60 pages • 2 hours read
Alice HoffmanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide describes and discusses the source text’s treatment of rape, domestic violence, and death by suicide.
Using a third-person omniscient point-of-view, the novel opens with the British naval blockade of Cape Cod during the War of 1812. As a result of the blockade, fishing season brings extra anxiety for women in town. In addition to the usual fear of losing their men to the ocean, they also fear the British: If boats are caught, men will be sentenced to death, and boys will be sent to prison in England.
John Hadley longs to start anew as a turnip farmer. He loves his wife deeply, and being at sea is unbearable without her. With the help of his eldest son, Vincent, and neighbors, he spends three years building a house inland. Ten-year-old Isaac, the youngest Hadley, doesn’t help; instead, he rescues a baby blackbird, which becomes his constant companion.
When fishing season arrives, the Hadleys have been in the house only a month, and the farm isn’t yet functional, but John’s sense of duty propels him out to sea one last time. Coral insists that Isaac remain home, but John takes both boys, embarking on a moonless night to escape the notice of the British. He promises Coral that this will be his last trip.
Vincent considers himself a man because, at 15, he looms six feet tall and has already gone to sea twice. He teases his brother about the blackbird, which Isaac has named Ink. Vincent claims that it’s so dependent upon Isaac that it will never learn to fly. Isaac’s adoration of the bird only grows, and he reveals to his mother that he wishes Ink could talk. When Coral laughs and inquires what the bird might say, Isaac responds, “‘I’ll never leave you. I’ll be with you for all time’” (8). These words gut Coral, and consequently, she pleads with John to leave Isaac at home.
However, John, his sons, and Ink depart according to plan. Vincent falls asleep, but Isaac can’t, and his father sits with him, letting the boy articulate his fears. John assures his son that he’ll save him if something terrible happens. When the wind changes, John smells turnips, a reminder of home.
The second part of the chapter begins with the town holding services for all lost in the storm. Even though no bodies have been recovered, the missing are all presumed dead: If the storm hadn’t claimed their lives, the British must have. Coral, however, refuses to mourn her husband and sons, insisting that they’re alive. Instead, she plants the fields as her husband intended, with turnips, corn, and sweet peas, the flowers he once gave her. She labors all summer, refusing help from others.
One year later, Isaac’s blackbird returns, and it has turned white. Ink alights progressively closer until Coral can’t deny its presence, which, she realizes, indicates that her family is gone. In her grief, Coral nearly starves, but her friend Hannah Crosby, who spots the bird circling the house, rescues her. With help from Hannah, the doctor, and other kind townsfolk, Coral recovers, and her farm thrives. By the end of the summer, she’s selling her turnips to everyone, including British soldiers.
Seven years after the storm, the blackbird remains, despite Coral’s attempts to kill it or drive it away. Her neighbors generously build a fence, gift sheep, and even leave food for the birds. One morning, looking much older, Coral emerges from her house to see a man standing there. It’s Vincent.
The third part of the chapter recounts Vincent’s survival and journey home. During the storm, Isaac released the blackbird to the sky, and his father threw Vincent a barrel to float on. Vincent saw his father clutching Isaac but never saw them again. Vincent was rescued by the British, who sent him to prison in England for five years. Afterward, he navigated home to Cape Cod by working on ships, volunteering for the most dangerous tasks. When he saw the farm, he wondered how love can motivate a person, even when they feel empty inside.
A generation after the Hadleys, the focus turns to Ruth Declan, called Ruth Blackbird Hill because of where she resides. The townsfolk fear she’s a witch because of her red boots, so they wear charms to protect themselves against her. Ruth keeps cows, which she adores and treats like pets. They provide sweet, green milk, which the townsfolk also fear. Additionally, Blackbird Hill is rife with fruit trees. All of this sustains Ruth and allows her to keep her distance until two events force her into town: her parents’ deaths and a fire that destroys her home.
After watching the fire smolder for days, Ruth treks into town and camps on the beach with her cows. She has no shelter, endures all sorts of weather, and eats only what she can dig up on the beach. Two women, Susan Crosby and Easter West, patiently gain her trust and convince her that despite her sorrow, she must go on. One day, they lead her inland a mile to Lysander Wynn’s farm, the old Hadley place. Ruth believes they might sell her into servitude, but she’s so forlorn that she doesn’t care.
Lysander Wynn is a blacksmith now but once was a sailor. After losing his leg to a 300-pound halibut in a fishing accident, he swore off the sea and bought the Hadley farm because it was far from the ocean. His lonely existence consists of blacksmithing and solitary walks in the woods. The day the women arrive with Ruth, he’s skeptical when they propose that the girl, only 19, might cook and clean for him in exchange for a place to stay and fields for her cows to graze. Both Lysander and Ruth reluctantly accept, although she neither cooks nor cleans.
The two exist side-by-side, barely talking. Lysander provides for her, while she watches him from afar. Unlike the townsfolk, the man admires Ruth’s red boots because they remind him of the warmth he yearns for: He can’t shake the cold of the sea. One day, she enters the blacksmith’s work shed. When she speaks to him the first time, she abruptly asks about his leg. She laughs at his response, so he brusquely reveals his necklace of halibut teeth, which he has coughed up one by one since the accident.
Meanwhile, the townsfolk have forgotten about Ruth until the day Susan and Easter find buckets of sweet green milk on their doorsteps. Drinking it quenches their thirst, and that night, Easter dreams of blackbirds and her husband at sea. She wakes with a craving for more milk, so she heads to Lysander’s farm, where Ruth is expecting her. While there, Easter notices Ruth crying and asks whether Lysander is cruel to her. Ruth denies this but states that she’ll never get what she most wants. When Lysander learns of this, he leaves her a note promising her whatever she’d like. The next day, he finds a response asking for a tree bearing red pears. Lysander leaves immediately and doesn’t return for two weeks, but when he does, he has a red pear tree. He notes that he’d have gone as far as needed to get her heart’s desire. They plant the tree and wait a year, hoping that it yields red pears. Ruth is hopeful that by then it won’t matter.
The story of Coral and Vincent in “The Edge of the World” introduces one of the novel’s main themes: Love as Motivation. For an entire year, Coral refuses to relinquish hope that her family survived the storm and the British naval presence. Her love for her family enables her to subsist and establish a turnip farm without help:
She had planted the field the way she thought John would want her to. Though the ground was cold, she dug in row after row of turnips, then she planted corn; at last she sprinkled the seedpods of pink sweet peas, feed for the cows they would someday have, and for remembrance as well. John had favored sweet peas, and had brought her armfuls of the flowers when he was courting her (13).
Coral toils to create John’s farm, which symbolizes their relationship and helps her hold onto hope. The motivational power of love is likewise present in Vincent’s will to survive and return. By the end of his prison sentence, “[t]here was no water left inside him. There was nothing inside him at all” (18). After all he endures, Vincent feels empty and unable to cry, suggesting that he has nothing to live for. Nevertheless, when he returns and sees the bountiful farm, “[h]e thought about how love could move you in ways you wouldn’t have imagined, one foot in front of the other, even when you thought you had nothing left inside” (21). Vincent’s musings reveal that he’s not empty: Love motivates his journey home, and he realizes that the emotion guided his mother’s perseverance through grief as well.
Like the Hadleys, Lysander Wynn demonstrates how love can inspire action. Although he and Ruth never explicitly express their feelings for one another, Lysander’s actions expose his tenderness for her. Both have endured trauma yet find solace in each other. Lysander’s setting out to obtain a red pear tree for Ruth emphasizes the motivational power of love: He journeys two weeks to find it. In fact, “[h]e would have gone father still if it had been necessary […] He would have kept on even if snow had begun to fall” (37). Motivated by the desire to make Ruth happy, Lysander would have continued as long as necessary. Like Coral and Vincent, Lysander succeeds because he’s fueled by love.
Also prominent is the novel’s second main theme, which these chapters introduce: The Power of Place in Shaping Lives. In “The Witch of Truro,” the description of the setting underscores how physical conditions can impact surroundings: “From every bitter thing, after all, something hardy will surely grow. From every difficulty, the seed that’s sewn is much stronger” (23). This literally describes Cape Cod’s physical landscape, which can be brutal and barren. However, the notion that life can sprout from the harshest conditions metaphorically refers to the resilience in people that both Ruth and Lysander’s experiences illustrate. For Ruth, “[i]t was not enough that she should lose her mother and her father, one after the other, now she had lost Blackbird Hill, and with it she had lost herself” (25). Her identity is inextricably linked to where she lived: the hill that provided for her and her cows. However, after fire destroys that home, she finds a way to survive. For Lysander, his identity as a sailor and his existence on the sea ultimately resulted in his injury and altered his life and his profession. They both are shaped by the harsh reality of where they live, and the solace of the farm also helps shape their love for one another.
In addition to introducing thematic elements, this section establishes the use of magical realism and the motif of the titular blackbird. Lysander’s coughing up halibut teeth years after his fishing accident is an impossibility. However, this detail underscores how that trauma will never leave him. Similarly, after the storm in “The Edge of the World,” Isaac’s blackbird, Ink, returns but is now white. Whether an anomaly or a ghost, this occurrence is otherworldly. Once a source of joy for Isaac, the bird returns to illustrate Coral’s state of mind. She accepts the loss of her family only when the bird reappears. She tries to dispose of it because the grief of her loss, like the bird, haunts her. Likewise, Ruth has endured multiple tragedies. When she’s driven from her home by death and destruction, “[a] blackbird seemed to swoop by followed by a herd of skinny milk-cows that had all turned to pitch in the fire” (25). The bird, which precedes Ruth’s walk into town, is a harbinger of sorrow. However, the blackbird motif signals not only sorrow but resilience, introducing the novel’s third main theme: Resilience Resulting From Adversity. Despite great losses, both Coral and Ruth become stronger through their struggles, and they survive and carry on. Although Coral mourns at the sight of the white blackbird, she eventually cultivates a thriving farm, whereas the bird literally leads Ruth away from her trauma. Both women exhibit perseverance in the face of suffering, and the blackbird accompanies them. Ultimately, the magical animal serves as a thread uniting the inhabitants of Blackbird House.
By Alice Hoffman
Appearance Versus Reality
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Beauty
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Family
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Fate
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Good & Evil
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Grief
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Jewish American Literature
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Magical Realism
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Mortality & Death
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Romance
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The Past
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Valentine's Day Reads: The Theme of Love
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