Hey. But don’t forget, this is your little red wagon, you pull it if you want” (152).
The author establishes continued strength and resilience in Bud’s character. The heartbreak of being so quickly and completely rejected might have broken another child. Bud, however, learned positivity and steadiness throughout his years as an orphan, and simply thinks, “[…] Herman E. Calloway seemed like he was going to be hard to get along with” (153).
The conflict increases when Miss Thomas allows Bud to sleep in Mr. Calloway’s daughter’s bedroom. Mr. Calloway tells Bud that Bud cannot be trusted and tries to scare him with lies about a security system: “[…] so watch your step” (180). Despite Mr. Calloway’s unwelcoming tone and behavior, Bud is overwhelmed with new experiences on this journey. He not only finally receives basic needs like food and shelter but is also experiencing the love of a “family” for the first time since his momma died. Their gifts—the recorder and instrument case, the sharing of rules and conversation, his new band name—work like talismans to give him strength to ward off any disappointment in Mr. Calloway’s reactions, and in fact bolster his fighting spirit: “And Herman E. Calloway could kiss my wrist if he thought he was gonna scare me out of this” (172).
By Christopher Paul Curtis
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