45 pages • 1 hour read
Josh MalermanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In a suburb of Detroit, Michigan, during the mid 2010s, Malorie lives in a house with two four-year-old children whom she refers to simply as the Boy and the Girl. Four years earlier, a mysterious problem spread through the world: After seeing an unknown entity or creature, people started to act irrationally and committed acts of violence, including murder and suicide; only a few managed to survive. To protect herself and the children from seeing these creatures, Malorie keeps the windows of the house always covered and wears a blindfold whenever she goes outside. She also keeps microphones in the yard connected to amplifiers in the house and trains the children to listen closely. The house is dirty, including bloodstains that Malorie tried to wash out of the carpet.
Sensing fog in the air, Malorie decides the time is right for her and the children to leave the house and take a risky 20-mile trip down the nearby river. She wakes the children and tells them to put on their blindfolds and dress warmly. Before leaving, she commits the Boy and the Girl to follow her instructions, keep their blindfolds on, and listen carefully throughout their journey.
Holding hands, Malorie and the children pass through the yard and a wooded area on their way to the river, following physical markers Malorie set up years earlier. At the river, they get into a rowboat and push off.
Not quite five years earlier, Malorie shares an apartment with her sister Shannon. The two are close but sometimes annoy each other.
After missing her period, Malorie looks in the mirror, wondering if she is pregnant following an isolated sexual encounter a few weeks earlier. From another room, Shannon calls out the latest news about a series of bizarre murder-suicides. The first three incidents took place in Russia, but the latest reports come from Alaska and Canada. Entering the bathroom, Shannon recognizes Malorie’s concern at a potential pregnancy. Shannon hugs her and encourages her not to panic.
In the later timeline, Malorie and the children make slow progress, with the boat occasionally getting stuck. They hear birds, fish, and other animals moving around them. Recognizing the significance of hearing in a world where they are compelled to travel without looking, Malorie trained the children to recognize a variety of sounds from a young age. Malorie tries to shake her fears that the children will remove their blindfolds out of curiosity or, worse, that hands will reach out and pull them off.
In the earlier timeline, Malorie and Shannon drive to a drugstore to purchase a pregnancy test. On the way, Shannon points out some of the precautions people are taking against seeing whatever it is that causes the violent behavior, such as draping blankets over windows.
Returning home, Malorie takes the test, which confirms that she is pregnant. After trying to get in touch with Henry Martin, her date from a few weeks earlier, she calls her mother and tells her that she intends to go through with the pregnancy. They also discuss the death of an elderly couple in Iron Mountain, Michigan, the closest incident so far.
Scanning the newspaper, Malorie notices a classified ad advertising a “safe house” in which to gather. Shannon puts blankets over the windows.
Three months later, Malorie and Shannon shelter at home as the incidents continue to escalate. Online discussion of “the Problem,” as it’s called, proliferates on blogs and social media, and everyone agrees on some basic facts: It starts by seeing something, though no one knows what, and it ends in suicide. Shannon more readily believes than Malorie, but eventually Malorie accepts the mounting evidence. Their alarm increases when their parents, who live in Michigan’s Upper Peninsula, stop answering their calls. As her pregnancy progresses, Malorie faces various uncomfortable symptoms and cravings.
One day, while Malorie is watching news, she hears a noise upstairs. Going up, she sees that the blanket over Shannon’s window partially fell. She finds Shannon dead in the bathroom, scissors stuck in her chest. After failing to contact the police and her parents, Malorie remembers the ad for a safe house in Riverbridge, which is a 20-minute drive away.
Traveling down the river in the later timeline, Malorie stops rowing when Boy says that he hears something. She hears it, too, something big moving through the water. She wonders whether it is an animal, such as a bear, or one of the creatures. Malorie feels it touch the boat and prepares to swing with the paddle, but it moves away and apparently steps or crawls onto shore. They drift away.
In the earlier timeline, Malorie makes her way to the house in Riverbridge. She drives slowly, shielding her eyes as much as possible. After arriving at the address, she blindfolds herself, grabs her suitcase, and rings the doorbell. She hears voices from inside the house; one of them questions her. The occupants let her in, then feel around her with brooms to make sure she came in alone. They then remove their blindfolds, as does Malorie.
She meets the five occupants of the house: four men named Tom, Jules, Don, and Felix, and a woman named Cheryl. Tom is wearing makeshift body armor and a helmet, which he removes. When Malorie admits that she is pregnant, Tom offers to give up his bedroom for her.
They give Malorie a tour of the house; she meets Jules’s dog, Victor. Felix explains that they have a few months’ worth of canned food. Tom questions Malorie about her knowledge of the Problem. He explains that they have no internet or mail, but the phone and electricity still work, thanks to a nearby hydroelectric plant. Lacking running water, they draw water from a well in the backyard and carry out waste in buckets. Tom adds that George, the owner of the house, died after seeing one of the creatures. Tom speculates that the creatures exceed human comprehension.
Malorie faints.
Malorie wakes up in her bedroom. Going downstairs, she finds Jules doing laundry, Don and Cheryl cleaning, and Felix calling random numbers in the hopes of contacting other survivors. Malorie joins Tom as he counts their food supplies in the basement. He shows her an area in the basement wall where the brick is broken, revealing earth, as well as the tapestry-covered entry to a laundry room.
Tom shares that he was an eighth-grade teacher before the Problem. About eight years ago, his wife died in childbirth, leaving him a daughter, Robin. Robin was a precocious child, curious and intelligent. After the Problem forced Tom and Robin to shelter at home, Robin became increasingly troubled. One day, she died by suicide, leaving Tom to wonder whether she saw a creature or acted by choice.
These first few chapters serve the purpose of worldbuilding, allowing Malerman to flesh out the unique circumstances Malorie and the children face. His decision to place the story’s events in a contemporary setting (as of publication) means that much of the characters’ world is already assumed or inferred by readers, leaving Malerman to focus on how Malorie’s experience diverges from the real world. Switching between two timelines allows Malerman both to gradually unveil the unique features of his postapocalyptic vision via the flashbacks to when the Problem started and to surprise readers with jarring differences in the quality of life with the later timeline. His first chapter offers a classic in medias res opening, since readers have no idea how Malorie and the children came to be in such a peculiar situation. This creates an engrossing reading experience as Malerman slowly reveals what brought her to that point.
Thematically, events in these chapters introduce Malerman’s examination of Raising Children to Face an Uncertain Future. Malorie and Shannon’s role as children to their parents is lost as they lose contact with them, highlighting the growing confusion and hysteria that accompanied the Problem. Malorie’s discovery that she is pregnant in the earlier timeline prompts significant worry on her part, while her life in the later timeline centers on her attempts to keep the children safe and to prepare them to face a hostile world. Her support system also shifts after Shannon’s death, from biological family to found family she creates within the safe house. These transitions cause anxiety concerning the unknown and influences her future choices of how she instructs the children to trust others, including herself. Tom’s loss of a child, meanwhile, haunts him, showing the enduring impact of parenthood on identity.
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