106 pages • 3 hours read
Francisco JiménezA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Despite the hard work involved in keeping up with schoolwork while working at jobs picking fruit and cleaning the local school, Francisco and Roberto retain their youthful instinct to have fun. Specifically, the boys engage in berry-picking contests and the author surmises that “[w]henever Papa and I picked side by side, he handed me handfuls of strawberries” (61). On one occasion, Ito, the sharecropper who employs the family, witnesses Francisco throwing a rotten berry at his older brother and the author is terrified that the family will suffer reprisals as a result. Ito’s weekly visit to the Jimenez family home in order to pay Papa and the two boys has an almost ceremonial aspect, and the sharecropper sits at the head of the table and writes paychecks. Mr. Jiménez is paid at the rate of $1 per hour because he was “[…] a better picker and because he had worked for Ito for several summers” (64), while his sons are paid eighty-five cents per hour. Upon leaving the house, Ito compliments Francisco by saying, “You have a good arm, Panchito” (65), a reference to the accuracy with which the boy had hit his brother with the rotten berry. When Papa demands a translation of the comment, Mama advises that Ito had complimented the boy’s good work habits, thereby saving Francisco from his father’s wrath.
In keeping with a family pattern, the boys frequent the city dump after work in order to search for discarded items that might be useful; in fact, “Trampita” (“Little Tramp”) was given his nickname due to his mother’s habit of dressing him in clothes salvaged from the dump. When Trampita and Francisco decide to open a goldfish stand, the empty glass jars and wood used to build their stand are all salvaged materials. They enjoy the process of planning the project and catching the fish as they “[…] sprinkled the clearing with fresh tortilla bits and waited” (67). They anticipate selling their catch for five cents each. Bursting with enthusiasm, they return to their barracks at Bonetti Ranch and run into a neighbor, Carlos, who is selling goldfish at the lower rate of two for five cents. This early entrepreneurial defeat encourages the author to work harder at comprehending the contents of another find in the dump: a copy of Dr. Doolittle.
Another city dump anecdote involves a cosmetic disaster inflicted upon the author by Papa with a salvaged set of clipping shears, which he uses to cut the boy’s hair. Francisco notes that “I was his first customer” (69), and he bears the bad haircut to prove this point. Although his mother offers comfort and a baseball cap to disguise the disastrous results, she buys her husband a new set of clippers at the Goodwill Store. Francisco avoids attending the Vets dances until his hair grows back.
The author recalls the exhilaration of anticipating his first day as a freshman at Santa Monica High School, home of the Santa Monica “Saints” sports teams, recollecting that he wore “[…] a new pair of tan corduroy pants” (71), despite Roberto’s advice that most other high school boys wore blue jeans. Francisco resists this suggestion because he does not want to duplicate the clothes that he wears to pick strawberries. Once again, there is a description of the boy scrubbing his hands, this time with bleach, in order to remove the stubborn strawberry stains.
Papa’s emotional state deteriorates during this period, and Mama attributes this to his disappointment over the ruined dream of his own strawberry farm. Papa also dislikes working alone in the fields, and he will miss his sons when they attend school. Roberto, in particular, is two years behind in school due to the fact that “[e]very year, for nine years, he started school sometime in January, after the cotton season was over” (71). He hurts Francisco’s feelings by implying that the boy’s dream of becoming a teacher is unreachable due to the family’s impoverished status.
Francisco’s counselor, Mr. Kinkade, initially assumes that Francisco will enter a vocational program in high school. When the boy announces his dream of teaching, the counselor explains the concept of college scholarships being awarded to students with excellent grades. Francisco is enthused about this prospect and determined to earn high grades, but becomes anxious when the teacher for typing class announces that the students must practice at home, as the family does not own a typewriter. A social studies teacher projects a film involving a teenaged son who throws his school books to the floor in response to his father’s order that he study. Francisco reflects upon this behavior as opposed to the tacit acquiescence required by his own father. Finally, Francisco is amazed by the perfect recall displayed by his math teacher, Mr. Coe, who multiplies double-digit numbers mentally and memorizes his students’ names after calling the role only once. The boy resolves to emulate Mr. Coe, and writes “[…] double-digit multiplication tables on postcards” (79) to memorize as he works.
Thrilled by the possibility of attending college, and determined to earn good grades, Francisco assumes that gym class will be an easy way to achieve a high mark. Sadly, preparation is a key component of the grade, and the boy’s sneakers are taken from his gym locker early in the semester, causing him to lose five points from his total grade. While Mama assures him that the shoes will be replaced, Papa notes that “[…] it won’t be until the end of next week, when Roberto gets paid” (81). Francisco misses changing into gym clothes for several days, and weeps silently outside the house as a result.
His younger brothers, Trampita and Torito, eventually find an old pair of sneakers in the dump, which fit Francisco when he wears them with two pair of socks. He develops a long-lasting case of athlete’s foot as a result of wearing the salvaged tennis shoes, and is given a midterm grade of “C”.
The overriding theme of survival being dependent upon uncontrollable variables continues to dominate the plot, with constant references to the significance of strawberries. Specifically, the repercussions of the failed strawberry farm trigger a downward psychological spiral for Mr. Jimenez, who becomes pessimistic about the possibility of the family fighting its way out of poverty. The author relates a poignant anecdote relating to normal sibling rivalry and his amusement turning into terror upon realizing that Ito, the sharecropper who employs the family, has witnessed him throwing a rotten strawberry at his older brother. Similarly, the author alludes to extreme measures to eradicate the “stain” of strawberries throughout the narrative. On the evening prior to his first day of high school, the author tries to remove the berry stains by cleaning his hands with bleach.
Comparable anecdotes exist throughout the book; the reader may recall that Francisco and Roberto washed with Fab detergent instead of body soap prior to being treated to dinner in a steak restaurant. The reader is reminded of the anecdote told by the author at the beginning of the book when he describes himself, Roberto and their parents digging through the dirt under the fence at the border in order to enter the United States. The implication appears to be that, physically and psychologically, it is necessary to suffer through the pain of caustic cleansers in order to be truly cleansed of the shame and soil caused by working as a picker and having initially arrived in the country without documentation.
Another frequently visited theme is that of the family’s frequent visits to the city dump, where they find usable discarded objects and clothing. Again, these memories are not without painful connotations. Francisco suffers the results of a humiliating haircut given to him by his father with a rusty pair of clippers from the dump that results in his foregoing his beloved dances at the Vets club for the remainder of the summer. When his sneakers are stolen from his gym locker, the author’s younger brothers bring home a pair salvaged from the dump that result in a painful and lingering case of athlete’s foot. The brothers hide their hard-earned wages in a chipped bust of Jesus Christ found at the dump after burglars steal cash from the initial, overly predictable hiding place under their mattress. The use of the image of Christ as the protector of their cash wages mirrors the combination of their mother’s sense of being protected by faith in God, coupled with their father’s hardnosed pragmatism regarding the importance of money and hard work.
While further education holds the promise of fulfilling Francisco’s dream of becoming a teacher, it also leads to his questioning of cultural norms within his own family. When his social studies teacher shows a film depicting an angry teenager throwing his books to the floor during an argument with his father, the author reflects upon the rule within his own home: no one is allowed to express an opinion contrary to that of his own father’s. Although Papa clearly loves all his children, he exhibits a taciturn and cynical reaction when Francisco shares his dream of becoming a teacher, stating that the profession is reserved for those with money. Papa’s disappointment over his failed strawberry-farm venture, coupled with his increasing physical disability and chronic back pain, serve to color his world view with pessimism. Mama seeks to rationalize his behavior, reminding Francisco of his father’s various difficulties and suggesting that perhaps the older man’s comment regarding teaching was intended to make the boy think his plan through clearly.
The family largely adheres to conventional cultural gender roles. Mama, as tradition dictates, absorbs the brunt of her bitter husband’s anger, rationalizes his behavior, and tries her best to protect her children. Conversely, she never allows them to forget that he is, essentially, a good man who has been horribly disappointed due to uncontrollable variables. She exerts a great deal of energy trying to calm and comfort her husband while tending to the needs of her large family; in this sense, she is a very conventional female from this time period and background. Nonetheless, when a visitor such as Ito is expected, everyone assists in cleaning the house in order to make it presentable. The primary thrust of this family’s existence is to escape poverty and provide the means for the children to have the opportunity to lead lives that are easier in every way than those of their parents.
By Francisco Jiménez