64 pages • 2 hours read
Michael HarriotA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Michael Harriot, a prominent writer and journalist, has emerged as a powerful voice in contemporary discourse on historical oppression and the Black Lives Matter movement. Harriot’s upbringing in the heart of the civil rights struggle, as well as his homeschool education, which focused on Black historical narratives, deeply influenced his perspective on racial injustice.
Through his writings for platforms like The Atlantic, The Root, TheGrio Daily, and his podcast Drapetomaniax, Harriot confronts the legacies of systemic racism and white supremacy in America. His incisive political commentary delves into the intersections of race, history, and power dynamics, challenging conventional narratives and amplifying marginalized voices. Harriot’s ability to contextualize current events within the broader historical continuum of oppression faced by Black communities makes him a well-qualified candidate to write a subversive historical nonfiction narrative like Black AF History. He eloquently exposes the ways in which systemic injustices persist, from police brutality to economic inequality, drawing parallels to historical struggles for liberation. Through his uncompromising analysis and unwavering commitment to truth-telling, he calls for an acknowledgment of uncomfortable truths and active participation in the fight against oppression.
W. E. B. Du Bois, born in 1868, was a pioneering African American sociologist, historian, civil rights activist, and prolific writer. Throughout his life, Du Bois played a vital role in challenging the systemic oppression faced by Black people in the United States. In Black AF History, Du Bois acts as a reliable second narrator, peppering almost every chapter with excerpts from his sociological and historical works. Du Bois’s seminal work, The Souls of Black Folk (1903), articulates many aspects of the Black American experience to which white people might be blind. He talks about the struggles of internalized racism, the all-pervading, almost incomprehensible influence of white supremacy, and ultimately the brave hope and resilience of Black individuals living in a society that marginalizes and dehumanizes them.
As a co-founder of the National Association for the Advancement of Colored People (NAACP), Du Bois was instrumental in the fight against racial injustice. Though Du Bois acts as a familiar narrator figure, Harriot also includes critiques of Du Bois from other contemporary activists and journalists, mainly of some of his white appeasement rhetoric and endorsement of respectability politics, advocating for Black people to change to avoid white oppression instead of singularly arguing for the disenfranchisement and punishment of violent white supremacists.
Racist Baby, an invention of Harriot’s, acts as a know-nothing antagonist to which Harriot can explain basic concepts of inequality. Racist Baby gives Harriot an outlet to express his signature biting humor, while also ridiculing the perspectives of racists. By casting a racist’s perspective as adult or complex, Harriot would be giving it credence. Instead, he constructs a five-year-old character raised by racists, spouting half-formed repetitions of racist myths about Black people and America.
Racist Baby is used to undercut the high emotions of complex issues like the mythologized identity of the South as a noble “Lost Cause.” It is difficult to reach proponents of this myth since it is emotional rather than logical in nature. By having Racist Baby defend the idealized antebellum South, Harriot showcases its ridiculous nature. Harriot also addresses the sticky issue of reparations via a conversation with Racist Baby. Harriot dismantles the arguments against reparations and the structure of the chapter implies that these arguments are infantile and half-formed. Racist Baby, despite his morally abhorrent views, is treated kindly by Harriot, who justifies his attempts to argue with the baby as trying to prevent a Racist Baby from growing up into a Racist Man. Racist Baby, though spouting toxic rhetoric, also relates to Harriot in a friendly way, showing the tragedy of inherited racist beliefs, which can poison the mind of an otherwise kind person.
Uncle Rob, Harriot’s intelligent and insightful uncle, is used as a character to explain particular issues under the pretense of “taking over” while the author is distracted. Uncle Rob’s voice is humorous, insightful, and expansive, drawing together aspects of racial history through the perspective of an older Black man. Uncle Rob also pokes fun at Harriot, mocking his infatuation with the works of Du Bois and his “book learning,” which can create distance between theories about racism and actual lived experience.
Uncle Rob is employed to explain issues that seem confounding or disparate, utilizing his talent for storytelling to bolster the validity of his theories. For example, Uncle Rob explains why, above anything else, a Black person should be afraid of anyone who identifies as an American, a notion that seems nonsensical at first, especially to white readers. Uncle Rob then explains that the category of “American” has always excluded Black people, and people who think of themselves as “American first” are usually the most likely to see Black people as a problem and try to coerce them with violence to keep them in line. Black Americans, on the other hand, pursue their freedom above their American identity.
Uncle Rob also enters the narrative again to explain the sometimes confounding phenomenon of the Southern switch, the splintering of political parties that transformed the small-government, pro-slavery Democrats into the big-government, anti-slavery, and anti-racism party they are today. Racists and conservative pundits often use the former identity of the Democratic Party as a “gotcha,” arguing that the Democrats are tricking Black people into voting for them. Uncle Rob deftly maneuvers through the confusing narrative of the different political parties to explain how the Republicans were the good guys in the Civil War and now the Democrats (somewhat) claim that title. Uncle Rob’s entertaining storytelling and his clever one-liners turn what could have been dry and confusing historical narratives into engaging and comprehensible monologues.